Film Reviews
Candyman review - Nia DaCosta's clever sequel to the 1992 slasher movieSaturday, 28 August 2021
Anaphylactic shock, anyone? Candyman, both the 1992 original, directed by British director Bernard Rose and based on a story by Clive Barker, and its stylish, sharp sequel by Nia DaCosta, co-written and produced by Jordan Peele, features an awful lot of bees. Read more... |
The Toll review - once upon a time in west WalesSaturday, 28 August 2021
Budget constraints. In the hands of the right filmmakers, they can be a blessing in disguise, forcing creativity from simplicity. That’s exactly what works for The Toll, a dark comedy set in the wild west of these isles: Pembrokeshire. Read more... |
Our Ladies review - five go wild in EdinburghFriday, 27 August 2021
It’s often the company one keeps that makes a journey worthwhile, not the destination. That’s as true for the five ebullient Fort William schoolgirls making their first trip to Edinburgh in Our Ladies as it is for the film’s audience. These Highland hoydens are so much fun, it’s a pity when our brief time with them ends. Read more... |
The Nest review – intriguing, off-kilter family dramaThursday, 26 August 2021
The Nest is a peculiar animal, hard to nail down, parts family drama and social satire, but with a creepy sense of suspense rippling under the surface that threatens to bust the plot wide open. Read more... |
Reminiscence review - looks great but doesn't deliverThursday, 19 August 2021
Written and directed by Lisa Joy, who masterminded HBO’s Westworld TV series, Reminiscence is a grandiose sci-fi blockbuster that looks great, sounds deafening, but ultimately disappoints because it’s a genre-sampler that can’t find a distinctive voice of its own. Read more... |
The Courier review - lacklustre spy movieFriday, 13 August 2021
It’s always a bit worrying when distributors choose to open a film in August at the best of times, but after 18 months of covid playing havoc with release schedules, the backlog of titles has to be dealt with somehow. The Courier is one such movie, seeping out now in selected art house cinemas: if it doesn’t set the box office on fire, the distributors can blame the sunshine, not the drabness of the movie itself. Read more... |
CODA review - warm-hearted comedy about growing up in a Deaf familyThursday, 12 August 2021
When CODA opened Sundance in May, it was an instant hit with that liberal, kindly audience and was snapped up by Disney at great expense. It’s easy to see why – CODA is a funny, easy-to-watch coming of age comedy that allows viewers to feel warm and understanding towards Deaf people. It’s got Oscar nominations written all over it. Read more... |
El Father Plays Himself review – a roller coaster ride of mixed emotionsSaturday, 07 August 2021
A young film director writes a script based on his father’s life story and invites his dad to play the part. It’s an interesting gambit, given that the son, Jorge Thielen Armand left Venezuela with his mother at the age of 15 and has not returned since. His father stayed behind, so their relationship has stalled. Can it be reignited? Read more... |
Zola review - high-energy comic thriller tackles sex workThursday, 05 August 2021
It’s hard to imagine a movie more of its time than Zola, as it takes on sex, race, the glamorisation of porn and the allure of the ever-online world. Read more... |
The Sparks Brothers review - giddy celebration of the Mael brothersSaturday, 31 July 2021
How lovely it must be to direct a documentary about your favourite musicians and have no one stop you from cramming in everyone who has ever loved them too. Read more... |
Limbo review - quiet but volubleSaturday, 31 July 2021
Displacement looms large over every quietly impressive frame of Limbo, writer-director Ben Sharrock's magnetic film about a young Syrian man called Omar (Amir El-Masry) who finds himself biding his time in the remotest reaches of Scotland on the way to some unknown new life. Read more... |
The Most Beautiful Boy in the World review - a harrowing tale vividly toldWednesday, 28 July 2021
The Most Beautiful Boy in the World is the most harrowing film you are ever likely to watch, but don’t let that put you off. This was a documentary waiting to be made. It tells the story of a young beauty propelled into international stardom before gradually descending into alcoholism and abject despair. Read more... |
Off the Rails review - go for the scenery, not the scriptSaturday, 24 July 2021
Mamma Mia! hovers unhelpfully over every frame of Off the Rails, a road movie of sorts in which three women make a music-fueled pilgrimage to Mallorca to honour the wishes of a fourth friend, who has died before time of cancer. Read more... |
Old review - time flies in tropical island mysteryFriday, 23 July 2021
You can rely on M Night Shyamalan to deliver supernatural shocks and freakish events, but the alternative-reality nature of his projects demands suspension of disbelief. It’s great when it works (The Sixth Sense or Split), but a bit of a bummer when it doesn’t. Read more... |
Riders of Justice review - revenge, coincidence and the meaning of lifeThursday, 22 July 2021
All events are products of a series of preceding events. Or is life just a chain of coincidences? And if so, what’s the point in anything? Read more... |
Two of Us review - a lesbian love story with a differenceThursday, 15 July 2021
“Do you have a problem with old dykes?” demands Nina (the superbly ferocious Barbara Sukowa) of a bland, nervous young estate agent, halfway through this wonderfully original first feature from director Filippo Meneghetti. No, he stammers. Read more... |
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