Film Reviews
Milestone review - parable of an aging truckerMonday, 10 May 2021
Watching Milestone, a new Netflix original directed by Ivan Ayr, I was reminded of the films of the great Iranian director Abbas Kiarostami. This story about an aging truck driver facing redundancy whilst grieving for his wife attempts the still mood and loneliness that Kiarostami favoured in his quiet epics. Read more... |
Truman & Tennessee: An Intimate Conversation review - genius dogged by disappointmentSaturday, 01 May 2021
Kindred literary spirits who overlapped in any number of ways make for riveting stuff in Truman & Tennessee: An Intimate Conversation. Filmmaker Lisa Immordino Vreeland folds archival footage of the legendary writers together with recitations from their life and art spoken by Jim Parsons and Zach Read more... |
The Artist's Wife review - uninspired portrait of dementia in the HamptonsWednesday, 28 April 2021
“The only child I’ve ever had is you,” the artist’s wife (Lena Olin), spits at the artist, her considerably older husband (Bruce Dern), who retorts, “That was your goddamn choice so don’t blame it on me.” Read more... |
Oscars 2021: Sluggish, yes, but some surprises tooMonday, 26 April 2021
“God gave us 12 notes,” said Jon Batiste as he accepted the Best Score Oscar for the animated film Soul. Read more... |
Black Bear review - unexpected knotty treatMonday, 26 April 2021
We’ve all experienced the “fast food film” – enjoyable while we watch it, but realise afterwards it was an empty thrill with little nutritional value. Much rarer is the film that can only be truly appreciated once the credits roll. Black Bear, with its segmented presentation and recurring themes, is one such film. Risky, baffling, and more than the sum of its parts. Read more... |
Promising Young Woman, Sky Cinema review - Emerald Fennell's brilliant directorial debutMonday, 19 April 2021
After winning a couple of Baftas, and with five nominations at next week’s Oscars, Promising Young Woman comes surging in on the crest of a wave. Read more... |
Citizen Lane review - fascinating dramadoc about Irish arts benefactorFriday, 16 April 2021
On first sight, Citizen Lane's appeal may seem limited to those with an Irish connection or an interest in fine art. Read more... |
True Mothers review - how many people does it take to raise a child?Thursday, 15 April 2021
On the 30th floor of a Tokyo apartment building, a charming little boy brushes his teeth, watched over by his smiling mother who sings to him gently. He’s full of joy - today his dad’s coming with them on the walk to nursery school. The little family of three walk out together. All seems well – too well - in their comfortable, quiet world. Read more... |
Night in Paradise review - lukewarm bloodbathSunday, 11 April 2021
Since launching his directing career in 2011 with The Showdown, Park Hoon-jung has established himself as a promising devotee of the bloody gangster genre. The pandemic may have slowed the South Korean director’s momentum, as the producers were forced to release the film belatedly on Netflix. Read more... |
Sequin in a Blue Room review - soullessness and sex in SydneySaturday, 10 April 2021
Sequin is the screen name for the questing 16-year-old at the slowly awakening heart of Sequin in a Blue Room, a 2019 Australian film only now reaching the UK. Read more... |
Sound of Metal review - hidden depths behind the decibelsThursday, 08 April 2021
I once went to see Motorhead, back in the days when real men didn’t wear earplugs, and afterwards it was if somebody had completely sawn off the top half of my hearing register. Weird and scary, and the band were putting themselves through that every night. Read more... |
Undine review - respecting the nymphWednesday, 07 April 2021
Illogical in its twists and turns, elusive as a fading dream but not stylistically dreamy – Christian Petzold’s optimistic romantic tragedy Undine is a ciné-conundrum par excellence. Read more... |
Wilderness review – 'what comes after besotted?'Monday, 05 April 2021
Wilderness has close-ups. And intimacy. And glorious empty beaches. A couple – John (James Barnes) and Alice (Katharine Davenport) – first meet outside the back door of a jazz club. They become completely infatuated with each other. We see them heading off to a seaside cottage in a 1960s Volvo sports car. Read more... |
Godzilla vs. Kong review - let battle commence (again)Friday, 02 April 2021
All is harmony as another day breaks in paradise. Kong yawns and stretches luxuriously, his furry brown musculature surely paying homage to Burt Reynolds’ iconic yet discreet Playgirl centrefold. Bobby Vinton croons Over the Seas over invisible speakers as the giant ape showers in a waterfall. If only Godzilla vs. Read more... |
The Drifters review - lovers-on-the-run with little moral depthFriday, 02 April 2021
The Drifters remakes the romance crime genre by placing the main themes of rebellion and freedom in the context of the race and migration divisions of present day Britain. It is a noble mission for a debut by British director Benjamin Bond. Read more... |
The Mauritanian review – moving 9/11 dramaThursday, 01 April 2021
Whether he’s making documentaries or dramas, director Kevin Macdonald has an eye for the bleak moments in our history, and a dynamic way of recreating them, from the Oscar-winning doc Four Days in September, about the Munich massacre, to the fictionalised account of the Ugandan dictator Idi Amin, The Last King of Scotland, which at times played like a horror film. Read more... |
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