tue 06/05/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Malpractice, ITV1, Series 2 review - fear and loathing in the psychiatric unit

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Fake, ITV1 review - be careful what you wish for

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Formula E: Driver, Prime Video review - inside the world's first zero-carbon sport

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The Accountant 2 review - belated return of Ben Affleck's lethal bean-counter

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Flintoff, Disney+ review - tumultuous life and times of the great all-rounder

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Neil Young: Coastal review - the old campaigner gets back on the trail

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Your Friends & Neighbors, Apple TV+ review - in every dream home a heartache

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The Amateur review - revenge of the nerd

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MobLand, Paramount+ review - more guns, goons and gangsters from Guy Ritchie

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This City is Ours, BBC One review - civil war rocks family cocaine racket

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The Alto Knights review - double dose of De Niro doesn't hit the spot

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Adolescence, Netflix review - Stephen Graham battles the phantom menace of the internet

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Black Bag review - lies, spies and unpleasant surprises

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Drive to Survive, Season 7, Netflix review - speed, scandal and skulduggery in the pitlane

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A Cruel Love: The Ruth Ellis Story, ITV1 review - powerful dramatisation of the 1955 case that shocked the public

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Bergerac, U&Drama review - the Jersey 'tec is born again after 34 years

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Malpractice, ITV1, Series 2 review - fear and loathing in th...

Following on from the first series of Malpractice in 2023, this second season again probes into issues of medical malfeasance and...

Shack, Union Chapel review - the surprise return of the Live...

After kicking off with the psychedelia-tinged “Sgt. Major,” they keep coming. A string of songs as Sixties-influenced as they are edgy and...

First Person: young cellist Zlatomir Fung on operatic fantas...

My new album, Fantasies, recorded with pianist Richard Fu, is the culmination of my years-long fascination with the wonderful genre of...

Blu-ray: Laurel & Hardy - The Silent Years (1928)

Eureka’s second volume of Laurel and Hardy shorts catches the pair in 1928 on the cusp of their successful...

Romeo and Juliet, Shakespeare's Globe - swagger and viv...

Holsters, Stetsons and bluegrass music bring a distinctive flavour to this...

Two to One review - bank heist with a big catch

The Ealing-like comedy heist caper Two to One is...

Album: Arcade Fire - Pink Elephant

20 years on from their first appearance on record, the seventh long-player from...

Fake, ITV1 review - be careful what you wish for

The art of the conman is persuading their victim to fool themselves, which is the premise that lies at the core of this Australian drama series....

theartsdesk Q&A: film director Déa Kulumbegashvili on he...

One of the most exciting new voices in Eastern European film, Déa Kulumbegashvili is not concerned with conventional shot lengths. She has been...