book reviews and features
Help to give theartsdesk a future!Sunday, 01 December 2024
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com. It followed some hectic and intensive months when a disparate and... Read more... |
Jeff Young: Wild Twin review - a box of tricksWednesday, 27 November 2024
The writer, performer, and lecturer Jeff Young’s latest, Wild Twin, tells – ostensibly – the story of his barefoot, Beat-imitative journey through northern Europe in the 1980s. However,... Read more... |
Interview: rising star Chloe Savage on the Arctic, outer space, and igniting children's wonder for the unknownThursday, 21 November 2024
How old were you when you first had an image of the Arctic? When you first had that image, what was it that most resonated? Was it its remoteness, the endless snow and ice, the polar bears? Did it... Read more... |
Jon Fosse: Morning and Evening review - after thoughtsTuesday, 19 November 2024
Jon Fosse talks a lot about thinking. He also thinks – hard – about talking. His prolific and award-winning career in poetry, prose, and drama, might be said, in fact, to unfold a digressive... Read more... |
Jean-Baptiste Fressoz: More and More and More review - fuel for thoughtThursday, 07 November 2024
If you are bothered about climate change – and who isn’t? – you’ll soon come... Read more... |
Alan Hollinghurst: Our Evenings review - a gift that keeps on givingMonday, 04 November 2024
In Alan Hollinghurst’s first novel, The Swimming Pool Library (1988), set during the summer of 1983, the young gay narrator, William Beckwith, lives in Holland Park. That same year and... Read more... |
Jonathan Coe: The Proof of My Innocence review - a whodunnit with a differenceTuesday, 29 October 2024
Anyone who has been on a British train in the last ten years will have been irritated to distraction by the inane and ubiquitous “See it, say it, sorted” announcement that punctuates every journey... Read more... |
theartsdesk Q&A: Anna Bogutskaya on her new book about the past decade of horror cinemaTuesday, 22 October 2024
You may have heard the phrase “elevated horror” being used to describe horror films that lean more toward arthouse cinema, favouring tension and psychological turmoil over jump-... Read more... |
Olga Tokarczuk: The Empusium review - paranoid proseTuesday, 22 October 2024
In his first of a series of meditations on the sickness that was consuming him, John Donne reflected... Read more... |
Stevie Smith: Not Waving But Drowning review - riding the waveWednesday, 02 October 2024
Last year, Wendy Cope’s poem, "The Orange", went viral on TikTok. I’m not totally certain how a poem goes viral, but it did – and there’s nothing we can do about it. In fact, Faber &... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
latest in today
Nothing and All at Once is the debut album from New Delhi...
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
The return to shops of a consecutive sequence of five of John Cale's Seventies albums through different labels is undoubtedly coincidental. All...
The universal fear of dying is the theme of Black Tuesday, a terse, bleak 1954 thriller that is belatedly being recognized as a major...
If Harold Pinter’s work represents, as he slyly joked, the weasel under the cocktail cabinet, then...
“You either got faith or you got unbelief, and there ain’t no neutral ground,” as Bob Dylan sang, but Cardinal Lawrence (Ralph Fiennes) isn’t...
It's all too easy to underplay the melancholy of ...
Percy Jackson is neither the missing one from Jackie, Tito, Jermaine, Marlon and Michael, nor an Australian Test cricketer of the...
When first I clicked on the stream for this album, I really wasn’t sure about it. In fact, I thought I wasn’t going to like it, much as I had...
British theatre excels in presenting social issues: at its best, it shines a bright light on the controversial subjects that people are thinking,...