wed 28/09/2022

book reviews and features

Savala Nolan: Don't Let It Get You Down review - finding voice in the liminal

Hannah Hutching

Liminal: a word that conjures thresholds and between states. Caught between three languages – the adjective is a borrowing from the Latin that enters English by way of German – ...

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Bronwyn Adcock: Currowan review - a fire foretold, a warning delivered

Harriet Mercer

In 2019 Australia endured the hottest, driest year since records began and their bushfire season escalated with unprecedented intensity. The fires and pyro-connective storms that swept the country...

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'The first thing I do when I wake up is write.' Hilary Mantel, 1952-2022

Jasper Rees

Hilary Mantel, who has died at the age of 70, was a maker of literary history. Wolf Hall, an action-packed 650-page brick of a book about the rise and rise of Thomas Cromwell, won...

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Ken Auletta: Hollywood Ending - Harvey Weinstein and the Culture of Silence review - if the tide had turned in 2002...

Sebastian Scotney

It was not until October 2017 that The New York Times ran a...

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Olivier Guez: The Disappearance of Josef Mengele review - the Nazi who was never found

India Lewis

Bringing Olivier Guez’s novel The Disappearance of Josef Mengele on a beach holiday may seem like an odd choice (such is the lot of a reviewer). This incongruity transformed into...

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Amalie Smith: Thread Ripper review - the tangled web we weave

Hannah Hutching

Sitting in the park on a hot summer’s day, life began to imitate art. I had been soaking up the sun’s now overpowering rays for over an hour and was beginning to feel its radiating effects.

...

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Phoebe Power: Book of Days review - the clack of walking poles, the clink of scallop shell

Harriet Mercer

The word “shrine” somersaults me back to the path of the Camino de Santiago. I have lost count of the faces that smiled up from photos positioned in the hollow of trees, some with little plastic...

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Jessie Burton: The House of Fortune review - a muted, sensitive sequel

India Lewis

A sequel is always a hard thing to write, especially if the book that precedes it is a bestseller, adapted for television and read by more than a million people. Yet Jessie Burton’s The House...

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Katya Adaui: Here Be Icebergs review - odd relations

India Lewis

The title of Katya Adaui’s debut collection in English is taken from one of the 12 short stories it contains: an...

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Stanislav Aseyev: In Isolation - Dispatches from Occupied Donbas review - journeys through space and time in Ukraine

Hugh Barnes

Stanislav Aseyev is a Ukrainian writer who came in from the cold. Until the spring of 2014, he was an aspiring...

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This England, Sky Atlantic review - how Boris's No 10 g...

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Kim Noble, Soho Theatre review - final part of trilogy about...

A dead pigeon. A dead squirrel. A dead fox. Lots of maggots – very much alive. I might be describing your worst nightmare (throw in a rat or two...

Savala Nolan: Don't Let It Get You Down review - findin...

Liminal: a word that conjures thresholds and between states. Caught between three languages – the adjective is a borrowing from the Latin...

In Front of Your Face review - a day in the life

Twenty-four hours in the life of a Korean woman, Sangok (Lee Hyeyoung), are caught in scenes which feel like real time in Hong Sangsoo’s latest....

Purcell's Playhouse, Bevan, Barokksolistene, Eike, Purc...

“What about the communication with the audience?” asked violinist and impresario Bjarte Eike in his First Person piece for theartsdesk...

Hallyu! The Korean Wave, V&A review - frenetic but fun

Remember Gangnam Style, the music video that went viral in 2012? PSY’s cheeky lyrics and daft moves attracted 1.6 billion hits on YouTube...

Bronwyn Adcock: Currowan review - a fire foretold, a warning...

In 2019 Australia endured the hottest, driest year since records began and their bushfire season escalated with unprecedented intensity. The fires...

Blu-ray: Love (Szerelem)

Károly Makk’s Love (Szerelem...

Igor Levit, Wigmore Hall review - titanic talent shows his l...

It probably tells you all you need to know about Igor Levit that when a mobile phone pinged just before his encore, he neither ignored it, nor...

Marina Abramović: Gates and Portals, Modern Art Oxford and P...

I have powerful memories of performances by Marina Abramović. Back in 1977 at Documenta in Kassel,...

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