wed 19/02/2025

book reviews and features

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some hectic and intensive months when a disparate and...

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Shon Faye: Love in Exile review - the greatest feeling

India Lewis

As Valentine’s Day crests around us, and lonely hearts come out of their winter hibernation, what better time to publish writer and journalist Shon Faye’s second book Love in Exile? In...

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Philip Marsden: Under a Metal Sky review - rock and awe

Jon Turney

Working on materials was basic to human culture from the start: chipping at flint to make a hand-axe; fashioning bone or wood; drying hides. In time, people discovered that some materials,...

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Jacqueline Feldman: Precarious Lease review - living on the edge

India Lewis

Taking on some of the contingent, nebulous quality of its subject, Jacqueline Feldman’s Precarious Lease examines the beginning...

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Catherine Airey: Confessions review - the crossroads we bear

India Lewis

Anglo-Irish author Catherine Airey’s first novel, Confessions, is a puzzle, a game of family secrets...

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Best of 2024: Books

theartsdesk

Billie Holiday sings again, Olivia Laing tends to her garden, and Biran Klaas takes a chance: our reviewers discuss their favourite...

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William J. Mann: Bogie & Bacall review - beyond the screen

John Carvill

What is it about Humphrey Bogart? Why does he still spark interest, still feel relevant, so many decades after his death? It’s a complex question and may be impossible to satisfactorily answer,...

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Jeff Young: Wild Twin review - a box of tricks

India Lewis

The writer, performer, and lecturer Jeff Young’s latest, Wild Twin, tells – ostensibly – the story of his barefoot, Beat-imitative journey through northern Europe in the 1980s. However,...

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Interview: rising star Chloe Savage on the Arctic, outer space, and igniting children's wonder for the unknown

Rachel Halliburton

How old were you when you first had an image of the Arctic? When you first had that image, what was it that most resonated? Was it its remoteness, the endless snow and ice, the polar bears? Did it...

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Jon Fosse: Morning and Evening review - after thoughts

Jack Barron

Jon Fosse talks a lot about thinking. He also thinks – hard – about talking. His prolific and award-winning career in poetry, prose, and drama, might be said, in fact, to unfold a digressive...

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

East Is South, Hampstead Theatre review - bewildering and un...

Our humanity is defined not only by our use of language, but also by our sense of the spiritual. Whether you are a believer or not, it’s hard to...

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Dying is easy, comedy is hard, according to the Georgian actor Edmund Kean. Luckily, everybody involved with the much-awarded Hacks...

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On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the...

Shon Faye: Love in Exile review - the greatest feeling

As Valentine’s Day crests around us, and lonely hearts come out of their winter hibernation, what better time to publish writer and journalist...

Blu-ray: Golem

In Jewish folklore, a golem is an inanimate clay figure, brought to life when a magic word is placed inside its mouth....

Mary, Queen of Scots, English National Opera review - heroic...

Genius doesn't always tally with equal opportunities, to paraphrase Doris Lessing. Opera houses have a duty to put on new works by women composers...

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Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn,...

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