New Music reviews, news & interviews
Music Reissues Weekly: Yeah Man, It's Bloody Heavy
Sunday, 30 March 2025
The sticker on the front cover says “The heaviest proto-metal compilation ever released.” And considering the label behind Yeah Man, It's Bloody Heavy is Rise Above, founded by former Napalm Death and Cathedral frontman Lee Dorrian, this is not idle hubris.
Album: Bryan Ferry and Amelia Barratt - Loose Talk
Saturday, 29 March 2025
On the spoken word LP Loose Talk, Amelia Barratt reflects on her or other women’s experiences, real or imagined, over tunes drawn from Bryan Ferry’s demos, some from early in his career.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
Footnote: a brief history of new music in Britain
New music has swung fruitfully between US and UK influences for half a century. The British charts began in 1952, initially populated by crooners and light jazz. American rock'n'roll livened things up, followed by British imitators such as Lonnie Donegan and Cliff Richard. However, it wasn't until The Beatles combined rock'n'roll's energy with folk melodies and Motown sweetness that British pop found a modern identity outside light entertainment. The Rolling Stones, amping up US blues, weren't far behind, with The Who and The Kinks also adding a unique Englishness. In the mid-Sixties the drugs hit - LSD sent pop looking for meaning. Pastoral psychedelia bloomed. Such utopianism couldn't last and prog rock alongside Led Zeppelin's steroid riffing defined the early Seventies. Those who wanted it less blokey turned to glam, from T Rex to androgynous alien David Bowie.
sex_pistolsA sea change arrived with punk and its totemic band, The Sex Pistols, a reaction to pop's blandness and much else. Punk encouraged inventiveness and imagination on the cheap but, while reggae made inroads, the most notable beneficiary was synth pop, The Human League et al. This, when combined with glam styling, produced the New Romantic scene and bands such as Duran Duran sold multi-millions and conquered the US.
By the mid-Eighties, despite U2's rise, the British charts were sterile until acid house/ rave culture kicked the doors down for electronica, launching acts such as the Chemical Brothers. The media, however, latched onto indie bands with big tunes and bigger mouths, notably Oasis and Blur – Britpop was born.
By the millennium, both scenes had fizzled, replaced by level-headed pop-rockers who abhorred ostentation in favour of homogenous emotionality. Coldplay were the biggest. Big news, however, lurked in underground UK hip hop where artists adapted styles such as grime, dubstep and drum & bass into new pop forms, creating breakout stars Dizzee Rascal and, more recently, Tinie Tempah. The Arts Desk's wide-ranging new music critics bring you overnight reviews of every kind of music, from pop to unusual world sounds, daily reviews of new releases and downloads, and unique in-depth interviews with celebrated musicians and DJs, plus the quickest ticket booking links. Our writers include Peter Culshaw, Joe Muggs, Howard Male, Thomas H Green, Graeme Thomson, Kieron Tyler, Russ Coffey, Bruce Dessau, David Cheal & Peter Quinn
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
latest in today

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...

The dramatic allure of families neck-deep in organised crime never seems to falter, and Stephen Butchard’s new series continues that great...

The sticker on the front cover says “The heaviest proto-metal compilation ever released.” And considering the label behind Yeah Man,...

On the spoken word LP Loose Talk, Amelia Barratt reflects on her or other...

On paper, it was a standard programme with no stars to explain how this came to be a sellout concert. But packed it was, an audience of all ages...

In Italy, they did it differently. Their pulp fiction tales of suburban transgression appeared between yellow covers on new stands...

Will Smith’s new album, Based on a True Story, is a prime example of why some comebacks should remain hypothetical. After two decades...

Forget, for a moment, the legend and the lustre. If you knew nothing about Riccardo Muti’s half-century of history with Verdi’s Messa da...

Resurrecting the origins of old rock stars is becoming quite the thing, After cinema’s Elton John, Freddie Mercury, Bob Dylan and...

The End, a quasi-musical from Joshua Oppenheimer, who has previously only produced ...