New Music Reviews
Album: The Weather Station - HumanhoodThursday, 16 January 2025
Four of Humanhood’s 13 tracks are short, impressionistic mood pieces. Between 48 seconds and just-over a minute-and-a-half long, they mostly lack singing. Instrumentation is jazzy, leaning on piano and wind instruments. Drones and white noise evoke ocean spray or wind. In one case, a wordless vocal edges towards articulating recognisable syllables. Read more... |
Music Reissues Weekly: Celebrate Yourself! The Sonic Cathedral Story 2004-2024Sunday, 12 January 2025
Yeti Lane’s second album The Echo Show was released in March 2012. The Paris-based duo’s LP was stunning: holding together overall, as well as on a track-by-track basis. There were obvious influences: Kraftwerk, late-period Spacemen 3, motorik, My Bloody Valentine. But it didn’t sound like anyone else. Charlie Boyer and Ben Pleng had created a wonder. Read more... |
Album: Bridget Hayden and The Apparitions - Cold Blows The RainThursday, 09 January 2025
The title Cold Blows The Rain encapsulates it. A mournful, unembellished female voice sings of loss. The musical backing is sparse. Rhythms are measured. Nothing is hurried. If this album was a weather forecast, it would predict impenetrable mist followed by cold rain and wind. Then, more mist. Read more... |
Music Reissues Weekly: American Baroque - Chamber Pop and Beyond 1967-1971Sunday, 05 January 2025
The descending refrain opening the song isn’t unusual but attention is instantly attracted as it’s played on a harpsichord. Equally instantly, an elegiac atmosphere is set. The voice, coming in just-short of the 10-second mark, is similarly yearning in tone. The song’s opening lyrics convey dislocation: “You and I travel to the beat of a different drum.” Read more... |
Albums of the Year 2024: The Last Dinner Party - Prelude to EcstasyFriday, 03 January 2025
Does absolutely everything have to get more difficult with each passing year? Apparently so. The amount of time I’ve spent deciding which of the many truly excellent albums I’ve reviewed this year should get the ‘top prize’ has, frankly, been ridiculous. I’m not an indecisive person. And, for God knows that reason, I feel personally loyal to the artists upon whom it would have been easier to bestow this huge honour (Nadine Shah, Elbow, Joan as Policewoman, see below). Read more... |
Best of 2024: Music Reissues WeeklySunday, 29 December 2024
A reissue can be an aide-mémoire, a reminder that a record which has been off the radar for a while needs revisiting, that it deserves fresh attention. Read more... |
Travis, OVO Hydro review - a Christmas night out with some regretsTuesday, 24 December 2024
Travis arrived onstage with the theme tune from classic sitcom Cheers as an accompaniment. The cavernous OVO Hydro might not be a place where everyone knows your name, but a Glasgow homecoming by local lads made good certainly tapped into a festive vibe of friends and familiarity, with singer Fran Healy making ample reference to the group’s roots during their set. Read more... |
The Unthanks in Winter, Cadogan Hall reviewMonday, 23 December 2024
A suitable place to find yourself out for the winter solstice, buttoning up for the longest night of the year, was at the Cadogan Hall off Sloane Square, a former place of worship marking its 20th year as a concert hall. Read more... |
Music Reissues Weekly: Hawkwind - X In Search Of Space, Doremi Fasol LatidoSunday, 22 December 2024
One of last year’s major joys was the box set version of Hawkwind's Space Ritual, an 11-disc extravaganza which made the great live album, originally issued in May 1973, even more great. Now the two studio albums which preceded it – X In Search Of Space and Doremi Fasol Latido – have become similarly packaged, though less colossal, box sets. Read more... |
Albums of the Year 2024: Mercury Rev - Born HorsesFriday, 20 December 2024
Born Horses remains as inscrutable as it was when it was issued in the summer. While it is about the search for enlightenment through journeying into inner space, much of what’s described – the album’s words are largely spoken – is allegorical, coming across as beatnik-style reportage documenting a form of psychedelic experience. Read more... |
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