mon 17/02/2025

mark kidel

Bio
Mark is a documentary filmmaker and writer specialising in the arts and music. Recent films include "Becoming Cary Grant" (Official Selection, Cannes Film Festival 2017), "The Juilliard Experiment" (2016) "Elvis Costello: Mystery Dance ", "Road Movie: A Portrait of John Adams", "Painting the Moment", a film about the French painter Fabienne Verdier and "Martin Amis's England". He is current developing a feature-length documentary on Leonard Cohen, and a documentary portrait of soul singer PP Arnold.

Articles By Mark Kidel

Patrick Duff, The Mount Without, Bristol review - sacred music for the soul

Read more...

Album: Park Jiha - All Living Things

Read more...

Albums of the Year: Beth Gibbons - Lives Outgrown

Read more...

Album: FaithNYC - Love is a Wish Away

Read more...

Kenny Barron Trio, Ronnie Scott's review - a master of the cool

Read more...

Bob Dylan, Royal Albert Hall review - cracked ritual from rock elder

Read more...

Album: Underworld - Strawberry Hotel

Read more...

Songs We Carry, Ana Silvera and Saied Silbak, Kings Place review - harmony between Arab and Jew

Read more...

The Marrriage of Figaro, Opera Project, Tobacco Factory, Bristol review - small is beautiful indeed

Read more...

Elvis Costello and Steve Nieve, Bristol Beacon review - so much more than a retread of the master's hits

Read more...

Album: Laurie Anderson - Amelia

Read more...

Album: Jon Hopkins - Ritual

Read more...

theartsdesk at Jaminaround 2024 - preview of the unique Dorset venue's second edition

Read more...

Album: 137 - Strangeness Oscillations

Read more...

Bill Viola (1951-2024) - a personal tribute

Read more...

Album: Kokoko! - Butu

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Mary, Queen of Scots, English National Opera review - heroic...

Genius doesn't always tally with equal opportunities, to paraphrase Doris Lessing. Opera houses have a duty to put on new works by women composers...

Unicorn, Garrick Theatre review - wordy and emotionless desi...

Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn,...

Josienne Clarke, Across The Evening Sky, Kings Place review...

On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the...

Vollmond, Tanztheater Wuppertal Pina Bausch + Terrain Boris...

Imagine: you take your seat at the best restaurant in town, the waiter arrives with a flourish to fill your water glass, you hold it out and he...

Patrick Duff, The Mount Without, Bristol review - sacred mus...

There is an atmosphere of otherworldly stillness within the stony womb of a large dilapidated church in...

Album: Tim Hecker - Shards

The question of personality in abstract and ambient music has always been a fascinating one. Without conventional signifiers of expressiveness,...

Music Reissues Weekly: Sharks - Car Crash Supergroup

Sharks were formed in 1972 by bassist Andy Fraser after he left Free. There were two albums, line-up changes and ripples which resonated after the...

Fat Dog, Chalk, Brighton review - a frenetic techno-rock jug...

Ro first saw Fat Dog, before anyone had heard of them, at the Windmill in Brixton in front of a crowd of about 25 people. Their manic energy blew...

Sidorova, Philharmonia, Alsop, Royal Festival Hall review -...

George Gershwin called one of his early classic songs, first created by Fred and Adele Astaire, “Fascinating Rhythm”. It was that mesmeric pull...