Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

Album: Boz Scaggs - Detour

Smooth and soulful standards from an old pro

share this article

Blue Note style cover for Boz

Boz Scaggs rarely does a less than wonderful album. His latest is an exemplary collection of smooth and soulful standards and a few other choice items including a song he wrote for his first album Boz Scaggs (1969) “I’ll Be Long Gone” and an Allen Toussaint song that was a hit for Southern Soul diva Irma Thomas, “It’s Still Raining”.

The first re-invented with brio and barely echoing the original, and the second – one of the highpoints of the album – in essence true to the New Orleans ballad, but sounding more chilled and jazzier, and there’s no harm in that.  The trouble with this exceptional track – a little masterpiece - is that it puts everything that follows in the shade, on an album which at times feels a little samey.

Boz has done his share of soul, disco and old-fashioned urban blues, always marshalling a string of fantastic bands, but this will his third selection of standards, the stripped down “But Beautiful” (2003) and the more orchestrated “Speak Low” (2008).  He took to singing standards just as easily as Rod Stewart or Bob Dylan revisiting Frank Sinatra classics. 

His voice has matured – like the best wine (Boz ran a vineyard in Napa for a while), without losing any of its musicality and control. He weaves phrases as if they were dripping honey. He remains very sexy, and these are songs you might listen to well after midnight, with a great bourbon, a spliff, and a loved one who shares your passion for crooners with a bluesy inflection.  Great jazzy sidemen, not least the tango/Piazolla bandoneon specialist, Seth Asarnow here on the piano and Jason Lewis barely present with his subtle brush work, a gentle and always perfectly placed pulse. It’s all very tasteful, and each song – all of them about love - works like a very seductive piece of well-honed jewellery. Plenty of delights here, not least a sultry version of Bobby Troup’s “The Meaning of the Blues”, or the aching melancholy of Lerner and Lane’s “Too Late Now”.

His voice has matured - like the best wine

rating

4

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

A championing, but also perhaps a dilution, of South African innovation
The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album
Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat