New music
Guy Oddy
Mermaid Chunky’s music is a celebration of fun and frivolity. Combining loops of electronica, pipes, flutes and various percussion instruments with Edward Lear-like nonsense lyrics that seem to be largely improvised on the spot, their weirdness is a fine tonic in these difficult times and a joyful soundtrack for misfits everywhere.Freya Tate and Moina Moin may already have two albums to their name but, with the exception of the magical “Chaperone”, their set in Birmingham seemed to be created anew in real time. Dressed up in their flamboyant dressing up box chic, Mermaid Chunky took to the Read more ...
Thomas H. Green
VINYL OF THE MONTHWest Virginia Snake Handler Revival They Shall Take Up the Serpents (Sublime Frequencies) Image Californian producer Ian Brennan walks, loosely speaking, in the footsteps of groundbreaking (and controversial) father and son song collectors, John and Alan Lomax, who, between them, gathered an essential storehouse of American folk music in the early-to-mid-20th Century. Like them, he’s interested in the cultural context of roots music and he’s ranged across the world, from Rwanda to Azerbaijan. His recent 2023 Parchman Prison Read more ...
Tom Carr
After honing an 80s-inspired and -influenced indie sound, the solo singer-songwriter Mitski set out across the range with previous album The Land Is Inhospitable And So Are We. Its rural, rustic aesthetic paired with Mitski’s exploration of love and loss.This authentic combination chimed with a huge audience, with “My Love Mine All Mine” earning almost two billion streams on Spotify, and widespread use on TikTok. The huge success can largely be explained by Mitski’s uncanny ability to frame herself in the point of view of deeply to down to earth characters, bringing to life the mundane and Read more ...
Kieron Tyler
“Never mind the Sex Pistols, here's the rotting corpse of Johnny Rotten, stinking to high heaven like some maggot brain from the Bryan Ferry School of Design. Rotten has dubbed his new band Public Image Ltd. PiL's first single ‘Public Image’ sounds like a powerful Pistols' reject. And for making a nyah-nyah statement, the single is sufficient...but an entire album of catcalls is pure self-indulgence. Hearing Rotten make music now is like listening in a cathedral to a eunuch chanting in a language which he does not even need to understand.”The US music magazine Creem’s April 1979 review Read more ...
Ibi Keita
My first listen to Iron & Wine was only last year, when iconic Midwest Emo band American Football released a cover album of their now classic 1999 self-titled album. Keen to hear all of my favourite tracks reincarnated by some seemingly random, and unknown artists, I woke up on its release date to find that their most popular song “Never Meant” was covered by Samuel Beam, aka Iron & Wine. The song is literally a masterpiece, both its original and Beam’s fantastic cover, a triumph in stretching and kneading the track into something new and beautifully haunting.Hen's Teeth is Read more ...
Thomas H. Green
When the debut album by ex-Little Mix star Leigh-Anne Pinnock starts, the omens are good. The opener, “Look into My Eyes”, is an electro-pop stonker with a roots reggae break at its close. So far, so tasty. Cast eyes down the track-listing and the majority of songs come in at under three minutes. Often a good sign, indicating a willingness to cut flab, keep things snappy. Such positivity lasts for a few songs, but then the album, unfortunately, settles to a bland amalgam of reggaeton and R&B that’s less persuasive.The consistent nod towards Pinnock’s Caribbean heritage is the most Read more ...
Jonathan Geddes
Although the Beaches may hail from Toronto, they evidently have more Scottish connections than many bands that come this way. Drummer Eliza Enman-McDaniel announced early on that she got her very first tattoo on a visit to Oban around a decade ago, but this was trumped by guitarist Leandra Earl recalling she lost her virginity in Dundee.The chap in question was not only apparently in the audience for this show, but also the only man Earl ever enjoyed sleeping with. This declaration was made before the group played one of the night’s few slow songs, the keyboard led “Lesbian of the Year”, Read more ...
Ellie Roberts
Millennial icon Hilary Duff has released her first album in over a decade, and for an artist whose music career always felt more like an inevitable dabble following her success as a Disney teen than it did anything serious, her transition into the current pop landscape is incredibly smooth. That’s not to say a handful of her previous hits haven’t stood the test of time, there’s just an air of irony and nostalgia to them that it seems it would be impossible to separate her from. Luck…or something, and Duff’s comeback as a whole, tackles that with subtle self-depreciation alongside genuinely Read more ...
Kieron Tyler
“Fuck Thatcher, fuck neoliberalism.” After these words from the stage, an audience response. “Fuck Thatcher” echoes the approving shout from the darkness.The performer expressing his views is the Sheffield-based folk-rooted stylist Jim Ghedi. What he’s said has not come out of the blue. There is context. He is introducing “Ah Cud Hew,” a song included on his In the Furrows of Common Place album. He learnt it from Ed Pickford, a County Durham singer and songwriter with a family background in coal mining. The song – “I could hew” – is about the decimation of the coal industry during the Read more ...
Guy Oddy
Peaches is primarily known as a purveyor of transgressive, sex positive anthems that have no room for shame whatsoever. This is just as it should be, although her music might not be for the easily offended, and her seventh album is not only one of her best, but possibly her most audacious too.No Lube So Rude is packed with hardcore punk attitude, biting sarcasm, raw electroclash grooves and is blatantly sexually explicit throughout. Seemingly, as she stares down the barrel of her sixties, Merrill Nisker feels no need to veer towards the middle of the road, declaring herself “a horny little Read more ...
Kieron Tyler
In November 1975, UK music weekly New Musical Express included an article by Charles Shaar Murray titled “Are You Alive To The Jive Of The Sound Of '75.” Recently in New York, he was revealing what he had discovered.The bands looked at – and he saw most saw live – in his prescient round-up were Blondie, The Heartbreakers – “the first N.Y. punk supergroup” – a “new-look” New York Dolls, The Ramones, The Shirts, Patti Smith, Talking Heads, Television and Tuff Darts. Image Central to what he covered in this remarkable role call was a venue: the Read more ...
Sebastian Scotney
It’s been a long wait. More than five years have passed since Maria Schneider’s most recent "magnum opus", the double album Data Lords came out. That was in July 2020, and the album went on to win not only a sixth and a seventh Grammy for the composer/bandleader, it was also a finalist for the 2021 Pulitzer Prize for Music. And I can’t help noting with some pride that theartsdesk’s review of that album is extensively quoted on the Pulitzer Prizes website (link below).In the intervening years, the main addition to Schneider’s catalogue has been Decades, a retrospective package released in Read more ...