In the 1990s, the world of electronic music was a frontier where the unimaginable often happened. These were the days of early Aphex Twin, Basic Channel, Autechre and many more pushing at the vanguard, challenging what we might even consider to be music. A golden time, Musique Concrète’s underlying principles were reborn for a chemically enhanced generation of clubbers.Quarter of a century into this millennium, while there are still outliers (such as, say, Oneohtrix Point Never or Simo Cell), the zeitgeist has moved on and, since the advent of dubstep, the sonic frontiers feel well Read more ...

The Weaving is an Ango-Irish trio of accordion, voice, fiddle and piano. The voice belongs to Méabh Begley, from Kerry’s prominent musical family – she sings one of her father  Séamus Begley’s songs, “Dán Lae Breithe”, further in this superb debut set of 12 songs and tunes. Cáit Ní Riain from Tipperary is on piano, and the fiddle player is Leeds-born Owen Spafford, of the acclaimed British folk-ambient duo Spafford Campbell, whose second album, Tomorrow Held, on Real World, was my album of the year in 2025.Owen Spafford describes Warp and Weft (Dlúth & Inneach) as “a cultural Read more ...

“One pure sonofabitch 45. The record to put them high in the national charts. Top five at least.” In October 1976, the weekly music paper Sounds was unequivocal about Eddie and the Hot Rods’ “Teenage Depression” single.Over at Melody Maker, the tone was similarly frothing: “Everything about the single [released 29 October] works – the explosive power, the convincing presence and the intense sound. They are the first of the new-wave punk bands to trail blaze into the national chart.” Image Depending on how their music was defined, this was so Read more ...

One of the great problems with modern music criticism is that it hasn’t got past the models of the second half of the last century, and this leads to some very serious seeing-the-woods-for-the-trees oversights. In particular “we” still haven’t left behind the conception that a movement only exists if it has a moment: an Elvis on the Ed Sullivan show, a be-in at Haight Ashbury, a Sex Pistols at the 100 Club. Which means that, because it can’t be pinned down to a particular time and place, a very, very recent shift that is way bigger than rock’n’roll, psychedelia or punk doesn’t even have a Read more ...

While it’s almost six years since arch Parisien hipster and former Eurovision performer Sébastien Tellier released his last album, he can hardly be described as a slacker. In the interim, there’s been three film soundtracks, two EPs and he performed at the opening ceremony of the 2024 Paris Paralympic Games – not to mention having to deal with an irritating case of identity theft.However, the untamed dandy has now donned his wide-brimmed hat and sunglasses once more and ventured into the recording studio to create Kiss the Beast, a diverse rainbow of electronica sounds that covers ground as Read more ...

After over 600 gigs, London based brother-and-sister duo The Molotovs have finally released their debut album. It’s fair to say that for a band so aligned with punk, Wasted On Youth is much more of a hark back to Britpop and 2010s indie rock, but despite a slight lack of self-awareness, it is studded with promise.Indie cursive singing is a bold move, and one that has attracted a lot of attention on social media in recent years by millennials cringing at their youth. There’s an extremely thin line between The Kooks asking the ironically iconic "do you want to go to the seaside?" and Arctic Read more ...

Following the 2010 release of The Fallen By Watch Bird, Jane Weaver has gone on to issue a further four conventional albums – there are also remix sets, reconfigurations, collaborations and soundtracks. A new album is planned for 2026.Before the release of The Fallen By Watch Bird, Weaver had issued two albums, a mini album and was a member of Kill Laura and Misty Dixon. She first appeared on record in 1992. Image Looking for markers within all this is evidently a challenge. Which releases are the most significant, the ones marking step- Read more ...

Last time we heard from Blackburn heavy rockers Sky Valley Mistress, they were a four-piece who'd recorded their 2020 debut album in the Mohave Desert (strong hints at their musical motivation lie in their name, drawn from Welcome to Sky Valley, an album by Kyuss, Josh Homme’s pre-Queens of the Stone Age outfit). They return as a duo, with the album Luna Mausoleum, laid down in Leeds. While it retains the riffological poundage of their origins, it’s an invigorating leap forward in terms of sonic invention and songcraft.Now consisting of singer Kayley “Hell Kitten” Davies and guitarist Max Read more ...

It’s no coincidence that synth heavy 1980s AOR is one of the first genres to generate significant online hits. Not just because its structures are formulaic – every genre is to one degree or another – but because its textures are so slick, even down to the multitracked vocals, that sounding synthetic is a feature not a bug. One has to wonder if this means that it is a threat to some of the biggest stars: after all, in the post-Taylor Swift world, that tidily arranged soft rock vibe is very much the chassis of so much. Indeed, when I first put this album on, flicking through opening tracks “ Read more ...

One of the many dispiriting things about the nine years that span Trumpino’s 2017 inaugural and today is how very few musicians have had the courage to put their heads over the parapet. Certainly not Bob Dylan, perish the thought. Joan Baez has, of course, though she is neither touring nor recording. Steve Earle too, and Jesse Welles, the thirtysomething troubadour whose dusty work boots are planted firmly on the Woody Guthrie road, and Bruce Springsteen, a consistent champion of blue-collar righteousness. And there’s a good deal of that blue-collar righteousness in the work of Lucinda Read more ...

A new look and new vibe for Grant-Lee Phillips at this pared-back performance, part of the Celtic Connections festival that takes over Glasgow for a couple of weeks every January and February. The fresh vibe was due to this being Phillips first tour entirely seated, as he put it, sitting down and armed only with an acoustic guitar, while the 62-year-old is now more hirsute, having grown a beard.There was little else beyond simple performance here, for Cottiers' converted church setting does not exactly lend itself to any onstage gimmicks. If the plastic chairs of the auditorium gave it all Read more ...

I’ve grown apart from trap as a genre over the years, which is exactly why DON’T BE DUMB caught me off guard in the best way. This album feels like the kind that rewards time and attention, one you keep coming back to and notice something new with each listen.After such a long wait, A$AP Rocky could have easily played it safe, but instead he delivers a project that feels expressive, confident and, most importantly, fun. It sounds like an artist who trusts his instincts completely rather than chasing expectations.What stood out to me immediately was the production. The album pulls from so many Read more ...