Shadows opens with “The Lone West,” a short, desolate instrumental featuring a simple keyboard refrain with a flute-like quality and what may be an early Seventies drum machine. There’s a bit of Young Marble Giants in there. The Brian Eno of Another Green World, too. The Ghost Box label’s characteristic nebulousness is also apparent.
Beginning with “The Ground Above” and closing with “Otherside”, there’s an ambient, otherwordly, disembodied feel to Beth Orton’s new album on Partisan Records, a follow-up to 2022’s self-produced Weather Alive, which had its own spectral, dreamlike airs.
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