features & interviews
Tim Cumming |

“Guys, don’t grow old gracefully… it wouldn’t suit you,” The Who’s Pete Townshend told the Rolling Stones at their induction to the Rock n Roll Hall of Fame in 1989. They listened. 

caspar.gomez |

Sweating in my lair, there’s no trip to the mecca this year. If the festival was on, I'd be there right now, but it’s a fallow year and Glastonbury Festival is keeping its head down. The Glastophilic chat rooms bubble with antsy longing. My house is prowled by ghosts of yesteryear. Finetime’s camera is dormant. The cows on the farm chew their cud in peace.

Cathi Unsworth
I got my contract to write Season of The Witch: The Book of Goth just as the first Covid lockdown began in March 2020. During that time of plague and…
Jonathan Bank
I first became aware of the playwright Teresa Deevy, the Irish author of the Jermyn Street's imminent A Wife to James Whelan, while leafing through a…
Veronica Simpson
In the world of contemporary classical music, it takes confidence to launch your seasonal programme with an 18-year-old performer, and no hint of the…

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a great deal, and hope you do too.

To take a monthly subscription now simply click here.

Or
Why not take an annual subscription and save a third off our monthly price simply click here.

Bedouine
On her new album, the musician follows her Armenian heritage to its roots
Mark Kidel
To mark the centenary of a jazz great, we explore a soundtrack that eclipsed the film
Rachel Halliburton
Her large sculpted butterflies act both as an inspiration and a warning
Claire Booth
A very individual singer joins Ensemble 360 for eight days of superb programming
Sarah Ruhl
Ruhl's Off Broadway play 'Stage Kiss' is coming to the Hampstead Theatre
Flora Wilson Brown
'The Waves' reaches the shore once again, this time at Jermyn Street Theatre
Benjamin Baker
At the World's Edge festival travels from mountains to metropolis
Guido Martin-Brandis
Workshops ahead of a new production of 'Imeneo' help bring young people to opera
Matt Wolf
'One Battle After Another' is the big winner over 'Sinners' amid a leaden Oscars that mixed impassioned politics with too much painful filler
Bill Rosenfield
Early Coward play 'The Rat Trap' gets kickstarted afresh at the Park Theatre
Katie Bray
'How do you take your Weill? Sarcastic, sultry, or with a sardonic smile?'
theartsdesk
Turn the page on 2025 with our finest books of the year
theartsdesk
In a year of great indies, our critics chose the best
Kerem Hasan
English National Opera's production of a 21st century milestone has been a tough journey
David Nice
Specialists in French romantic music unveil a treasure trove both live and on disc
Oliver Pashley
Compositions by members of this unusual quartet feature for the first time
Clara Marshall Cawley
Five days of free events with all sorts of audiences around Manchester starts tomorrow
James Saynor
The star was more admired within the screen trade than by the critics
ALA.NI
She usually sings about affairs of the heart - 'TIEF' is different, explains the star
Rachel Halliburton
Music Director Julián Vat and pianist Matias Feigin compare notes on Piazzolla
Mark Kidel
Remembering an artist with a gift for the transcendent
Hugh Barnes
In search of love and the meaning of life on the boho surf trail
Tami Neilson
The Canadian-born, New Zealand-based artist on how women have empowered her career
Mark Kidel
A master of feeling and intellect

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

latest in today

We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Despite Proms appearances, I'm still not sure that Tom Fetherstonhaugh, mover and shaker of the young Fantasia Orchestra, has yet had quite…
The best thrillers have not one, but two twists. Often, there’s a predictable twist, and an unpredictable one. So it is with The Guilty,…
Elgar & Dvořák: Cello Concertos Alban Gerhardt (cello), WDR Sinfonieorchester/Andrew Manze (Hyperion) Image…
The “hiding in plain sight” technique has proved appallingly effective for a list of notorious sex offenders. When in doubt, get yourself a…
For factual footage from battle zones, we once used to rely on people toting heavy cameras who went in and out of the fields of war. The…
To experience a performance by Seattle’s ambient metal kings, Sunn O))) is not like attending a conventional rock’n’roll gig, by any means…
“Hull Suite” is an important work in the canon of British-Bengali pianist Zoe Rahman, because it evokes themes – voyage, migration and…
Hot from its successful run at the Old Vic, Carrie Cracknell’s Olivier-nominated revival of Tom Stoppard’s 1993 masterpiece has made a…
It’s a big ask of an audience to watch a film which for most of its two hour running time, focuses on just two actors, even when they are…