features & interviews
the future of arts journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.

latest in today
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
“Pruning, pruning, pruning, pruning, pruning” declaims a suited and booted Robin Dallaway into his microphone on stage at Birmingham’s…
Freshly-exhumed from the vaults, this latest Children's Film Foundation selection follows an established template, giving us nine pacy…
If you find endless riches in Hugo von Hofmannsthal's words and Richard Strauss's score for their "Comedy for Music", as I do, you'll be…
Aptly scheduled for our Great British Heatwave, writer Catherine Shepherd’s eight-part drama whisks us away to a remote Greek island, where…
Caution is evidently needed when moving around at a Pins gig. A woman who wandered off to the bar or the toilet returned and appeared…
There’s only one thing harder than trying to get to Kings Place to see a semi-staged Dido and Aeneas on the day of Arsenal’s victory parade…
Irish fiddler Martin Hayes, star of The Gloaming supergroup, says of Ryan Young: “He is an up-and-coming musician who is gaining more and…
“Promise me delight” is a tantalising entreaty. One which – in its particular way – this captivating 17-track compliation delivers on.…
Benvenuti a Napoli cries the huge corny poster of the blue bay and ominous Vesuvius that looms over Neil Irish’s sets for Così fan tutte.…