fri 12/09/2025

Reviews

'We are bowled over!' Thank you for your messages of love and support

Tom Birchenough

We are bowled over! 

Presteigne Festival 2025 review - new music is centre stage in the Welsh Marches

Clare Stevens

If you were a devotee of Dmitri Shostakovich whose only opportunity to attend some live performances marking this year’s 50th anniversary of his death was spending the weekend of 21 - 25 August at the Presteigne Festival, you probably wouldn’t have felt short-changed.

Islands review - sunshine noir serves an ace

Demetrios Matheou

From its ambiguous opening shot onwards, writer/director Jan-Ole Gerster’s Islands is a tricksy animal, which doesn’t just keep you...

A Single Man, Linbury Theatre review - an anatomy...

Jenny Gilbert

Mind, body, body, mind. Medical science confirms the powerful two-way traffic between emotional and physical health. Nonetheless the idea of...

Cow | Deer, Royal Court review - paradox-rich...

Aleks Sierz

I love irony. Especially beautiful irony. So I’m very excited about the ironic gesture of staging a show with no words at the Royal Court, a venue...

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Lammermuir Festival 2025 review - music with soul from the heart of East Lothian

Boyd Tonkin

Baroque splendour, and chamber-ensemble drama, amid history-haunted lands

Album: Yasmine Hamdan - I Remember I Forget بنسى وبتذكر

Kieron Tyler

Paris-based Lebanese electronica stylist reacts to current-day world affairs

BBC Proms: Steinbacher, RPO, Petrenko / Sternath, BBCSO, Oramo review - double-bill mixed bag

Bernard Hughes

Young pianist shines in Grieg but Bliss’s portentous cantata disappoints

Honey Don’t! review - film noir in the bright sun

James Saynor

A Coen brother with a blood-simple gumshoe caper

theartsdesk on Vinyl 92: Marianne Faithful, Crayola Lectern, UK Subs, Black Lips, Stax, Dennis Bovell and more

Thomas H Green

The biggest, best record reviews in the known universe

Blondshell, Queen Margaret Union, Glasgow review - woozy rock with an air of nonchalance

Jonathan Geddes

The singer's set dripped with cool, if not always individuality

Ganavya, Barbican review - low-key spirituality

Mark Kidel

Communion and intimacy with diminishing returns

Music Reissues Weekly: Chiswick Records 1975-1982 - Seven Years at 45 RPM

Kieron Tyler

Triple-album 50th-anniversary celebration of the mould-breaking British independent label

I Fought the Law, ITVX review - how an 800-year-old law was challenged and changed

Helen Hawkins

Sheridan Smith's raw performance dominates ITV's new docudrama about injustice

theartsdesk at the Lahti Sibelius Festival - early epics by the Finnish master in context

David Nice

Finnish heroes meet their Austro-German counterparts in breathtaking interpretations

Deaf Republic, Royal Court review - beautiful images, shame about the words

Aleks Sierz

Staging of Ukrainian-American Ilya Kaminsky’s anti-war poems is too meta-theatrical

Laura Benanti: Nobody Cares, Underbelly Boulevard Soho review - Tony winner makes charming, cheeky London debut

Matt Wolf

Broadway's acclaimed Cinderella, Louise, and Amalia reaches Soho for a welcome one-night stand

Waley-Cohen, Manchester Camerata, Pether, Whitworth Art Gallery, Manchester review - premiere of no ordinary violin concerto

Robert Beale

Images of maternal care inspired by Hepworth and played in a gallery setting

The Courageous review - Ophélia Kolb excels as a single mother on the edge

Markie Robson-Scott

Jasmin Gordon's directorial debut features strong performances but leaves too much unexplained

The Paper, Sky Max review - a spinoff of the US Office worth waiting 20 years for

Helen Hawkins

Perfectly judged recycling of the original's key elements, with a star turn at its heart

Edinburgh Psych Fest 2025 review - eclectic and experimental

Miranda Heggie

Underground gems and established acts in this multi-genre, multi-venue day long festival

The Pitchfork Disney, King's Head Theatre review - blazing with dark energy

Aleks Sierz

Thrilling revival of Philip Ridley’s cult classic confirms its legendary status

Supersonic Festival 2025, Birmingham review - a deep dive into the spectacularly weird and very wonderful

Guy Oddy

Festival season comes to an end with a celebration of the freakiest of the musical underground

The Guest, BBC One review - be careful what you wish for

Adam Sweeting

A terrific Eve Myles stars in addictive Welsh mystery

Born with Teeth, Wyndham's Theatre review - electric sparring match between Shakespeare and Marlowe

Heather Neill

Rival Elizabethan playwrights in an up-to-the-minute encounter

Album: Saint Etienne - International

Kieron Tyler

British pop institution’s final communiqué is an unalloyed winner

BBC Proms: Barruk, Norwegian Chamber Orchestra, Kuusisto review - vague incantations, precise laments

David Nice

First-half mix of Sámi songs and string things falters, but Shostakovich scours the soul

BBC Proms: Alexander’s Feast, Irish Baroque Orchestra, Whelan review - rapturous Handel fills the space

David Nice

Pure joy, with a touch of introspection, from a great ensemble and three superb soloists

Music Reissues Weekly: The Outer Limits - Just One More Chance

Kieron Tyler

Exhaustive anthology unearths the full story of the Sixties mod-pop band from Leeds

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latest in today

'We are bowled over!' Thank you for your messages... ...
Presteigne Festival 2025 review - new music is centre stage...

If you were a devotee of Dmitri Shostakovich whose only opportunity to attend some live performances marking this year’s 50th anniversary of his...

Islands review - sunshine noir serves an ace

From its ambiguous opening shot onwards, writer/director Jan-Ole Gerster’s Islands is a tricksy animal, which doesn’t just keep...

A Single Man, Linbury Theatre review - an anatomy of melanch...

Mind, body, body, mind. Medical science confirms the powerful two-way traffic between emotional and physical health. Nonetheless the idea of...

theartsdesk Q&A: actor Sam Riley on playing a washed-up...

You won't find Sam Riley lying at the pool in a holiday resort – unless it's for work. "I'd rather stay home to be honest", says the...

Album: Motion City Soundtrack - The Same Old Wasted Wonderfu...

Everyone’s favourite angsty pop-punk nerds are back, balancing new with nostalgia and synths with guitars, this is exactly what fans have been...

Cow | Deer, Royal Court review - paradox-rich account of non...

I love irony. Especially beautiful irony. So I’m very excited about the ironic gesture of staging a show with no words at the...

Album: Baxter Dury - Allbarone

Quite why Baxter Dury isn't already a national treasure is a mystery to me. Not for his nepo connections but...

Lammermuir Festival 2025 review - music with soul from the h...

One piece that you’re unlikely to hear at the Lammermuir Festival is Lucia di Lammermoor. As co-director James Waters explained during a...

Album: Yasmine Hamdan - I Remember I Forget بنسى وبتذكر

A lot is going on during Yasmine Hamdan’s third solo album. Despite all ten songs of I Remember I Forget بنسى وبتذكر drawing from the...