sat 12/04/2025

Reviews

St Matthew Passion, Irish Baroque Orchestra, Whelan, St Patrick’s Cathedral, Dublin review - the heights rescaled

David Nice

When you’ve already come as close as possible to perfection in the greatest masterpiece, why risk a repeat performance with a difference? Because Bach’s St Matthew Passion needs to be an annual fixture without routine, and because inspirational IBO director Peter Whelan can be guaranteed not only to recapture the magic but to try a few new things, and to choose new soloists with fine judgement.

Thanks for Having Me, Riverside Studios review - snappily performed comedy with a lightweight core

Helen Hawkins

Keelan Kember’s play Thanks for Having Me may look like a vehicle for Kedar Williams-Stirling (Sex Education, Red Pitch), but it’s more accurately a showcase for the comedic talents of Keelan Kember, a former OUDS performer with a TV pilot to his credit already. This 70-minute piece looks like another one.

Kraggerud, Irish Chamber Orchestra, RIAM Dublin...

David Nice

A lot hung upon the delivery last night of Henning Kraggerud, whom I last witnessed leading performances of Strauss’s Metamorphosen and some of his...

theartsdesk on Vinyl: Record Store Day Special...

Thomas H Green

Record Store Day 2025 is tomorrow (Saturday 12th April 2025)! At theartsdesk on Vinyl we’ve been sent a selection of exclusive RSD goodies. Check the...

Sad Book, Hackney Empire review - What we feel,...

Jenny Gilbert

Who goes to the theatre to feel sad? That is, knowing full well that they won’t be going home with a skip in their step. Many people, it would appear...

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

Small, Hallé, Wong, Bridgewater Hall, Manchester review - return to Shostakovich’s ambiguous triumphalism

Robert Beale

Illumination from a conductor with his own signature

The Amateur review - revenge of the nerd

Adam Sweeting

Remi Malek's computer geek goes on a cerebral killing spree

Holy Cow review - perfectly pitched coming-of-age tale in rural France

Helen Hawkins

Debut feature of immense charm with an all-amateur cast

LSO, Noseda, Barbican review - Half Six shake-up

David Nice

Principal guest conductor is adrenalin-charged in presentation of a Prokofiev monster

Primal Scream, O2 Academy, Birmingham review - from anthems of social justice to songs of heartbreak

Guy Oddy

Bobby Gillespie and Andrew Innes aren’t ready to join the heritage circuit yet

theartsdesk on Vinyl 89: Wilco, Decius, Hot 8 Brass Band, Henge, Dub Syndicate, Motörhead and more

Thomas H Green

The last-standing and largest regular vinyl record reviews in the world

Tallinn Music Week 2025 review - Estonia’s capital accommodates all flavours of music

Kieron Tyler

The festival where everything appears on an equal footing

Marcus Brigstocke, Touring review - modern manhood laid bare

Veronica Lee

Observations on what it is to be a bloke today

Patrick McGilligan: Woody Allen - A Travesty of a Mockery of a Sham review - New York stories

John Carvill

Fair-minded Woody Allen biography covers all bases

Peter Grimes, Welsh National Opera review - febrile energy and rage

Stephen Walsh

In every sense a tour de force

An Evening with Joan Armatrading, Cadogan Hall review - thoughtful and engaging conversation

Liz Thomson

From rock'n'roll to Open University, the singer on life and work

Frang, LPO, Jurowski, RFH review - every beauty revealed

David Nice

Schumann rarity equals Beethoven and Schubert in perfectly executed programme

Kenny Garrett, Ronnie Scott's review - a mixed bag

Mark Kidel

Conjuring the spirit and treading water

Album: Sofia Härdig - Lighthouse of Glass

Kieron Tyler

Swedish singer-songwriter takes control of her music

Music Reissues Weekly: Ibex Band - Stereo Instrumental Music

Kieron Tyler

Ethiopian jazz album from 1976 which resists easy categorisation

Levit, Sternath, Wigmore Hall review - pushing the boundaries in Prokofiev and Shostakovich

David Nice

Master pianist shines the spotlight on star protégé in another unique programme

Rhinoceros, Almeida Theatre review - joyously absurd and absurdly joyful

Aleks Sierz

Ionesco classic gets an entertainingly vivid and contemporary update

Mr Burton review - modest film about the birth of an extraordinary talent

Helen Hawkins

Harry Lawtey and Toby Jones excel as the future Richard Burton and his mentor

Restless review - curse of the noisy neighbours

Graham Fuller

Assured comedy-drama about an ordinary Englishwoman turned vigilante

MobLand, Paramount+ review - more guns, goons and gangsters from Guy Ritchie

Adam Sweeting

High-powered cast impersonates the larcenous Harrigan dynasty

Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängers

Sarah Kent

Emotions too raw to explore

Four Mothers review - one gay man deals with three extra mothers

Markie Robson-Scott

Darren Thornton's comedy has charm but is implausible

The Importance of Being Oscar, Jermyn Street Theatre review - Wilde, still burning bright

Gary Naylor

Alastair Whatley honours his subject in a quietly powerful performance

Stiletto, Charing Cross Theatre review - new musical excess

Gary Naylor

Quirky, operatic show won't please everyone, but will delight many

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

St Matthew Passion, Irish Baroque Orchestra, Whelan, St Patr...

When you’ve already come as close as possible to perfection in the greatest masterpiece, why risk a repeat performance with a difference? Because...

Thanks for Having Me, Riverside Studios review - snappily pe...

Keelan Kember’s play Thanks for Having Me may look like a vehicle for Kedar Williams-Stirling (Sex Education, Red Pitch...

Kraggerud, Irish Chamber Orchestra, RIAM Dublin review - sto...

A lot hung upon the delivery last night of Henning Kraggerud, whom I last witnessed leading performances of Strauss’s Metamorphosen and...

theartsdesk on Vinyl: Record Store Day Special 2025

Record Store Day 2025 is tomorrow (Saturday 12th April 2025)! At theartsdesk on Vinyl we’ve been sent a selection of exclusive...

Sad Book, Hackney Empire review - What we feel, what we show...

Who goes to the theatre to feel sad? That is, knowing full well that they won’t be going home with a skip in their step. Many people, it would...

Small, Hallé, Wong, Bridgewater Hall, Manchester review - re...

Kahchun Wong returned to the symphony with which he made his first big impression conducting the Hallé – and made a big impression with it again...

The Amateur review - revenge of the nerd

In a world of macho super-achievers like Jack Reacher and Ethan Hunt, maybe it’s time to hear it for the nerdy guys. The Amateur (based...

Holy Cow review - perfectly pitched coming-of-age tale in ru...

Director Louise Courvoisier has put herself firmly on the film map with this story of young Totone and his little sister, carving out a...

Album: Joe Lovano - Homage

Tenor titan Joe Lovano is thrilled by how Homage has turned out. He actually told me so himself in person a few weeks ago, and his new...