sat 16/10/2021

GALLERY photographic & art displays

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latest in today

Macbeth, Almeida Theatre review – vivid, but much too long

Remembering the months of lockdown, I can’t be the only person to thrill to this play’s opening lines, “When shall we three meet again?”, a phrase...

Manic Street Preachers, Brighton Dome review - solid gig occ...

There is a three song segment midway through Manic Street Preachers’ set which suddenly ramps everything up. For this brief while, the performance...

Tamestit, LSO, Ticciati, LSO St Luke's review - viola a...

Returning to LSO St Luke’s, formerly a beacon in the darkness of...

White Noise, Bridge Theatre review - provocative if not alwa...

"I can't sleep": So goes the fateful opening line of White Noise, the Suzan-Lori Parks play disturbing enough to spark many a restless...

Album: Coldplay - Music Of The Spheres

Chris Martin has talked, not for the first time, of this finally being the Coldplay era of “no rules or fear”. Swedish...

Album: Finneas - Optimist

This record is a heck of a metatextual experience to listen to. In releasing his debut album, 24 year old Finneas O’Connell is attempting to step...

Romeo and Juliet, Birmingham Royal Ballet & Royal Ballet...

Two households, both alike in dignity … and both launching their respective seasons with a production of...

Maximo Park, Saint Luke's and the Winged Ox, Glasgow -...

Time waits for no band, as Maximo Park’s lively singer Paul Smith opined early into his band’s set. “I am young and I am lost” he declared during...

Karine Polwart, Birmingham Town Hall Review: Expertly crafte...

With a few extra dates to her rescheduled UK tour, Scottish folk legend Karine Polwart returned to Birmingham Town Hall with some tunes from her...

Mary Wellesley: Hidden Hands review - passion in the parchme...

Outside Wales – even, perhaps, within it – few students will have...