thu 05/06/2025

New Music Reviews

Albums of the Year 2024: Kenny Barron - Beyond This Place

Sebastian Scotney

Kenny Barron’s Beyond This Place is glorious. Whereas I’ve found some of the more talked-about albums of 2024 either been uneven or unfocused – as if attracting debate is more important than just setting out to make a great album – everything just works so well here.

Read more...

Music Reissues Weekly: Vanilla Fudge - Where Is My Mind The ATCO Recordings 1967-1969

Kieron Tyler

Vanilla Fudge could provoke a strong reaction. Writing about them in 1982, Tom Hibbert – then best-known for his contributions to Smash Hits – said of their February 1968 second album, The Beat Goes On, that “on one side of the bombastic concept LP, Vanilla Fudge summed up the history of music from Mozart, through Cole Porter and Elvis, to The Beatles concluding that it was all worthless.”

Read more...

Jesus & Mary Chain, O2 Institute, Birmingham - Reid Brothers refuse to join the heritage industry

Guy Oddy

The Jesus and Mary Chain may have been around for some 40 years (albeit on and off), but the Reid brothers clearly have no intention of setting up camp in the heritage music industry just yet. This was emphatically stressed this week, as they hit the stage of Birmingham’s O2 Institute and ploughed straight into a fierce “JAMCOD”, the lead single off their recent Glasgow Eyes album – and proclaiming “the monkey’s organ grinder isn’t grinding anymore”.

Read more...

Album: Ajukaja & Mart Avi - Death of Music

Kieron Tyler

Death of Music was created in Estonia. Despite the English lyrics, directness is absent. Take the title track. “Drop the music” exhorts Mart Avi over its pulsing five minutes. “Fight the music” he declares. The word “execution” crops up. There is reference to a “rope ladder.” The specific meaning of this torrent of imagery is unclear. Nonetheless, it is certain the untrammelled outpouring confirms Avi’s total surrender to the music.

Read more...

Vampire Weekend, OVO Hydro, Glasgow review - a mixture of brilliance and self-indulgence

Jonathan Geddes

When Vampire Weekend arrived onstage they numbered only three and were bunched together at the front with a large curtain draped behind them, obscuring their backdrop. By the time this marathon set ended two and a half hours later, they’d more than doubled in number and had made full use of their surroundings, a shift which summed up a constantly changing, often contradictory show.

Read more...

Julia Holter, Islington Assembly Hall review - shelter from the storm in experimental delight

India Lewis

On a wet, dreary, winter evening in north London, at Islington Assembly Hall, a crowd gathered for an ethereal although not always engaging set by Julia Holter.

Read more...

Music Reissues Weekly: John Leyton - Lone Rider The Holloway Road Sessions 1960-1962

Kieron Tyler

For John Leyton, it was third time lucky as far as his singles were concerned. The actor’s manager Robert Stigwood teamed him with producer Joe Meek, but Leyton's first two 45s – August 1960’s “Tell Laura I Love Her” and October 1960's “The Girl on the Floor Above” – didn’t made waves. The next one – July 1961’s “Johnny Remember Me” – was it, the hit, the chart topper.

Read more...

Katy J Pearson, Saint Luke's and the Winged Ox, Glasgow review - warm-hearted songs to banish the cold

Jonathan Geddes

'Tis the season for all manner of bugs, colds and illnesses. One had befallen Katy J Pearson, who struck an apologetic note after the night’s first number to say she had been unwell all day and was going to do her best to get through the gig. That added an unexpected element to proceedings, namely by creating the potential for the whole show to come to a sudden halt at any point.

Read more...

Album: White Denim - 12

Kieron Tyler

White Denim’s literally titled 12th album opens with the fidgety “Light on.” Drawing a line between electronica and Tropicália, it exudes sunniness. “Econolining” and “Flash Bare Ass,” up next, are equally peppy, as bright and similarly accord with the idea of pop as a mix-and-match grab bag – albeit from an off-centre perspective.

Read more...

theartsdesk on Vinyl 87: Roots Manuva, Bogdan Raczynski, Songhoy Blues, The Special AKA, Jhelisa, Tina Turner and more

Thomas H Green

VINYL OF THE MONTH

Blood Incantation Absolute Elsewhere (Century Media)

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: Turnstile - NEVER ENOUGH

Turnstile’s NEVER ENOUGH is a vibrant, shape-shifting album that proves the Baltimore-based band is fully committed to evolution. Since...

Fiddler on the Roof, Barbican review - lean, muscular delive...

It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in surroundings...

Album: Little Simz - Lotus

Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the phrase, with “Thief”:...

Letters from Max, Hampstead Theatre review - inventively sta...

In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life. Out of...

Bradford City of Culture 2025 review - new magic conjured fr...

Botanical forms, lurid and bright, now tower above a footpath on a moor otherwise famed for darkness and frankly terrible weather....

Album: Death In Vegas - Death Mask

A long time ago, in a galaxy far, far away called the late 1990s,...

La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall revi...

Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010...

Dept. Q, Netflix review - Danish crime thriller finds a new...

Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, ...