wed 01/10/2025

Liz Thomson

Liz Thomson's picture
Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Album: Bonnie Dobson & The Hanging Stars - Dreams

Read more...

Album: Bruce Springsteen - Tracks II: The Lost Albums

Read more...

Album: Mary Chapin Carpenter - Personal History

Read more...

Album: Suzanne Vega - Flying With Angels

Read more...

Album: Rhiannon Giddens & Justin Robinson - What Did the Blackbird Say to the Crow

Read more...

An Evening with Joan Armatrading, Cadogan Hall review - thoughtful and engaging conversation

Read more...

Album: Elton John and Brandi Carlile - Who Believes in Angels?

Read more...

Album: Reg Meuross, Fire & Dust: A Woody Guthrie Story

Read more...

Album: Mary Chapin Carpenter, Julie Fowlis & Karine Polwart - Looking For the Thread 

Read more...

Album: Lucinda Williams Sings The Beatles from Abbey Road

Read more...

Album: Joan Armatrading - How Did This Happen and What Does It Now Mean

Read more...

Album: Silkroad Ensemble with Rhiannon Giddens - American Railroad

Read more...

Le Vent du Nord, Cecil Sharp House review - five extraordinary musicians

Read more...

Album: Garfunkel & Garfunkel: Father and Son

Read more...

Album: Gillian Welch & David Rawlings - Woodland

Read more...

Madeleine Peyroux, Barbican review - a transport of delight

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Get Down Tonight, Charing Cross Theatre review - glitz and h...

In a fair few bars around the world tonight, bands will be playing “That’s The Way (I Like It)”, “Give It Up” and so many more of...

Nick Helm, Touring review - brash comic shows his vulnerable...

Comedy is strange old thing; it’s supposed to be funny ha-ha, but the laughs can often come from a dark place, as evidenced by Nick...

Slovenian avant-folk outfit Širom’s 'In the Wind of Nig...

The 16-minute album opener “Between the Fingers the Drops of Tomorrow's Dawn” coalesces at the 12-minute point, when clattering percussion meshes...

One Battle After Another review - Paul Thomas Anderson satir...

Paul Thomas Anderson’s frantic One Battle After Another is a storm warning for a fascist America and both a lament and a rallying call...

Black Rabbit, Netflix review - grime and punishment in New Y...

They say no good deed goes unpunished, so when New York restaurateur Jake...

Kerry James Marshall: The Histories, Royal Academy review -...

This must be the first time a black artist has been honoured with a retrospective that fills the main galleries of the...

First Person: Manchester Camerata's Head of Artistic Pl...

Over the past decade, Manchester Camerata has gained a reputation for continually innovating and redefining what an orchestra can do. But what...

The Hack, ITV review - plodding anatomy of twin UK scandals

The latest instalment of the ITV drama department’s attempts at trial by television is another anatomy of a scandal, but with little of...

Punch, Apollo Theatre review - powerful play about the stren...

For the first part of Punch it feels as if you’re riding a roller coaster, watching the world speed and loop past as you see it from the...