fri 20/06/2025

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Album: Lucinda Williams - Stories from a Rock ‘n’ Roll Heart

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Polly Toynbee: An Uneasy Inheritance - My Family and Other Radicals review - looking back

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Album: Rufus Wainwright - Folkocracy

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Gretchen Peters, Cadogan Hall review - writer and performer of exquisite gems

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Album: The Milk Carton Kids - I Only See the Moon

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Album: Rodrigo y Gabriela - In Between Thoughts… A New World

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Album: Reg Meuross - Stolen from God

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Suzanne Vega, Royal Festival Hall review - the years melt away

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Album: Willie Nelson - I Don't Know a Thing About Love: The Songs of Harlan Howard

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Transatlantic Sessions, Southbank Centre - an evening of stellar music-making

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Album: Shania Twain - Queen of Me

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Albums of the Year 2022: Janis Ian - The Light at the End of the Line

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Album: Neil Diamond - A Neil Diamond Christmas

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Mary Gauthier, Union Chapel review - a living room concert in all but name

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The Manhattan Transfer, Queen Elizabeth Hall review - a class act

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Barbara Dickson, Cecil Sharp House review - intimate and beautifully paced

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The Buccaneers, Apple TV+, Season 2 review - American advent...

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Red Path review - the dead know everything

Here’s a film you might not feel like seeing. After all, Red Path tells of a 14-year-old in Tunisia who is forced to carry home the...

Album: Loyle Carner - Hopefully!

Loyle Carner’s Hopefully! is a luminous, deeply personal exploration of fatherhood, identity, and artistic reinvention, marking the south...

The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...