sat 27/07/2024

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

CD: Jeff Goldblum and The Mildred Snitzer Orchestra

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Thomas J Campanella: Brooklyn - The Once and Future City review - out of Manhattan's shadow

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Martha Reeves and The Vandellas, Dingwalls review - What's going on? Good question

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The Day Mountbatten Died, BBC Two review - the IRA's audacious strike at the heart of the British Establishment

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Graham Nash, Alexandra Palace review - from Salford to Woodstock and back

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CD: Morganway - Morganway

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Ludovico Einaudi, Barbican review - a long road to nowhere

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Burt Bacharach Together with Joss Stone, Eventim Apollo review - an evening of timeless classics

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Stevie Wonder, BST Hyde Park review - the Master Blaster steps out

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CD: Sarah Jane Morris & Tony Rémy - Sweet Little Mystery: The Songs of John Martyn

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Tony Bennett, Royal Albert Hall review - still cutting it at 92

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Billy Joel, Wembley Stadium review – The Entertainer delivers

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Anthony B. Atkinson: Measuring Poverty Around the World review - first, second and third world problems

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CD: Naomi Bedford & Paul Simmonds - Singing It All Back Home: Appalachian Ballads of English and Scottish Origin

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The Waterboys, Roundhouse review - energetic delights

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Mark Knopfler, Royal Albert Hall review - the Sultan's return

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Lady in the Lake, Apple TV+ review - a multi-layered Baltimo...

Laura Lippman’s source novel for Apple’s new drama became a New York Times bestseller when it was published in 2019, and director Alma Har’el’s...

Twisters review - satisfyingly cataclysmic storm-chaser saga

“Blow, winds, and crack your cheeks!” urged King Lear, accompanied by the Fool, on the blasted heath. But that’s not quite snappy enough for the...

The Echo review - a beautiful but confusing look at life in...

El Eco (The Echo) is a small village in Mexico’s central...

Album: Isabell Gustafsson-Ny - Rosenhagtorn

In a discussion recently a friend compared generative...

About Dry Grasses review - warts and all portrait of an unha...

Nuri Bilge Ceylan’s latest is a test of stamina: a 3hr 15min study of a man paralysed...

Album: 137 - Strangeness Oscillations

Something of a jazz supergroup this one: with drum virtuoso, the...

Prom 6, Verdi's Requiem, BBCNOW, Bancroft review - runn...

Returning after ten months to the unique vasts of Albert’s colosseum, especially for a Verdi Requiem as powerful as this and a packed hall, felt...

10 Questions for DJ-producer Dave Clarke

Dave Clarke (b. 1968) is, arguably, Britain’s greatest techno...

The Butterfly House, Clonter Opera review - Puccini in biogr...

For 50 years Clonter Opera, the song-on-the-farm project in rural Cheshire, has been encouraging would-be...

Album: The Very Things GXL - Mr Arc-Eye (Under a Cellophane...

Back in the mid-80s, a group of lads from Worcestershire, who’d previously been known as the Cravats, were putting an exceedingly strange spin on...