fri 18/10/2024

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Lisa Stansfield, Royal Albert Hall - mutual Affection, 30 years on

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CD: Jeff Goldblum and The Mildred Snitzer Orchestra

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Thomas J Campanella: Brooklyn - The Once and Future City review - out of Manhattan's shadow

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Martha Reeves and The Vandellas, Dingwalls review - What's going on? Good question

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The Day Mountbatten Died, BBC Two review - the IRA's audacious strike at the heart of the British Establishment

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Graham Nash, Alexandra Palace review - from Salford to Woodstock and back

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CD: Morganway - Morganway

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Ludovico Einaudi, Barbican review - a long road to nowhere

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Burt Bacharach Together with Joss Stone, Eventim Apollo review - an evening of timeless classics

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Stevie Wonder, BST Hyde Park review - the Master Blaster steps out

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CD: Sarah Jane Morris & Tony Rémy - Sweet Little Mystery: The Songs of John Martyn

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Tony Bennett, Royal Albert Hall review - still cutting it at 92

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Billy Joel, Wembley Stadium review – The Entertainer delivers

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Anthony B. Atkinson: Measuring Poverty Around the World review - first, second and third world problems

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CD: Naomi Bedford & Paul Simmonds - Singing It All Back Home: Appalachian Ballads of English and Scottish Origin

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The Waterboys, Roundhouse review - energetic delights

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latest in today

The Duchess [of Malfi], Trafalgar Theatre review - actors im...

John Webster’s sour, bloody tale of brotherly greed and vice has been updated by the playwright Zinnie Harris, who also directs her own...

London Film Festival 2024 - Daniel Craig, Amy Adams, Twiggy,...

Queer

William Burroughs’ eponymous novel was nearly...

Christian Gerhaher, Gerold Huber, Sheldonian Theatre, Oxford...

Christian Gerhaher, the most compelling and complete interpreter of German...

What We Talk About When We Talk About Anne Frank, Marylebone...

An incendiary play has opened at the Marylebone, the adventurous venue just off Baker Street. Bigger houses were apparently unwilling...

Land of the Free, Southwark Playhouse review - John Wilkes B...

Straddling the USA Presidential elections, Simple8’s run of Land of the Free could not be better timed,...

Album: Bastille - &

Grandiloquent indie-synth-pop outfit Bastille have been...

Oedipus, Wyndham's Theatre review - careful what you wi...

How many times does a politician survive wave after wave of attack from rivals, surf the waves of fickle voters and tiptoe around every policy...

The Crime Is Mine review - entertaining froth from a crack c...

For his latest pick’n’mix sortie into the world of the women’s picture,...

Woman of the Hour, Netflix review - gripping drama follows a...

“I knew he was risky, but like fuck it, everyone’s risky.” A young woman (Kelley Jakle) poses for pictures on a deserted mountain road in Wyoming...