sat 27/07/2024

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

The Story of Ready Steady Go!, BBC Four review - when life was fab

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The Indigo Girls, Facebook Live review - lightening the blues

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Reg Meuross and David Massengill, Green Note, Camden review - master craftsmen at work

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Elvis Costello and the Imposters, Eventim Apollo review - and the band played on

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CD: James Taylor, American Standard - a trip down memory lane

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Album: Sam Lee, Old Wow - a hymn to Mother Nature

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Gerde's Folk City at 60, The Iridium, New York City - a celebration of the legendary folk club

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Album: Bombay Bicycle Club - Everything Else Has Gone Wrong

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Judy Collins, Grand Central Hall, Liverpool review - how sweet the sound, even at 80

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Albums of the Year 2019: Leonard Cohen - Thanks for the Dance

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Rod Stewart, Royal Philharmonic Orchestra, O2 review - Tonight's the Night

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Rufus and Martha Wainwright, A Not So Silent Night, RFH review - Christmas, family-style

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Billy Bragg, Islington Assembly Hall review - a pep talk from the progressive patriot

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Rhiannon Giddens with Francesco Turrisi review, Royal Festival Hall - musical togetherness

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Darlingside, Cecil Sharp House review - finger-picking good

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Lisa Stansfield, Royal Albert Hall - mutual Affection, 30 years on

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Lady in the Lake, Apple TV+ review - a multi-layered Baltimo...

Laura Lippman’s source novel for Apple’s new drama became a New York Times bestseller when it was published in 2019, and director Alma Har’el’s...

Twisters review - satisfyingly cataclysmic storm-chaser saga

“Blow, winds, and crack your cheeks!” urged King Lear, accompanied by the Fool, on the blasted heath. But that’s not quite snappy enough for the...

The Echo review - a beautiful but confusing look at life in...

El Eco (The Echo) is a small village in Mexico’s central...

Album: Isabell Gustafsson-Ny - Rosenhagtorn

In a discussion recently a friend compared generative...

About Dry Grasses review - warts and all portrait of an unha...

Nuri Bilge Ceylan’s latest is a test of stamina: a 3hr 15min study of a man paralysed...

Album: 137 - Strangeness Oscillations

Something of a jazz supergroup this one: with drum virtuoso, the...

Prom 6, Verdi's Requiem, BBCNOW, Bancroft review - runn...

Returning after ten months to the unique vasts of Albert’s colosseum, especially for a Verdi Requiem as powerful as this and a packed hall, felt...

10 Questions for DJ-producer Dave Clarke

Dave Clarke (b. 1968) is, arguably, Britain’s greatest techno...

The Butterfly House, Clonter Opera review - Puccini in biogr...

For 50 years Clonter Opera, the song-on-the-farm project in rural Cheshire, has been encouraging would-be...

Album: The Very Things GXL - Mr Arc-Eye (Under a Cellophane...

Back in the mid-80s, a group of lads from Worcestershire, who’d previously been known as the Cravats, were putting an exceedingly strange spin on...