thu 25/04/2024

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Jill Abramson: Merchants of Truth review - news in the age of digital disruption

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CD: Morrissey and Marshall - And So It Began Again... Acoustically

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CD: Katie Doherty & The Navigators - And Then

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Albums of the Year 2018: Joan Baez - Whistle Down the Wind

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Katie Melua and Gori Women's Choir, Central Hall Westminster, London, review - Georgia on her mind

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CD: The Albion Christmas Band - Under the Christmas Tree

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Jools Holland and his Rhythm & Blues Orchestra, Royal Albert Hall review - all stand for the piano man

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CD: Cliff Richard - Rise Up

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The Ballads of Child Migration, St James's Church, Clerkenwell review - into the heart of darkness

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CD: Mumford & Sons - Delta

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The Simon & Garfunkel Story, Vaudeville Theatre review - more tribute act than theatre piece

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Album: Jeff Goldblum & The Mildred Snitzer Orchestra - The Capitol Studios Sessions

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CD: Rosanne Cash - She Remembers Everything

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CD: David Crosby - Here If You Listen

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Duane Eddy, London Palladium - the twang's the thang

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CD: Jackie Oates - The Joy of Living

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latest in today

Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review...

With a troubled gaze and a lived-in face, the portrait of artist Alberto Giacometti on a withdrawn...

Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fiel...

The French cellist Christian-Pierre La Marca confesses that – like so many classical musicians...

Album: Pet Shop Boys - Nonetheless

This album came with an absolutely enormous promo campaign. As well as actual advertising there were “Audience With…” events, and specials on BBC...

That They May Face The Rising Sun review - lyrical adaptatio...

In director Pat Collins’s lyrical adaptation of John McGahern’s last novel, with cinematography by Richard Kendrick, the landscape is perhaps the...

Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall re...

Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/...

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Album: Mdou Moctar - Funeral for Justice

Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of...

Blue Lights Series 2, BBC One review - still our best cop sh...

The first season of Blue Nights was so close to ...

Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - ench...

Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital...

Jonn Elledge: A History of the World in 47 Borders review -...

In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world –...