thu 30/10/2025

Liz Thomson

Liz Thomson's picture
Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Lynne Murphy: The Prodigal Tongue review - two nations divided by a common language?

Read more...

Beth Nielsen Chapman, Cadogan Hall review - Nashville chats

Read more...

CD: Don McLean - Botanical Gardens

Read more...

Diana Jones, The Lexington review - at the crossroads of folk and country

Read more...

CD: Stephen Stills and Judy Collins - Everybody Knows

Read more...

CD: Joan Baez - Whistle Down the Wind

Read more...

John Tusa: 'the arts must make a noise' - interview

Read more...

CD: Beth Nielsen Chapman - Hearts of Glass

Read more...

I'm With Her, Bush Hall review - folk supergroup debut album to treasure

Read more...

Nick Coleman: Voices - How a Great Singer Can Change Your Life, review - earworms explored

Read more...

Albums of the Year 2017: Tom Russell - Folk Hotel

Read more...

CD: Christmas with Elvis and the Royal Philharmonic Orchestra

Read more...

Tom Russell, 100 Club review - tales from a time-honoured troubadour

Read more...

CD: Neil Young + Promise of the Real - The Visitor

Read more...

CD: Neil Young + Promise of the Real

Read more...

CD: Mavis Staples - If All I Was Was Black

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Todd Rundgren, London Palladium review - bold, soul-inclined...

The first words are spoken after “Worldwide Epiphany,” the 20th song. “Thank you” is all Todd Rundgren says. With this, the set ends.

It...

Photo Oxford 2025 review - photography all over the town

Photo Oxford 2025 presents a programme of exhibitions, lectures and events ranging from well-known artists and documentary photographers to new...

It’s back to the beginning for the latest Dylan Bootleg

The youthful subject of A Complete Unknown, which closes with him "going electric" at Newport as the culmination of a rainbow arc that...

Ireland's Hilary Woods casts a hypnotic spell with...

Night CRIÚ evokes clandestine ceremonies in forest glades, covert rituals taking place in the depths of a cave. Crepuscular and ghostly,...

Hedda, Orange Tree Theatre review - a monument reimagined, p...

Hedda Gabler is a Hollywood star of The Golden Age – or rather, she was. She walked off the set of two movies into a five-film...

theartsdesk Q&A: director Kelly Reichardt on 'The M...

Kelly Reichardt has a thing about losers. You often see them in her films. It's the failure of American individualism that concerns her...

Emma Doran, Leicester Square Theatre review - domestic life...

The Irish diaspora in London were out in force for Emma Doran’s appearance at Leicester Square Theatre. Her online work and her...

Lily Allen's 'West End Girl' offers a bloody,...

Even in our garish online age, most celebrities and...

The Assembled Parties, Hampstead review - a rarity, a well-m...

There’s a line in the late Richard Greenberg’s 2013 play that refers to a recently elected showbiz type turned politician who sports...