fri 19/04/2024

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

John Tusa: 'the arts must make a noise' - interview

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CD: Beth Nielsen Chapman - Hearts of Glass

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I'm With Her, Bush Hall review - folk supergroup debut album to treasure

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Nick Coleman: Voices - How a Great Singer Can Change Your Life, review - earworms explored

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Albums of the Year 2017: Tom Russell - Folk Hotel

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CD: Christmas with Elvis and the Royal Philharmonic Orchestra

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Tom Russell, 100 Club review - tales from a time-honoured troubadour

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CD: Neil Young + Promise of the Real - The Visitor

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CD: Neil Young + Promise of the Real

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CD: Mavis Staples - If All I Was Was Black

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Seeger MacColl Family, Cecil Sharp House review - keeping the folk tradition alive

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Richard F Thomas: Why Dylan Matters review - tangled up in clues

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CD: The Corrs - Jupiter Calling

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Peggy Seeger: First Time Ever - A Memoir, review - a remarkable life

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Woody Guthrie: 'The true voice of the American spirit'

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Sparks, O2 Shepherd’s Bush Empire review - age does not wither them

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latest in today

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...

The Book of Clarence review - larky jaunt through biblical e...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...