New Music Reviews
Album: John Grant - The Art of the LieWednesday, 12 June 2024
“I feel ashamed because I couldn’t become the man that you always hoped I’d become.” The line is repeated during “Father,” The Art of the Lie’s third track. After this, there’s “Mother and Son,” “Daddy” and the allusive “The Child Catcher”. Parent-child relations, from either perspective, are key to John Grant’s sixth solo album. Specifically, how these have rippled through his life to form his present-day self. Read more... |
Music Reissues Weekly: Moving Away from the Pulsebeat - Post-Punk Britain 1977-1981Sunday, 09 June 2024
“Moving Away from the Pulsebeat” is the final track – barring the locked-groove return of the two-note guitar refrain from “Boredom” – of Buzzcocks’ March 1978 debut album, Another Music In A Different Kitchen. At five minutes 40 seconds it didn’t cleave to the short, sharp punk template. Also, it was largely instrumental. And it had a drum solo. Read more... |
Deap Vally, Concorde 2, Brighton review - final blow-out before the rockin' duo quitWednesday, 05 June 2024
Towards the end of the encore, Deap Vally bring on their friend Solon Bixler. Frontwoman Lindsey Troy hands him her guitar. Despite this being their farewell tour, these two songs, she tells us, are new. The duo, now briefly a trio, go ballistic, a punk rock explosion ensues. Drummer Julie Edwards attacks her kit like Animal from The Muppets, Troy stomps like a glam rock loon before rolling about the floor, and Bixler scissor-kicks his way to stand aloft the bass drum. Read more... |
Music Reissues Weekly: The Beatles - Stowe School 1963Sunday, 02 June 2024
“We hope if you like it, you'll buy it,” says Paul McCartney. It’s 4 April 1963 and The Beatles are on stage and about to perform their third single “From Me to You.” It’s out in a week. To his left, John Lennon instantly responds to the entreaty. “And if you don't like it,” he retorts. “Don't buy it.” Read more... |
Beth Gibbons, Salle Pleyel, Paris review - a triumph of intimacyThursday, 30 May 2024
Beth Gibbons, once the voice of Portishead, and later a wonderful solo singer and songwriter, hasn’t been on stage for a long while. She makes the most of a paradoxical yet magical mix of being at once fleeting and totally present. Read more... |
The Lovely Eggs, XOYO, Birmingham review - Lancashire duo brings the Bank Holiday to a speedy endWednesday, 29 May 2024
When the Lovely Eggs’ married duo of Holly Ross and David Blackwell took to the stage at the recently rebranded XOYO in Birmingham on Bank Holiday Monday, they looked like they should be playing for two completely separate bands. She was looking glam, dressed like a guitar wielding Rόisín Murphy, with a blonde bob and orange and black tiger print dress, while he slid behind his drum kit in a washed-out tour t-shirt and a Johnny Ramone haircut. Read more... |
Travels Over Feeling: The Music of Arthur Russell, Barbican review - a sublime evening undercut by tonal shiftsMonday, 27 May 2024
Last night’s Travels Over Feeling: The Music of Arthur Russell (a concert in part accompanying the recent publication of a book about his life by Richard King) was a brilliant way to honour the legacy of a fascinating, challenging, and sublime musician who, largely unrecognised in his lifetime, is now loved by many. The tribute was truly moving (reader, I cried twice), but a tonal shift towards the end, whilst enjoyed by many, was a little jarring. Read more... |
Music Reissues Weekly: Jon Savage's The Secret Public - How The LGBTQ+ Aesthetic Shaped Pop CultureSunday, 26 May 2024
Jon Savage's The Secret Public How The LGBTQ+ Aesthetic Shaped Pop Culture 1955-1979 accompanies the titular author/historian/journalist’s book of almost the same name. The Secret Public: How LGBTQ Resistance Shaped Popular Culture (1955–1979) and this 41-track double CD each track exactly what their titles say, drilling into what has often paralleled or underlain yet repeatedly influenced a constantly evolving mainstream. Read more... |
Album: Samana - SamanaWednesday, 22 May 2024
The final track of Samana’s third album is titled “The Preselis,” after the west Welsh mountain range – the place antiquarians suggested as the source of Stonehenge’s blue stones. The song’s opening lyrics are “The blue stones, they grow over me, Carved into mountains, the blood of need.” Later, the words “anima” and “animus” are repeated before the song ends with the recurring refrain “Lay the body down.” Read more... |
The Great Escape Festival 2024, Brighton review - 12 hours on the musical frontline of Day ThreeTuesday, 21 May 2024
If the weather’s good TGE Beach is a grand start to a day. As it sounds, it’s a purpose-built seafront space to the east of central Brighton, containing three stages as well as stalls selling vegan kebabs, Filipino street food and German sausage. Read more... |
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