Ellie Roberts
Articles By Ellie Roberts
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
The Inseparables, Finborough Theatre review - uneven portrai...
The Finborough has once again performed the miracle of creating a whole world in its intimate space: this time, inter-war France, where...
Flintoff, Disney+ review - tumultuous life and times of the...
Documentaries about sports stars are now a dime a dozen, but you can only be as good as your subject matter. We know Andrew Flintoff (usually...
Personal Values, Hampstead Theatre review - deep grief that...
“They fuck you up your Mum and Dad; they may not mean to, but they do.” These lines from Philip Larkin’s 1975 poem, “This Be the Verse”, sum up...
Album: Jenny Hval - Iris Silver Mist
Had I read the contextual blurb about Jenny Hval's latest album first, I might have assumed it was a perfume company collaboration. The album is...
April review - powerfully acted portrait of a conflicted doc...
It’s easy to see metaphors about the status of modern Georgia, once again threatened by the Russian boot, in its recent artistic output...
theartsdesk Q&A: filmmaker Miguel Gomes on his latest ex...
It doesn't take much to get lost in a film by Miguel Gomes. In fact, it's required. Multiple layers, timelines, and perspectives unfold in his...
Album: Billy Idol - Dream Into It
There’s always been a goofy charm about Billy Idol. As an implausibly chiselled Adonis shining out from the deliberate ugliness of the original...
Greg Davies, Brighton Dome review - chocolate bars and erran...
Greg Davies doesn’t spare himself in his new show, Full Fat Legend, his first tour in seven years after having been busy being...
Bach St John Passion, Academy of Ancient Music, Cummings, Ba...
In a programme note for the St John Passion at the Barbican, the Academy of Ancient Music’s chief executive called their Easter performances of...