Album: Sea Girls - Midnight Butterflies

Another fun indie pop album from Sea Girls

share this article

Midnight Butterflies: an easy slide into any indie pop driving playlist

Inspired by the desire to remain present in the modern world, Sea Girls’ latest album, Midnight Butterflies, is a collection of uplifting tracks to enjoy effortlessly this summer. Most of its songs could easily slide into any indie pop driving playlist and would be undoubtedly fun to sing along to live.

This is the band’s third album and the first under their new independent record label Alt Records, it solidifies their fun guitar pop vibe, but it doesn’t do much to progress their sound. The already released title track feels familiar from the first listen, with an easy-going melody and simple lyrics, and the remaining tracks mostly follow suit. “Polly” stylishly adheres to every Indie trope, and “Come Back to Me” feels like it was built for live performance. In its more pensive moments, the album offers something more distinctive, “Horror Movies” being a particular highlight. As frontman Henry Camamile sings “Do you remember when we were younger?” there’s a noticeable emotion in his voice which is immediately contrasted by the cool, calm verses that follow, making for a more interesting listen. “After Hours” closes the album on a similar note.

The matter-of-fact songwriting throughout constantly teeters between alluring and awkward. “I miss sofa kisses, breaking dishes, all the while wearing you” cleverly conjures the image that it is supposed to, but “You’re the kind of girl who makes me sad when you’re around me” doesn’t quite land in the same way, although the consistently enjoyable melodies do their part to distract from this.

Midnight Butterflies doesn’t veer far from Sea Girls’ existing sound but it has its place as a Summer 2024 Indie Pop album with some fun tracks. It’s easy listening, catchy and cool.

  • More new music reviews on theartsdesk

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
The matter-of-fact songwriting throughout constantly teeters between alluring and awkward

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a great deal, and hope you do too.

To take a monthly subscription now simply click here.

Or
Why not take an annual subscription and save a third off our monthly price simply click here.

more new music

A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction
Neo-folk songs that are woozy and atmospheric but thoroughly engaging
An eardrum damaging evening spent with Birmingham’s Sunn O))) worshippers
Trio with Gene Calderazzo and Alec Dankworth is a jewel of British jazz
Madonna and Stuart Price concoct a set that's bangin' and occasionally affecting