sat 13/09/2025

Kieron Tyler

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Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).

Articles By Kieron Tyler

Album: Yasmine Hamdan - I Remember I Forget بنسى وبتذكر

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Music Reissues Weekly: Chiswick Records 1975-1982 - Seven Years at 45 RPM

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Album: Saint Etienne - International

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Music Reissues Weekly: The Outer Limits - Just One More Chance

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Album: Benedicte Maurseth - Mirra

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Music Reissues Weekly: The Beatles - What's The New, Mary Jane

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Album: Eve Adams - American Dust

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Music Reissues Weekly: The Residents - American Composer's Series

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Album: Marissa Nadler - New Radiations

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Music Reissues Weekly: The Final Solution - Just Like Gold

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Music Reissues Weekly: Chip Shop Pop - The Sound of Denmark Street 1970-1975

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Album: Bonniesongs - Strangest Feeling

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Music Reissues Weekly: The Pale Fountains - The Complete Virgin Years

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Music Reissues Weekly: Mike Taylor - Pendulum, Trio

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Music Reissues Weekly: Beggars Arkive - Gary Numan's 1979 John Peel session

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The Estonian Song and Dance Celebration 2025 review - the mass expression of freedom

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'We are bowled over!' Thank you for your messages... ...
Downton Abbey: The Grand Finale review - an attemptedly eleg...

It can be a hostage to fortune to title anything “grand”, and so it proves with the last gasp of Julian Fellowes’s everyday story of...

BBC Proms: Ehnes, Sinfonia of London, Wilson review - aspect...

Critics (including this one) casually refer to John Wilson’s Sinfonia of London as an all-star outfit, an army made up of generals. This week I...

Album: Ed Sheeran - Play

“It’s a long way up from rock bottom/There’s been times I felt I could fall further.” So runs the opening line of Ed Sheeran’s eighth studio album...

Presteigne Festival 2025 review - new music is centre stage...

If you were a devotee of Dmitri Shostakovich whose only opportunity to attend some live performances marking this year’s 50th anniversary of his...

Islands review - sunshine noir serves an ace

From its ambiguous opening shot onwards, writer/director Jan-Ole Gerster’s Islands is a tricksy animal, which doesn’t just keep...

A Single Man, Linbury Theatre review - an anatomy of melanch...

Mind, body, body, mind. Medical science confirms the powerful two-way traffic between emotional and physical health. Nonetheless the idea of...

theartsdesk Q&A: actor Sam Riley on playing a washed-up...

You won't find Sam Riley lying at the pool in a holiday resort – unless it's for work. "I'd rather stay home to be honest", says the...

Album: Motion City Soundtrack - The Same Old Wasted Wonderfu...

Everyone’s favourite angsty pop-punk nerds are back, balancing new with nostalgia and synths with guitars, this is exactly what fans have been...

Cow | Deer, Royal Court review - paradox-rich account of non...

I love irony. Especially beautiful irony. So I’m very excited about the ironic gesture of staging a show with no words at the...