tue 28/06/2022

Kieron Tyler

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Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).

Articles By Kieron Tyler

Music Reissues Weekly: Whatever You Want - Bob Crewe's 60s Soul Sounds

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Blk Jks, Moth Club review - Johannesburg’s art-rockers are more straightforward live than on album

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Music Reissues Weekly: Ban the Bomb - Music of the Aldermaston Anti-Nuclear Marches

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Music Reissues Weekly: Barney Wilen - Zodiac

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Album: Shearwater - The Great Awakening

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Music Reissues Weekly: In A Rocking Mood - Beverley’s Rock Steady 1966-1968

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Album: Wren Hinds - A Child's Chant for a New Millennium

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theartsdesk in Bergen: Nattjazz, Nutshell review - Norway makes the case that musical genres are obsolete

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Music Reissues Weekly: John Barry - The More Things Change

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Album: Yama Warashi - Crispy Moon

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Music Reissues Weekly: Patty Waters - You Loved Me

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Tallies, Old Blue Last review - Canadian quintet rejuvenates indie prototypes

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Music Reissues Weekly: 999 - A Punk Rock Anthology

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theartsdesk in Estonia: Tallinn-Narva Music Week review - solidarity through music on the Russian border

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Music Reissues Weekly: Kokomo - To Be Cool

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Music Reissues Weekly: Dusty Springfield - Dusty Sings Soul

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latest in today

theartsdesk in Zurich - forging a brilliant new Ring

Could this be the summer Bayreuth finally sees a new Ring production that comes anywhere near its last great epic success, Harry Kupfer’s, which...

theartsdesk Q&A: bass-baritone Christopher Purves on com...

He’s the most haunting, at times terrifying Wozzeck I’ve seen, in Richard Jones's Welsh National Opera baked-bean-factory production, and the...

Album: Paolo Nutini - Last Night in the Bittersweet

The last time that Paolo Nutini was on the public stage, he was knocking out fine blue-eyed soul and having substantial hits like “Scream (Funk my...

The Rolling Stones, BST Hyde Park review - let it rock!

A few spots of rain greeted the arrival of the...

Mad House, Ambassadors Theatre review - David Harbour is mag...

For sheer extremes of family dysfunction Theresa Rebeck’s Mad House must be aiming to set new records in American drama. The latest in a...

Eric Ravilious: Drawn to War review - a lovingly crafted doc...

There’s a sharp observation, delivered in Alan Bennett’s soft tones, that sums up the reputation of the painter Eric Ravilious: “Because his...

Music Reissues Weekly: Whatever You Want - Bob Crewe's...

In 1965, Bob Crewe was living alongside Central Park in...

George Fu, St Martin-in-the-Fields review - high intellect a...

Semi-standing ovation at a lunchtime concert in a London church? Predictable, perhaps, from the first recital I heard George Xiaoyuan Fu give at...

Mieko Kawakami: All the Lovers in the Night review - the raw...

Mieko Kawakami is the champion of the loner. Since achieving immense success in the UK with her translated works, she has become an indie fiction...