fri 19/04/2024

Kieron Tyler

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Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).

Articles By Kieron Tyler

Music Reissues Weekly: The Barracudas - Drop Out with the Barracudas

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Robert Forster, Lafayette review - élan, spontaneity and thoughtfulness from the former Go-Between

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Album: Cécile McLorin Salvant - Mélusine

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Music Reissues Weekly: Duffy Power - Innovations, Live at the BBC

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Music Reissues Weekly: Heavy Metal Kids - The Albums 1974-76

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Album: Fever Ray - Radical Romantics

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Music Reissues Weekly: Jon Savage's 1980-1982 - The Art Of Things To Come

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Music Reissues Weekly: Stranger In Town - A Del Shannon Compendium

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Music Reissues Weekly: Dave Brubeck Quartet - Debut In The Netherlands 1958

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Marina Allen, Cafe Oto Review - east London substitutes for 1970s Los Angeles

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Music Reissues Weekly: Modern Eon - Fiction Tales

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Album: Amber Arcades - Barefoot On Diamond Road

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Music Reissues Weekly: The Senders - All Killer No Filler

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Northern Winter Beat 2023 review - Panda Bear, Sonic Boom and Širom amongst the highlights in Denmark’s north

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Album: Robert Forster - The Candle and the Flame

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Music Reissues Weekly: Padang Moonrise - The Birth of the Modern Indonesian Recording Industry

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Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...

The Book of Clarence review - larky jaunt through biblical e...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...