thu 05/06/2025

Kieron Tyler

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Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).

Articles By Kieron Tyler

Music Reissues Weekly: Andwella - To Dream

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Conchúr White, St Pancras Old Church review - side-stepping the past to embrace the future

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Music Reissues Weekly: Little Girls - Valley Songs

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Music Reissues Weekly: West Coast Consortium - All The Love In The World

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Album: The Lemon Twigs - A Dream Is All We Know

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Music Reissues Weekly: Warsaw - Middlesbrough 14th September 1977, Joy Division - Manchester 28th September 1979

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Music Reissues Weekly: Linda Smith - I So Liked Spring, Nothing Else Matters

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Album: Paraorchestra with Brett Anderson and Charles Hazlewood - Death Songbook

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Music Reissues Weekly: Congo Funk! - Sound Madness from the Shores of the Mighty Congo River

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Julia Holter, EartH Theatre review - loosening up can take time

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Music Reissues Weekly: Patterns on the Window - The British Progressive Pop Sounds of 1974

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Music Reissues Weekly: Status Quo - The Early Years

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Album: Jane Weaver - Love In Constant Spectacle

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Vossa Jazz 2024 review - Norwegian festival embraces William Parker’s spaciness, Karin Krog’s classicism and much more

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Music Reissues Weekly: Niney The Observer Presents Lightning and Thunder!

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Album: High Llamas - Hey Panda

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

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Album: Turnstile - NEVER ENOUGH

Turnstile’s NEVER ENOUGH is a vibrant, shape-shifting album that proves the Baltimore-based band is fully committed to evolution. Since...

Fiddler on the Roof, Barbican review - lean, muscular delive...

It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in surroundings...

Album: Little Simz - Lotus

Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the phrase, with “Thief”:...

Letters from Max, Hampstead Theatre review - inventively sta...

In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life. Out of...

Bradford City of Culture 2025 review - new magic conjured fr...

Botanical forms, lurid and bright, now tower above a footpath on a moor otherwise famed for darkness and frankly terrible weather....

Album: Death In Vegas - Death Mask

A long time ago, in a galaxy far, far away called the late 1990s,...

La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall revi...

Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010...

Dept. Q, Netflix review - Danish crime thriller finds a new...

Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, ...