fri 19/04/2024

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Hypnotic review - a riotously enjoyable thriller

Read more...

Inland review - a cracked mosaic of memories, impressions and lurking anxiety

Read more...

Ten Pound Poms, BBC One review - a new life in the Great Southern Land

Read more...

A different angle on the Anne Frank story in 'A Small Light'

Read more...

Fatal Attraction, Paramount+ review - Adrian Lyne's bunny-boiler blockbuster expanded onwards and outwards

Read more...

Citadel, Prime Video review - did Amazon really pay $300m for this?

Read more...

The Diplomat, Netflix review - can London's new American ambassador prevent World War Three?

Read more...

Malpractice, ITV1 review - she got into a mess on the NHS

Read more...

How To Blow Up a Pipeline review - can eco-terrorism be justified?

Read more...

Why Didn't They Ask Evans?, ITV1 review - Agatha Christie gets a tense and twisty reworking by Hugh Laurie

Read more...

Magpie Murders, BBC One review - zinging TV adaptation of Anthony Horowitz's bestseller

Read more...

Rabbit Hole, Paramount+ review - sabotage, subterfuge and corporate skulduggery

Read more...

Villeneuve Pironi: Racing's Untold Tragedy, Sky Documentaries review - a macabre slice of motor racing mythology

Read more...

John Wick: Chapter 4 review - is this the El Cid of shoot-'em-up movies?

Read more...

Infinity Pool review - it's like The White Lotus on bad acid

Read more...

Play Dead review - chills, thrills and stolen body parts

Read more...

Pages

latest in today

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...

The Book of Clarence review - larky jaunt through biblical e...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...

Lisa Kaltenegger: Alien Earths review - a whole new world

Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...

Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...

All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...

An Actor Convalescing in Devon, Hampstead Theatre review - o...

One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...