fri 03/01/2025

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

theartsdesk Q&A: Eddie Marsan and the American Revolution, posh boys and East End gangsters

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Rebus, BBC One review - revival of Ian Rankin's Scottish 'tec hits the jackpot

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Fawlty Towers: The Play, Apollo Theatre review - lightning strikes twice

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Bermondsey Tales: Fall of the Roman Empire review - dirty deeds done dirt cheap

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Our Mothers review - revisiting the horrors of Guatemala's civil war

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Thank You, Goodnight: The Bon Jovi Story, Disney+ review - how the boy from Sayreville, NJ conquered the world

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Red Eye, ITV review - Anglo-Chinese relations tested in junk-food thriller

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Anthracite, Netflix review - murderous mysteries in the French Alps

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Civil War review - God help America

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Scoop, Netflix review - revisiting a Right Royal nightmare

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This Town, BBC One review - lurid melodrama in Eighties Brummieland

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Passenger, ITV review - who are they trying to kid?

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3 Body Problem, Netflix review - life, the universe and everything (and a bit more)

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The Delinquents review - escape to the country, Buenos Aires style

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Manhunt, Apple TV+ review - all the President's men

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The New Boy review - a mystical take on Australia's treatment of its First Peoples

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Lockerbie: A Search for Truth, Sky Atlantic review - Colin F...

The destruction of Pan Am flight 103 over Lockerbie on 21 December 1988 was one of the ghastliest events in what would become known as the War on...

Albums of the Year 2024: The Last Dinner Party - Prelude to...

Does absolutely everything have to get more difficult with each passing year? Apparently so. The amount of time I’ve spent deciding which of the...

Davis, National Symphony Orchestra, Maloney, National Concer...

In one sense it was a New Year’s Day “nearly”, just stopping short of giving us the already great Irish lyric-dramatic soprano Jennifer Davis in...

Albums of the Year 2024: Mk.gee - Two Star and the Dream Pol...

Mk.gee has been an unexpected thread in a year of music that’s pulled me in many different directions, punctuating the need for unique, sonically...

SAS Rogue Heroes, Series 2, BBC One review - Paddy Mayne...

Having carved a swathe of terror and destruction through the Axis forces in North Africa, the SAS return for a second series (again written by...

Best of 2024: Classical music concerts

As always, great concerts have outnumbered great opera productions over a year, and all of our national orchestras can be proud of their record. I...

Best of 2024: Dance

In an ideal world an end-of-year roundup would applaud only new ventures – fresh productions that you may curse for having missed but whose...

Best of 2024: Books

Billie Holiday sings again, Olivia Laing tends to her garden, and Biran Klaas takes a chance: our reviewers discuss their favourite...

Albums of the Year 2024: Nick Cave and the Bad Seeds - Wild...

Young eldritch junkie Nick Cave would have struggled to predict his maturity as a font of wry and sacred wisdom, or the fathomless loss he...