thu 15/05/2025

Film Reviews

CODA review - warm-hearted comedy about growing up in a Deaf family

Saskia Baron

When CODA opened Sundance in May, it was an instant hit with that liberal, kindly audience and was snapped up by Disney at great expense. It’s easy to see why – CODA is a funny, easy-to-watch coming of age comedy that allows viewers to feel warm and understanding towards Deaf people. It’s got Oscar nominations written all over it.

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El Father Plays Himself review – a roller coaster ride of mixed emotions

Sarah Kent

A young film director writes a script based on his father’s life story and invites his dad to play the part. It’s an interesting gambit, given that the son, Jorge Thielen Armand left Venezuela with his mother at the age of 15 and has not returned since. His father stayed behind, so their relationship has stalled. Can it be reignited?

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Zola review - high-energy comic thriller tackles sex work

Saskia Baron

It’s hard to imagine a movie more of its time than Zola, as it takes on sex, race, the glamorisation of porn and the allure of the ever-online world.

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The Sparks Brothers review - giddy celebration of the Mael brothers

Saskia Baron

How lovely it must be to direct a documentary about your favourite musicians and have no one stop you from cramming in everyone who has ever loved them too.

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Limbo review - quiet but voluble

Matt Wolf

Displacement looms large over every quietly impressive frame of Limbo, writer-director Ben Sharrock's magnetic film about a young Syrian man called Omar (Amir El-Masry) who finds himself biding his time in the remotest reaches of Scotland on the way to some unknown new life. 

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The Most Beautiful Boy in the World review - a harrowing tale vividly told

Sarah Kent

The Most Beautiful Boy in the World is the most harrowing film you are ever likely to watch, but don’t let that put you off. This was a documentary waiting to be made. It tells the story of a young beauty propelled into international stardom before gradually descending into alcoholism and abject despair.

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Off the Rails review - go for the scenery, not the script

Matt Wolf

Mamma Mia! hovers unhelpfully over every frame of Off the Rails, a road movie of sorts in which three women make a music-fueled pilgrimage to Mallorca to honour the wishes of a fourth friend, who has died before time of cancer.

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Old review - time flies in tropical island mystery

Adam Sweeting

You can rely on M Night Shyamalan to deliver supernatural shocks and freakish events, but the alternative-reality nature of his projects demands suspension of disbelief. It’s great when it works (The Sixth Sense or Split), but a bit of a bummer when it doesn’t.

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Riders of Justice review - revenge, coincidence and the meaning of life

Markie Robson-Scott

All events are products of a series of preceding events. Or is life just a chain of coincidences? And if so, what’s the point in anything?

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Two of Us review - a lesbian love story with a difference

Markie Robson-Scott

“Do you have a problem with old dykes?” demands Nina (the superbly ferocious Barbara Sukowa) of a bland, nervous young estate agent, halfway through this wonderfully original first feature from director Filippo Meneghetti. No, he stammers.

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Summer of Soul review - glorious documentary combines music and black American history

Saskia Baron

It’s entirely appropriate that in 2021, when debates about racism fill our minds and music festivals are still curtailed that Summer of Soul, filmed in 1969 but forgotten for decades, should win Sundance and hit our screens.

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Tove review - tasteful portrait of the Moomins creator

Saskia Baron

Even for this reviewer, who was brought up on Tove Jansson’s quirky children’s books (and is the owner of some 50 different Moomin coffee cups), it’s a stretch to recommend dropping everything to go and see Tove in the cinema. There’s nothing wrong with the film as far as it goes, but unfortunately it doesn’t go quite far enough.

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Mosley: It's Complicated review - flattering portrait of a clever and ruthless power-broker

Adam Sweeting

Director and co-writer Michael Shevloff’s film about Max Mosley, who died in May this year, is a curious beast, perhaps reflecting the difficulties of pinning down such a complex character.

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French Exit review - Michelle Pfeiffer faces mortality

Matt Wolf

Michelle Pfeiffer all but purrs her way through French Exit, as befits a splendid actress who cut a memorable Catwoman onscreen nearly thirty years ago.

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The Tomorrow War, Amazon Prime - futuristic blockbuster outstays its welcome

Adam Sweeting

Originally designed as a Yuletide widescreen blockbuster, The Tomorrow War belatedly emerges on Amazon’s streaming service, which at least means you can hit the pause button during its immense 140-minute running time whenever you need a leak or a refill.

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Hairspray, London Coliseum review - brighter and more welcome than ever

Gary Naylor

A revival of a multi-award winning musical, with a big star or two, may look like a safe choice to re-open London’s largest theatre, the Coliseum, but there was a tingle of jeopardy in the air, exemplified when the show catches you by surprise, the curtain rising when (surely) people remain in the bar?

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