Film Reviews
Parallel Mothers review - letting the dead speakFriday, 04 February 2022
Almodóvar has rarely returned to the petrified Spain of his youth, flinging off Franco’s oppression by ignoring it in his early films of freewheeling provocation, where anarchic, hot freedom was all of the law. In this sober tale of secrets and lies, though, his nation’s past is literally dug up. Read more... |
The Eyes of Tammy Faye review - Jessica Chastain pulls out all the stopsFriday, 04 February 2022
US televangelists Tammy Faye and Jim Bakker’s rise and spectacular fall from grace in the Seventies and Eighties has already been covered in a documentary film of the same name, released in 2000 with a voice-over by RuPaul. Read more... |
Belfast review - coming of age amid the terror of the TroublesTuesday, 01 February 2022
For all his achievements as actor and director, Kenneth Branagh isn’t immediately thought of as a screenwriter, despite his multiple Shakespeare adaptations. That may all change with Belfast, because Branagh’s deeply personal account (he’s both writer and director) of a Northern Irish childhood in the early days of the Troubles has a little touch of magic about it. Read more... |
Long Promised Road review - another attempt to probe the fragile genius of Brian WilsonSaturday, 22 January 2022
There has been no shortage of documentaries about king Beach Boy Brian Wilson, not to mention the 2014 bio-drama Love & Mercy, so the purpose of this new effort by director Brent Wilson (no relation) isn’t altogether clear. Read more... |
Nightmare Alley review - a dazzling trip through a heart of darknessFriday, 21 January 2022
Director Guillermo del Toro has described Nightmare Alley as “a straight, really dark story”, lacking the supernatural elements in his previous films such as Crimson Peak and The Shape of Water. Nonetheless, Nightmare Alley still feels like a spectral visitation from a weird and menacing dimension. Read more... |
Memory Box review - exquisitely made drama set in LebanonFriday, 21 January 2022
Memory Box is that rare thing, a glimpse into a lost world from its traumatised inhabitants. Made by the Lebanese artist-filmmakers, Joana Hadjithomas and Khalil Joreige (a husband and wife team), it’s an intergenerational drama split between Beirut during the Eighties (the height of the Lebanese Civil War) and present day Canada. Read more... |
Munich: The Edge of War review - Jeremy Irons excels in a revisionist portrait of Neville ChamberlainTuesday, 18 January 2022
The name of Neville Chamberlain and the term “appeasement” have become indelibly linked, thanks to his efforts to accommodate Adolf Hitler’s bellicose ambitions in the run-up to what became World War Two. Read more... |
Don't Look Up, Netflix review - hitting most targets in high styleThursday, 13 January 2022
Most dystopian satires are located in a nightmarish future, but their scripts build on the worst of our world today. Adam McKay's Don’t Look Up is different: this is now, and the notion of a comet hurtling towards the assured destruction of planet Earth is the hub for a heaping-up and jamming-together of how media and government respond to the worst imaginable crisis. Read more... |
The Humans review - staring headlong into the abyssMonday, 10 January 2022
A small film that packs a significant wallop, The Humans snuck into view at the very end of 2021 to cast a despairing shadow that extends well beyond the Thanksgiving day during which it takes place. Read more... |
A Hero review - a morality tale with no firm conclusionsFriday, 07 January 2022
A Hero, set in the ancient city of Shiraz in southwest Iran, revolves around Rahim (Amir Jadidi), a weak man with gleaming white teeth and a permanent smile. He’s on leave from prison for the weekend, an odd concept in itself, as there are no restrictions to his movements and the whole set-up seems surprisingly lax and polite for what we might expect from an Iranian jail.
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Best of 2021: FilmSunday, 02 January 2022
Like every other artform, cinema suffered greatly in a year of lockdowns. But despite an ever-changing outlook, theartsdesk still managed to review over 130 films in 2021! Long-awaited blockbusters and no-budget indies fought for screen space big and small, but only a select few achieved five star status. Here are the 2021 releases our critics deemed perfect: Read more... |
Titane review - love under the bonnetFriday, 31 December 2021
The restrictiveness of conventional gender identities explains the extreme body horror of Titane, in which a pregnant rookie firefighter frequently invoked as Jesus bleeds car oil from her vagina and from the stigmatic splits in her swollen belly. The miracle of Julia Doucournau’s luridly beautiful Palme d’Or-winner is that the memory of the violence puncturing the film's first half recedes as loving tenderness takes hold. Read more... |
The Matrix Resurrections review - reboot or remix?Wednesday, 22 December 2021
Back in 1999, The Matrix offered something revolutionary. With a heady brew of William Gibson-influenced cyberpunk, Platonic philosophy and Prada, it proved that blockbusters could be both smart and action-packed. Remember those days? Read more... |
The Hand of God review - Sorrentino's unsentimental educationThursday, 16 December 2021
“It was the hand of God,” says the Neapolitan family patriarch about a rather unexpected consequence of Maradona's coming to play for the city’s team. That gives us a date, 1984, and, while the adolescent protagonist Fabietto remains in Naples, a fleeting sense of time and place. Read more... |
Spider-Man: No Way Home review - The web-slinger returnsThursday, 16 December 2021
A brief warning to readers: while effort is made to avoid spoilers, I would advise anyone who has somehow missed the massive amount of online speculation about the film’s plot to not read on. See the film first, and please come back. Read more... |
Hope review - brilliance and honesty from Norwegian director Maria SødahlThursday, 09 December 2021
The story of a woman with lung cancer that has metastasised to the brain is based on Norwegian director Maria Sødahl's own experience, which is a hopeful sign in itself. Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Magic Farm review - numpties from the Nineties
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The Great Escape Festival 2025, Brighton review - a dip into...
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theartsdesk Q&A: Zoë Telford on playing a stressed-out p...
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Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash...
It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows...
Good One review - a life lesson in the wild with her dad and...
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E.1027 - Eileen Gray and the House by the Sea review - dull...
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Album: Rico Nasty - LETHAL
Rico Nasty’s new album LETHAL signals a shift in direction, but whether it is a bold evolution or a step towards something less distinct...
The Marching Band review - what's the French for '...
In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a...
Lucy Farrell, Catherine MacLellan, The Green Note review - s...
Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We...