thu 18/09/2025

Film Reviews

Official Competition review - satire served cold

Sebastian Scotney

There are four main protagonists in Official Competition and they all have one thing in common: an overriding ambition to spend more time with their egos.

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Anaïs in Love review - she wants what she wants

Graham Fuller

It’s 2022’s art-house image du jour – a self-absorbed 30-year-old running to get what she wants, irrespective of the long-term consequences to herself or anyone else.

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The Feast review - slow-cooking folk-horror

Nick Hasted

Lee Haven Jones’ Welsh-language folk-horror debut dissects a family’s treachery to the land in eventually apocalyptic fashion. It starts in silent, jagged style, the characters seeming as artificial as their minimalist house, abstract paintings and intensely designed rooms, set down like a lunar outpost in rugged Welsh farmland.

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My Old School review - a Glasgow schoolboy and his elaborate hoax

Markie Robson-Scott

Back in 1995, the name Brandon Lee made the headlines. Not the Brandon Lee as in son of Bruce, who’d recently met his death on the set of The Crow, but a schoolboy who’d chosen to use the same name.
 
A strange hoax was uncovered. Lee was, in fact, Brian MacKinnon, and he was not 16 but 32, posing as a fifth-former at the august Bearsden Academy in Glasgow.

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Eiffel review - sensuous secret history

Nick Hasted

This is a romantic historical epic with elan, giving sensual immediacy to a fanciful secret history of the Eiffel Tower, here inspired by a forbidden, rekindled romance between Gustave Eiffel (Romain Duris) and Arlette Bourgès (Sex Education’s Emma Mackey).

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Nope review - more a nope than a yep

Demetrios Matheou

Writer/director Jordan Peele’s first two features were horror films with bells on, their genuinely creepy chills accompanied by sharp, satirical social comment. Both were so good that there seemed absolutely no reason to doubt the next. 

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Nightclubbing: The Birth of Punk Rock in NYC review - cheap thrills

Nick Hasted

Bankruptcy, rubble, rape and murder: Manhattan in the Seventies could be grim, as multiple New York punk memoirs make clear. The trade-off was the art, steaming and burning in the stinking, crucially cheap degradation. Punk was just one symptomatic part of a crumbling Lower East Side where old Beats, folkies, jazzers, poets, theatre, film and visual artists also lived.

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Give Them Wings review - down but not out in Darlington

Graham Fuller

Give Them Wings is the biopic of Paul Hodgson, who seven months after he was born in 1965 was diagnosed with meningococcal meningitis. If that wasn’t bad enough, he survived his precarious childhood to become a devout fan of Durham’s hapless Darlington FC – it’s criminal that this low-budget British indie wasn’t titled Give Them Wingers.

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Our Eternal Summer review - tragedy taps authentic teenage emotions in Marseille

Sebastian Scotney

The French seaside has been the setting for all kinds of summer holiday capers. We are used to the idea that this is a place where young people set about finding out who they are. At the top of the quality spectrum are Éric Rohmer’s well-observed comedies of manners like Pauline at the Beach (1983) and A Summer's Tale (1996). Down at the bottom, there are shockers like Axelle Laffont’s Milf (2018).

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Bullet Train review - not really a first class ticket

Demetrios Matheou

One of the best scenes in this Brad Pitt starrer takes place in the quiet car of a Japanese bullet train, as two men seek to kill each without leaving their seats or disturbing their fellow passengers. Aside from being amusingly and skilfully executed, the conceit lends the scene a restraint that is sorely missing from the rest of this cartoonishly hyper-active movie.

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Hit the Road review - leaving Tehran for truth and freedom

David Thompson

The trailer for Panah Panahi’s award-winning first feature Hit the Road is one of the most misleading I’ve yet seen thanks to its jaunty Western pop soundtrack and reassuring caption that the movie resembles an Iranian Little Miss Sunshine.

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The Fire of Love review - awe-inspiring footage of volcanoes marred by sentimental narration

Sarah Kent

Katia and Maurice Krafft spent their married life going from one volcanic eruption to the next. These self-styled “volcano runners” were not just thrill seekers, but serious volcanologists keen to gain a better understanding of how volcanoes work so as to further science and save lives.

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Where the Crawdads Sing review - picturesque film glosses over its darker themes

Adam Sweeting

Derived from Delia Owens’s massively successful novel, Where the Crawdads Sing is the story of Kya Clark, a girl from an abusive, broken home in the North Carolina marshlands who raises herself almost single-handedly. The few people she encounters during her strange, isolated development from battered girlhood into a fragile young adult dismiss her mockingly as “Marsh Girl”.

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The Gray Man, Netflix review - the Russo brothers explore big-bang theory

Adam Sweeting

Directed by the fraternal duo Anthony and Joseph Russo, who have helmed several of the colossally successful Marvel Cinematic Universe movies, The Gray Man ought at least to be entertaining and stuffed with blockbusterish thrills.

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The Good Boss review - Javier Bardem at his creepy best

Sebastian Scotney

The Good Boss's Julio Blanco (Javier Bardem) is not short of belief in his talents as a leader. Not just good, he evidently thinks he is the best boss ever. We watch him on the prowl, exerting influence and power over his family business, micro-managing everything and everyone. 

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The Railway Children Return review - honourable wartime sequel

Nick Hasted

You can’t simulate nostalgia, or the dusting of urgent magic which made The Railway Children so immediately poignant. Lionel Jeffries wrote and directed the 1970 film with the same special affinity for vintage childhoods he showed in his heart-piercing ghost story The Amazing Mr Blunden (1972).

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