wed 02/07/2025

Harry Thorfinn-George

Articles By Harry Thorfinn-George

Caroline, Islington Assembly Hall review - south London octet mesmerises

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Mongrel review - deeply empathetic filmmaking from Taiwan

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Albums of the Year 2024: Chihei Hatakeyama & Shun Ishiwaka - Magnificent Little Dudes Vol. 1

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Nosferatu review - Lily-Rose Depp stands out in uneven horror remake

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theartsdesk Q&A: Anna Bogutskaya on her new book about the past decade of horror cinema

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Smile 2 review - worthy follow up to runaway hit

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Strange Darling review - love really hurts

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Red Rooms review - the darkest of webs

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In a Violent Nature review - inverted slasher is fascinating

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Longlegs review - like its titular killer, this summer's most hyped horror film leaves no trace

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The Moor review - Yorkshire chiller is ambitious but muddled

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DVD/Blu-Ray: Priscilla

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Album: Fabiana Palladino - Fabiana Palladino

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Late Night With the Devil review - indie-horror punches above its weight

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Immaculate review - grisly convent horror is timely but flawed

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Albums of the Year 2023: Jim Legxacy - HNPM

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Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...