Film Reviews
Everything Went Fine review - classy French family dramaTuesday, 14 June 2022
French filmmakers do family dramas so well, and none better than François Ozon when he is on form, as he is on Everything Went Fine. Read more... |
Earwig review - Little Miss Saliva TeethSunday, 12 June 2022
Like her first two features, Lucile Hadžihalilović’s Earwig is an oneiric coming-of-age drama that uses body horror imagery as a metaphor for the daunting unknowns – sexual and emotional – to be encountered in adulthood. Read more... |
Swan Song review - the fabulous Udo Kier as a small-town hairdresser on his last legsSaturday, 11 June 2022
The piercing-eyed German actor Udo Kier is best known for his supporting roles in many high-profile films, including those of Lars von Trier, Gus Van Sant and Fassbinder. In Swan Song, he carries off his first starring role magnificently as wry ex-drag queen and Ohio hairdresser Pat Pitsenbarger, though the film itself is rather meandering and has mawkish, saccharine moments. Read more... |
All My Friends Hate Me review - beware of the biliousFriday, 10 June 2022
A birthday weekend in Devon goes rather badly wrong in All My Friends Hate Me, the new film co-written by its leading man, Tom Stourton, that looks guaranteed to make shut-ins of us all. Read more... |
Jurassic World Dominion review - extinction eventFriday, 10 June 2022
Franchise burnout continues apace, in this asteroid strike of a finale. Doctor Strange in the Multiverse of Madness showed the previously agile and humane Marvel machine weighed down by plot mechanics and fan service, and this Jurassic Park/World trilogy unification bout proves a pointless, often ponderous 146 minutes. As post-pandemic cinema moves to total dependence on such sequels, their creative entropy could be an extinction event for filmgoing itself. Read more... |
Bergman Island review - Mia Hansen-Løve's joyful English-language debutFriday, 03 June 2022
French director Mia Hansen-Løve’s graceful, intriguingly open-ended seventh feature, and her English-language debut, is set on Fårö, the island that Ingmar Berman loved. Read more... |
The Camera Is Ours - Britain's Women Documentary Makers review - four decades of directors rediscoveredThursday, 02 June 2022
The Camera Is Ours features films made from 1935-1967 by women like Marion and Ruby Grierson, Evelyn Spice and Margaret Thomson, whose names should be engraved in the history of British film-making. Read more... |
Elizabeth: A Portrait in Parts review - she is a human beingSaturday, 28 May 2022
Roger Michell’s films described a range of Englishness, from Notting Hill’s foppish comedy to acerbically humane Hanif Kureishi scripts (Venus, The Mother, The Buddha of Suburbia), Cornish Gothic (My Cousin Rachel) and his last feature, The Duke, which warmed working-class malcontent Jim Broadbent and Helen Mirren’s frozen marriage with Wellington’s stolen portrait. Read more... |
Between Two Worlds review - Juliette Binoche, maid in FranceFriday, 27 May 2022
For die-hard Juliette Binoche fans – don’t cross us, we get angry – Between Two Worlds is heaven. The French star hardly ever leaves the screen during the film’s 106 minutes. It was her unwavering detemination that ensured the film came to be made in the first place. Read more... |
Luzzu review - a Maltese fisherman struggles with modernityFriday, 27 May 2022
In Maltese-American Alex Camilleri’s debut feature, it’s a case of follow the swordfish. This terrifically atmospheric, almost documentary-like film – Camilleri cites Italian neo-realism, including Visconti’s La Terra Trema, as an influence – tells the story of Jesmark, a real-life Maltese fisherman (Jesmark Scicluna). It also encapsulates a dying culture. Read more... |
The Deathless Woman review - the overlooked persecution of the Roma peopleSaturday, 21 May 2022
One of the more heartwarming images in the news recently has been seeing Ukrainian refugees being welcomed by their eastern European neighbours. But there’s been very few mentions of how centuries-old European hostility to the Roma people, gypsies, and Travellers, has prevailed. These Ukrainians with an equally urgent need for refuge from violent Russian invaders have been met all too often with closed doors and closed borders. Read more... |
Benediction review - the world's worst woundsSaturday, 21 May 2022
Terence Davies’s Benediction is a haunting but uneven biopic of the World War I poet Siegfried Sassoon and a drama about the burden of incalculable loss. Read more... |
Top Gun: Maverick review - Tom Cruise defies age and gravityFriday, 20 May 2022
Only 36 years later, Tom Cruise is back with his eagerly-awaited Top Gun sequel (it was delayed a couple of years by Covid), and there are loyal legions of fans out there desperate to see it. The original, some say, in some way helped to “define” the 1980s, grossing $360m and spinning off a monster multi-platinum soundtrack album, headlined by Berlin’s cheesy synthetic megaballad “Take My Breath Away”.... Read more... |
I Get Knocked Down, Brighton Festival review - Chumbawamba singer's film is lively, funny and thought-provokingThursday, 19 May 2022
One effect of the film I Get Knocked Down, a playfully constructed journey around the life of Chumbawamba vocalist Dunstan Bruce, is to remind that socio-political rage was once woven into the fabric of popular music. Read more... |
The Innocents review - they're just playingThursday, 19 May 2022
The Innocents made a splash at Cannes in 2021 and it’s easy to see why. The Norwegian supernatural thriller, deftly written and directed by Eskil Vogt (who co-wrote The Worst Person In the World), explores the murky time in childhood when moral boundaries are still being drawn. Read more... |
Vortex review – an old couple's road to nowhereTuesday, 17 May 2022
Life, opined Thomas Hobbes, is “nasty, brutish, and short”. In Gaspar Noé’s Vortex it’s not short enough for a dementia-afflicted octogenarian psychiatrist (Françoise Lebrun) and her addled film critic husband (giallo auteur Dario Argento), whose joint decline is a protracted saga of alienation, confusion, and fear. Read more... |
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