Film Reviews

Babylon review - sound and fury in silent Hollywood

Nick Hasted Sunday, 22 January 2023

Babylon is sensational, a manic, pounding assault on the senses meant to convey Hollywood’s chaotic birth. Damien Chazelle’s return to La La Land’s showbiz dreams forsakes ineffable intimacy for hysterical thunder, and for much of the time that’s enough.

The Substitute review - a Buenos Aires 'Blackboard Jungle'

Graham Fuller Saturday, 21 January 2023

If, as a teacher newly hired to instil an appreciation for literature in underprivileged high-school kids who think it’s useless, you don’t march into their classroom and try to ram Jorge Luis Borges down their throats. That’s one lesson learned by Lucio Garmendia (Juan Minujín) in Diego Lerman’s The Substitute.

Dreaming Walls: Inside the Chelsea Hotel review - intriguing portrait of the end of an era

Sebastian Scotney Saturday, 21 January 2023

The documentary Dreaming Walls: Inside the Chelsea Hotel has captured a particular moment in time. A few long-term residents of the legendary building at 222 West 23rd Street in Manhattan are still hanging in there after several years of constant and oppressive building noise.

More than Ever - an idyllic way of dying

Saskia Baron Friday, 20 January 2023

We’re told from childhood that it’s rude to stare at people, but sometimes it’s hard to extinguish that desire and sitting in a dark cinema can provide the perfect opportunity. If seing Vicky Krieps in Hold Me Tight and Corsage left you craving more screen time with her, More than Ever might just satiate that yen. It’s another chance to allow this fine-featured, body-confident actor to show her emotional range to us watchers in the shadows.

Holy Spider review - problematic portrait of an Iranian serial killer

Saskia Baron Friday, 20 January 2023

Timing is everything. The release of Ali Abbasi’s Holy Spider at a time when the world’s attention is turned to the treatment of women in Iran should win it more ticket sales than his previous (and far better) film Border managed in 2019.

Tár review - a towering Cate Blanchett conducts a classic

Demetrios Matheou Friday, 13 January 2023

Perhaps Michael Haneke led the way with The Piano Teacher. But it’s still surprising to find a film set in the rarefied world of classical music that can be taut and mysterious, while dealing with such urgent contemporary issues as workplace abuse and cancel culture, and introducing one of the most complex, compelling film characters in years.

Enys Men review - mystifying Seventies Cornish folk horror

Markie Robson-Scott Thursday, 12 January 2023

Unlike the black and white Bait, Mark Jenkin’s highly acclaimed previous film, Enys Men (stone island in Cornish) is full of colour. Strange, saturated colour that doesn’t look quite real: a deep blue sea, a bright red raincoat, yellow gorse against brown bracken. And the flowers around which this abstract plot revolves don’t look real either. Such elongated stems and waxy white petals look like they come from outer space, not a windy Cornish coastline.

Empire of Light review - cinema of broken dreams

Graham Fuller Sunday, 08 January 2023

Sam Mendes assembled most of the ingredients necessary to make Empire of Light a wrenching English melodrama with a potent social theme. The stars are Olivia Colman, Colin Firth, Micheal Ward and Toby Jones. Mendes teamed with his usual cinematographer Roger Deakins, whose elegant panoramic images lend a grandeur to Margate’s faded glory. The town’s art deco Dreamland Cinema provided the main location of a movie admirably modest in scale.

A Man Called Otto review - Tom Hanks stars but doesn't sparkle

Saskia Baron Friday, 06 January 2023

There are going to be people who enjoy A Man Called Otto I’m sure, but it’s definitely not a film for hardened cynics or Tom Hanks' finest hour. It’s a remake of 2017’s Swedish black comedy, A Man called Ove – itself based on a popular novel.

Corsage review - Vicky Krieps is superb as Empress Elisabeth of Austria

Markie Robson-Scott Friday, 30 December 2022

“At the age of 40 a person begins to disperse and fade, darkening like a cloud,” says Elisabeth, Empress of Austria and Queen of Hungary, played by a mesmerising Vicky Krieps (Phantom Thread) in Austrian director Marie Kreutzer’s brilliant, fictionalised portrait of a woman whose main duties are to have her hair braided and stay thin, eating only orange slices for dinner. If her looks fade in this circumscribed royal world, what will be left of her?

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The Pale Blue Eye review - telltale hearts

Nick Hasted Tuesday, 27 December 2022

Edgar Allan Poe fathered the detective genre as well as a school of Gothic horror, and Scott Cooper’s adaptation of Louis Bayard’s 1830-set novel acts as an origin story for the author and the whodunnit.

Wildcat review - damaged war veteran reborn in the Peruvian jungle

Adam Sweeting Friday, 23 December 2022

The bond between humans and animals sometimes passeth all understanding. Wildcat is the story of 20-something British Army veteran Harry Turner, American ecologist Samantha Zwicker, and a young ocelot called Keanu, who becomes an almost mythic talisman of Harry’s battle with post-traumatic stress and suicidal urges.

Avatar: The Way of Water review - is that all there is?

Nick Hasted Friday, 23 December 2022

You may wonder: is this it? James Cameron’s Avatar sequel replays Earth’s colonial assault on Pandora in the original, cancelling out the blue-skinned native Na’vi’s victory under the Dances With Wolves-like, blue-white saviour command of Jake Sully (Sam Worthington), a paraplegic Marine mentally steering a genetically engineered Na’vi avatar.

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Veronica Lee's Top 10 Films of 2022

Veronica Lee Sunday, 18 December 2022

In what feels like a less than stellar year for cinema, some films stand out. In some instances it was because I stepped a little outside my normal fare of blockbusters or star-driven vehicles and saw some films I might have thought a little too arthouse for my tastes. I'm very glad I did because otherwise I might not have seen a couple on this list.

Charlotte review - the story of artist Charlotte Salomon, murdered in Auschwitz

Markie Robson-Scott Tuesday, 13 December 2022

“Only by doing something mad can I hope to stay sane,” says Charlotte Salomon (voiced by Keira Knightley) to her lover, Alexander Nagler (Sam Claflin). “I feel it inside me, the same demon that’s haunted so many in my family.”

Rimini review - crooner without a conscience

Graham Fuller Saturday, 10 December 2022

The cartoonist Gerald Scarfe – or his equally mordant forebear George Cruikshank – couldn’t have drawn a seedier Eurotrash excrescence than the crooner, Richie Bravo, who dominates Ulrich’s Seidl’s Rimini.