tue 07/10/2025

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

Hamlet, National Theatre review - turning tragedy to comedy is no joke

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Urchin review - superb homeless drama

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Robert Redford: remembering All the President’s Men

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Not Your Superwoman, Bush Theatre review - powerful tribute to the plight and perseverance of Black women

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Islands review - sunshine noir serves an ace

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Dying review - they fuck you up, your mum and dad

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Blu-ray: Darling

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Dear England, National Theatre review - extra time for stirring soccer classic

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I'm Still Here review - powerful tale of repression and resistance

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The Years, Harold Pinter Theatre review - a bravura, joyous feat of storytelling

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September 5 review - gripping real-life thriller

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Small Things Like These review - less is more in stirring Irish drama

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Oedipus, Wyndham's Theatre review - careful what you wish for

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The Other Place, National Theatre review - searing family tragedy

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The Real Thing, Old Vic review - Stoppard classic keeps on giving

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Sing Sing review - prison movie with an abundance of heart

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'We are bowled over!' Thank you for your messages... ...
Susanna, Opera North review - hybrid staging of a Handel ora...

Turning Handel oratorio into opera can be a rewarding enterprise. Charles Edwards’ presentation of Joshua, over 15 years ago, for...

Scott, Irish Baroque Orchestra, Whelan, RIAM, Dublin review...

One miracle of musical performance is that a work you’ve loved for years can be revealed as never before in an outstanding interpretation. That...

Pop Will Eat Itself's 'Delete Everything' is...

Pop Will Eat Itself deserve to be more celebrated. The ...

Music Reissues Weekly: The Earlies - These Were The Earlies

The reappearance of These Were The Earlies for its 21st-anniversary is a surprise. Although The Earlies' debut LP received a maximum-...

France, LPO, Gardner, RFH review - the sound of other worlds

Even in the 21st century, it may not take that long for an outlandish literary experiment to jump genres and become an established musical classic...

Like Water for Chocolate, Royal Ballet review - splendid dan...

Christopher Wheeldon has mined a new seam of narrative pieces for the...

Rohtko, Barbican review - postmodern meditation on fake and...

It’s truly thrilling to see the Barbican embracing big concept long-form theatre again, seeking out productions that are as conceptually...