mon 03/02/2025

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

Small Things Like These review - less is more in stirring Irish drama

Read more...

Oedipus, Wyndham's Theatre review - careful what you wish for

Read more...

The Other Place, National Theatre review - searing family tragedy

Read more...

The Real Thing, Old Vic review - Stoppard classic keeps on giving

Read more...

Sing Sing review - prison movie with an abundance of heart

Read more...

Only the River Flows review - damp noir

Read more...

Mnemonic, Olivier Theatre review - thanks for the memories

Read more...

Kinds of Kindness review - too cruel to be kind

Read more...

Furiosa: A Mad Max Saga review - just as mad without Max

Read more...

People, Places and Things, Trafalgar Theatre review - a scintillating shot in the arm

Read more...

La Chimera review - magical realism with a touch of Fellini

Read more...

Minority Report, Lyric Hammersmith Theatre review - ill-judged sci-fi

Read more...

The Dream of a Ridiculous Man, Marylebone Theatre review - from Russia with love

Read more...

Harry Clarke, Ambassadors Theatre review - an entertaining curio

Read more...

Double Feature, Hampstead Theatre review - with directors like these, who needs enemies

Read more...

Eureka review - not enough to shout about

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Vietnam: The War That Changed America, Apple TV+ review - pa...

It’s been 50 years since the USA bowed to the inevitable and pulled out of Vietnam, in the midst of harrowing scenes of anguish and chaos. Apple’s...

The Flying Dutchman, Opera North review - a director’s take...

Saturday night could have given us the opportunity to witness the Opera North debut of Canadian soprano Layla Claire at the Grand Theatre, as well...

Play On!, Lyric Hammersmith review - and give me excess of i...

If you saw Upstart Crow on television or on stage in the West End, you’ll know the schtick of Sheldon Epps’ dazzling show ...

Amy Gledhill, Soho Theatre review - delightfully bawdy take...

At the 2024 Edinburgh Fringe, Amy Gledhill won best show for Make Me Look Fit on the Poster, ostensibly a cheery collection of stories...

Album: Inhaler - Open Wide

You could be easily forgiven for thinking that the young indie rockers, Inhaler, would stick to the formula that has already served them so well...

Music Reissues Weekly: You Got Me Hooked! - More Marylebone...

After co-fronting Vinegar Joe with Robert Palmer, Elkie Brooks first charted as a solo artist in 1977 with “Pearl’s a Singer.” Yet there was more...

Biss, BBCSO, Hrůša, Barbican review - electrifying Shostako...

At the end of an exhausting week in which Holocaust Memorial Day struck a more urgent note than ever as fascism started tearing through the USA,...

Paradise, Disney+ review - enigmatic drama with an unknown d...

The latest from the This Is Us creator,...

BBC Singers, Aurora Orchestra, Collon, Kings Place review -...

Just now, music about survival, transcendence and the afterlife may have a special resonance for the BBC Singers. After all, the supremely...