mon 23/05/2022

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

Straight Line Crazy, Bridge Theatre review – in desperate need of a curve ball

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Paris,13th District review - millennial merry-go-round

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The Collaboration, Young Vic Theatre review - artistic giants, wigs, warts and all

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The Chairs, Almeida Theatre review - a tragi-comic double act for the ages

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theartsdesk at Tallinn's Black Nights Film Festival - still crazy after all these years

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Spencer review – daring, strange and deeply moving

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Last Night in Soho review - hung over

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Dune review - awesome display of sci-fi world-building

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No Time to Die review - Daniel Craig’s bold, bountiful Bond farewell

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The Nest review – intriguing, off-kilter family drama

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First Cow review - beautifully realised frontier drama

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The Mauritanian review – moving 9/11 drama

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Berlinale 2021: Petite Maman review – magical musings on the parent-child relationship

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Berlinale 2021: Bad Luck Banging or Loony Porn review – cheeky, timely and very provocative

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Blu-ray: Crash

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The Mole Agent review - leftfield and charming documentary

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Lotus Beauty, Hampstead Theatre Downstairs review – uneasy m...

Theatre is slowly recovering from the effects of the pandemic — and many shows which were cancelled because of the first lockdown are now finally...

The Wreckers, Glyndebourne review - no masterpiece, but vivi...

Interesting for the history of music, but not for music? Passing acquaintance with Ethel Smyth’s The Wreckers, a grand opera by a woman...

Music Reissues Weekly: Patty Waters - You Loved Me

“Touched by Rodin in a Paris Museum” is a 14-minute consideration of exactly what its title says: the impact of encountering Auguste Rodin’s work...

DVD/Blu-ray: Parallel Mothers

Parallel Mothers unfolds at a daringly slow pace, and there are moments in the first half of...

The Deathless Woman review - the overlooked persecution of t...

One of the more heartwarming images in the news recently has been seeing Ukrainian refugees being welcomed by their eastern European neighbours....

My Fair Lady, London Coliseum review - tasteful revival powe...

First staged in 2018, Bartlett Sher’s Lincoln Center Theater production of My Fair Lady is London’s latest import from...

Benediction review - the world's worst wounds

Terence Davies’s Benediction is a haunting but uneven biopic of the...

Album: Harry Styles - Harry's House

Harry Styles’ previous two albums sounded like someone rifling pleasantly through the history of...

MØ, Heaven, London review - snappy, sexy and energised

“I live to survive another heartache/I live to survive another mistake,” roars a sold-out Heaven. It’s a new song but everyone seems to know it....

'How that music was created remains to me a complete my...

It has been a difficult couple of years for us in the world of opera, losing several of our most respected and admired colleagues who have...