fri 27/06/2025

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

Nope review - more a nope than a yep

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Bullet Train review - not really a first class ticket

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Jack Absolute Flies Again, National Theatre review - fluffy as a cloud but hugely entertaining

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Straight Line Crazy, Bridge Theatre review – in desperate need of a curve ball

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Paris,13th District review - millennial merry-go-round

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The Collaboration, Young Vic Theatre review - artistic giants, wigs, warts and all

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The Chairs, Almeida Theatre review - a tragi-comic double act for the ages

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theartsdesk at Tallinn's Black Nights Film Festival - still crazy after all these years

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Spencer review – daring, strange and deeply moving

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Last Night in Soho review - hung over

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Dune review - awesome display of sci-fi world-building

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No Time to Die review - Daniel Craig’s bold, bountiful Bond farewell

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The Nest review – intriguing, off-kilter family drama

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First Cow review - beautifully realised frontier drama

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The Mauritanian review – moving 9/11 drama

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Berlinale 2021: Petite Maman review – magical musings on the parent-child relationship

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latest in today

'We are bowled over!' Thank you for your messages... ...
Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...

Hercules, Theatre Royal Drury Lane review - new Disney stage...

Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is...

Alfred Brendel 1931-2025 - a personal tribute

Alfred Brendel’s death earlier this month came as a shock, but it wasn’t unexpected. His health had gradually deteriorated over the last year or...

Chicken Town review - sluggish rural comedy with few laughs...

Fans of the character comedian Graham Fellows will possibly turn up for this British film starring the man who created the punk parody...

Album: Lorde - Virgin

Lorde’s trajectory is continually fascinating. From the minimalist, sparse electropop of Pure Heroine to the similar but more grandiose...

Aldeburgh Festival, Weekend 2 review - nine premieres, three...

Actually it was a Thursday evening to Saturday experience, but what riches in seven concerts. The only Britten I heard was one of the S...

F1: The Movie review - Brad Pitt rolls back the years as mav...

As producer Jerry Bruckheimer cautioned a preview audience, “Remember, this is not a documentary. It’s a movie.” Bruckheimer teamed up with...

Bleak landscapes and banjos: composer Bernard Hughes discus...

Composer Bernard Hughes first met director Richard Bracewell when working on the film Bill, a 2015 Horrible Histories take on...

Album: Bruce Springsteen - Tracks II: The Lost Albums

It’s somewhat surprising to read that The Boss wasn’t happy with Born in the USA. After all, it was –...