sat 28/06/2025

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

Marriage Story review - superior weepie

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Last Christmas review - for the stocking, not the tree

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Le Mans '66 review - nicely revved up

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The Irishman review - mobster masterclass

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Sorry We Missed You review – Ken Loach's unapologetic assault on the gig economy

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Terminator: Dark Fate review – look who's back

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Official Secrets review – powerful political thriller

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The Day Shall Come review – Homeland Security satire lacks bite

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LFF 2019: Marriage Story review – not a dry eye in the house

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Joker review – a phenomenal Joaquin Phoenix on the mean streets of Gotham

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San Sebastian Film Festival: Latin films thrive

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San Sebastian Film Festival: The Burnt Orange Heresy review – art world noir

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Hotel Mumbai review – Dev Patel shines in harrowing real-life drama

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The Laundromat review – The Panama Papers as root canal

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San Sebastian Film Festival: Proxima review – Eva Green has The Right Stuff

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Ad Astra review – out of this world

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latest in today

'We are bowled over!' Thank you for your messages... ...
Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...

Hercules, Theatre Royal Drury Lane review - new Disney stage...

Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is...

Alfred Brendel 1931-2025 - a personal tribute

Alfred Brendel’s death earlier this month came as a shock, but it wasn’t unexpected. His health had gradually deteriorated over the last year or...

Chicken Town review - sluggish rural comedy with few laughs...

Fans of the character comedian Graham Fellows will possibly turn up for this British film starring the man who created the punk parody...

Album: Lorde - Virgin

Lorde’s trajectory is continually fascinating. From the minimalist, sparse electropop of Pure Heroine to the similar but more grandiose...

Aldeburgh Festival, Weekend 2 review - nine premieres, three...

Actually it was a Thursday evening to Saturday experience, but what riches in seven concerts. The only Britten I heard was one of the S...

F1: The Movie review - Brad Pitt rolls back the years as mav...

As producer Jerry Bruckheimer cautioned a preview audience, “Remember, this is not a documentary. It’s a movie.” Bruckheimer teamed up with...

Bleak landscapes and banjos: composer Bernard Hughes discus...

Composer Bernard Hughes first met director Richard Bracewell when working on the film Bill, a 2015 Horrible Histories take on...