sat 01/11/2025

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

LFF 2019: Marriage Story review – not a dry eye in the house

Read more...

Joker review – a phenomenal Joaquin Phoenix on the mean streets of Gotham

Read more...

San Sebastian Film Festival: Latin films thrive

Read more...

San Sebastian Film Festival: The Burnt Orange Heresy review – art world noir

Read more...

Hotel Mumbai review – Dev Patel shines in harrowing real-life drama

Read more...

The Laundromat review – The Panama Papers as root canal

Read more...

San Sebastian Film Festival: Proxima review – Eva Green has The Right Stuff

Read more...

Ad Astra review – out of this world

Read more...

The Kitchen review – more gangsters' molls taking over the reins

Read more...

Downton Abbey review – business as usual

Read more...

It Chapter Two review – time to stop clowning around

Read more...

Once Upon A Time… in Hollywood review – Tarantino’s mellowest film yet

Read more...

Blinded by the Light review – flawed but feelgood

Read more...

Fast & Furious: Hobbs & Shaw review – falls flat fast

Read more...

theartsdesk Q&A: documentary maker Karen Stokkendal Poulsen

Read more...

The Current War review – lacks the spark of invention

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
The Line of Beauty, Almeida Theatre review - the 80s revisit...

Alan Hollinghurst's 2004 novel The Line of Beauty finds a distinct beauty all its own in this long-awaited Almeida Theatre premiere...

Down Cemetery Road, Apple TV review - wit, grit and a twisty...

Back in 2003, when Mick Herron was a humble sub-editor, his...

The Railway Children, Glyndebourne review - right train, wro...

If the distance from Festen to The Railway Children looks like a long stretch of track, remember that Mark-Anthony Turnage’s...

Robin Holloway: Music's Odyssey review - lessons in com...

Robin Holloway is a composer and, until his retirement in 2011, don at Cambridge, where he taught many of the leading British composers of the...

'Everybody Scream': Florence + The Machine's...

If you were looking for the most perfectly brooding autumnal album this year, Florence Welch and her Machine may have been one...

Wendy & Peter Pan, Barbican Theatre review - mixed bag o...

On paper, this RSC revival of Ella Hickson’s 2013 adaptation sounds just the ticket: a feminist spin on the familiar JM Barrie story,...

Bugonia review - Yorgos Lanthimos on aliens, bees and conspi...

“How can you tell she’s an alien?” asks Don (Aidan Delbis, an impressive neuro-divergent actor) of his cousin Teddy (the excellent Jesse Plemons...

Cat Burns finds 'How to Be Human' but maybe not he...

Twenty-five-year-old South Londoner and current Celebrity Traitors contestant Cat Burns is a charming performer....