fri 07/02/2025

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

Blinded by the Light review – flawed but feelgood

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Fast & Furious: Hobbs & Shaw review – falls flat fast

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theartsdesk Q&A: documentary maker Karen Stokkendal Poulsen

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The Current War review – lacks the spark of invention

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The Brink review – behind the scenes with Steve Bannon

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Too Late To Die Young review - an absorbing, Chilean coming-of-age

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Game of Thrones, Sky Atlantic, Series 8 Finale review – who will sit on the Iron Throne?

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Madeline's Madeline review – American indie heralds an astonishing new star

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Woman at War review – timely comedy-drama about an eco-warrior with a difference

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Game of Thrones, Sky Atlantic review - The Battle of Winterfell

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Greta review – Isabelle Huppert goes full psycho in eccentric stalker thriller

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The Sisters Brothers review – wonderfully off-the-wall western

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Interview with director Agnès Varda, who has died at 90

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Everybody Knows review - so-so Spanish kidnap drama

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Captain Marvel review – Brie Larson is the Avenger we’ve always been waiting for

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On the Basis of Sex review – real-life legal drama

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

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Album: Rats on Rafts - Deep Below

Deep Below’s first track is titled “Hibernation.” “A winter breeze blows through my mind,” intones a colourless, dispirited male voice....

Bring Them Down review - ramming it home in the west of Irel...

“You know what they say: where there’s livestock, there’s dead stock,” says Jack (a brilliant Barry Keoghan). Never a truer word. There’s an awful...

First Person: writer Lauren Mooney on bringing bodies togeth...

It started with a Guardian long-read. I’m ashamed to admit it since so many shows could say the same, but that was the beginning.

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The Marriage of Figaro, English National Opera review - long...

Who’s in and who’s not – on the secret, the joke, the relationship, the family, the club? That’s the fulcrum of Joe Hill-Gibbins’ ingeniously...

September 5 review - gripping real-life thriller

There’s a common understanding about journalists, especially ones at the top of their game, that they’re flying by the seat of their pants –...

Oedipus, Old Vic review - disappointing leads in a productio...

The opening scene of the Old Vic’s Oedipus is dominated by a giant backdrop of a skull-like face, eyes shut and rock-like. It...

Album: Hifi Sean & David McAlmont - Twilight

It was only six months ago that Hifi Sean and David McAlmont released their Daylight album. A fine disc of summery dance pop that was...