Film Reviews
Tori and Lokita review - a masterpiece of humanist cinemaFriday, 02 December 2022
Jean-Pierre and Luc Dardennes are Belgium’s national conscience. The brothers, who have been sharing the roles of writer-director-producer since their first film in 1996, make humanist dramas about desperate people trying to survive in a harsh world. Read more... |
Neil Young: Harvest Time review - a thrillingly intimate fly-on-the-wall documentaryWednesday, 30 November 2022
“You’re filmin’ a movie or something – can you explain this?” the radio DJ turns to Neil Young, a laugh underpinning his question and setting the scene: light, jovial. “We’re just makin’ a film about…” Young pauses for a second. “I dunno, just the things we wanna film… I’m making it like I make an album, sort of… It’s like… I’m cutting it, instead of… so it’s personal, like an album.” “So some day someone’ll be able to go to a theatre and see it maybe?” the DJ asks. Read more... |
Matilda the Musical review - a dizzying, smartly subversive delightMonday, 28 November 2022
I bow to no one in my affection for Matilda the Musical onstage, which I've loved across multiple iterations, from Stratford-upon-Avon to the West End and Broadway, and numerous cast changes, too. Read more... |
Glass Onion: A Knives Out Mystery review - grand, class-conscious escapismSunday, 27 November 2022
Rian Johnson’s Knives Out sequel is an even more brightly entertaining puzzle picture, revelling in the old-fashioned glamour of enviably sunny climes and another rogues’ gallery of piquantly deployed film stars. Self-styled world’s greatest detective Benoit Blanc (Daniel Craig) is again on hand to pick up the inevitably murderous pieces. Read more... |
Bones and All review - eat, don't heatSaturday, 26 November 2022
You expect gross-out movies to send your hands flying in front of your eyes. But Luca Guadagnino's ludicrous Bones and All is not just gory but grossly sentimental, too. Read more... |
Nanny review - no spoonfuls of sugar in this spooky taleSaturday, 26 November 2022
Nanny is being marketed as a horror movie, and arachnophobes should certainly beware, but it’s also a stylish exploration of race and class by African-American writer-director Nikyatu Jusu. Read more... |
She Said review - a necessary newsroom thrillerThursday, 24 November 2022
Five years have elapsed since New York Times reporters Jodi Kantor and Megan Twohey revealed that dozens of women had accused the movie mogul Harvey Weinstein of sexual abuse and harassment over three decades. Read more... |
Utama review - incandescent portrait of a dying way of life in BoliviaThursday, 24 November 2022
Utama won the World Dramatic Prize at Sundance this year and is tipped for an Oscar nomination, too. The film is set in a remote region in Bolivia’s arid highlands. Its gentle pace and non-professional actors give it a documentary feel but there is real narrative skill deployed. Read more... |
Armageddon Time review - James Gray goes back to skoolFriday, 18 November 2022
Was it lockdown that did it? Forcing filmmakers to sit at home, contemplate their lives, and conclude that just as soon as the masks came off, it was time to shine a light on their youth? Read more... |
Aftersun review - the last good timeFriday, 18 November 2022
The New York-based Scottish writer-director Charlotte Wells's feature debut Aftersun is a sublime example of how an opaque style can be wedded to an ambiguous storytelling technique without cost to psychological truth. Read more... |
The Menu review - Ralph Fiennes stars in culinary black comedyFriday, 18 November 2022
A fine cast, starring Ralph Fiennes as a deranged super-chef along with Anya Taylor-Joy, Nicholas Hoult, Janet McTeer, Rob Yang and an exclusive restaurant serving horror as a main course – it sounds deliciously promising. But although there are some arresting images, this black comedy doesn’t quite deliver. Read more... |
Black Panther: Wakanda Forever review - expanded Afro-dreams survive a star's deathTuesday, 15 November 2022
Chadwick Boseman’s T’Challa dies off-screen of an undisclosed disease, suffering “in silence” notes sister Shuri (Letitia Wright), actor and role as one at the end. Lost after one, uniquely iconic full-length film, recasting and digital resurrection was rejected by shocked writer-director Ryan Coogler, even as he ripped his sequel script up. Read more... |
Living review - Bill Nighy's masterpieceFriday, 11 November 2022
Living begins with a ravishing immersion in vintage footage of a lost world, primary colours popping on a Fifties summer’s day in Piccadilly. Emilie Levienaise-Farrouch’s opulent score adds to the poignancy of an orderly, comfortable England: the country which has slowed the heartbeat and buried the soul of Williams (Bill Nighy), a civil servant called Mr. Zombie behind his back. Read more... |
My Neighbour Adolf review - this queasy comedy is not what the world needs just nowMonday, 07 November 2022
How many excellent comedies involving the Nazis are there? To Be or Not To Be, The Great Dictator and perhaps The Producers, but Jojo Rabbit was a mess and My Neighbour Adolf is no better. Read more... |
Call Jane review - well-crafted pro-choice dramaSaturday, 05 November 2022
The release of Call Jane could not be more timely, just as the American midterms loom and liberals reel from the overturning of legislation that allow women access to safe and legal abortions in the US. This well-crafted drama tells the true story of a group of women in 1960s Chicago who ran a secret organisation that provided almost 12,000 terminations when to do so was a criminal offence. Read more... |
Hilma review - biopic of the Swedish abstract artist Hilma af KlintFriday, 28 October 2022
The artist Hilma af Klint, born in 1862, was way ahead of her time. A Swedish mystic who believed that spirits were guiding her hand, she was a contemporary of Kandinsky and Mondrian but her abstract art remained unrecognised. She didn’t fit in to the male-dominated art world. Read more... |
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