thu 18/09/2025

Film Reviews

Nostalgia review - returning to Naples after 40 years

Markie Robson-Scott

“He’s my best friend, a brother,” says Felice Lasco (Pierfrancesco Favino) of his childhood buddy, Oreste Spasiano (Tomasso Ragno). After 40 years away, Felice, a successful, married businessman, has returned to Naples from Cairo to see his aged mother (Aurora Quattrocchi).

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Marcel the Shell With Shoes On review - small fry with a big heart

Graham Fuller

Marcel the Shell the Shoes On tells the story of a one-eyed little shell who lives with his grandmother Connie in a house that became an Airbnb after its former occupants divorced. The man inadvertently carried away Marcel’s extended family in a drawer when he left. Marcel pines for them, and he tugs at our heartstrings more relentlessly than should be allowed by a one-inch carapace animated by stop motion.

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The Son review - is each unhappy family unhappy in its own way?

Saskia Baron

The Son is one of those movies where everyone is acting their socks off, exhibiting their range and sensitivity to the point where one can imagine there was a bucket on the set positioned to drop in the expected awards. It may well work for Florian Zeller’s theatre fans used to a lot of intense anguished dialogue, but it’s very claustrophobic as a film and lacks the tricksy double casting of key characters that made The Father intriguing.

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Magic Mike's Last Dance review - ludicrous and radical gyrations

Nick Hasted

Magic Mike began as a cautionary tale rooted in Channing Tatum’s spell as a teenage stripper, then morphed into a franchise of reality and theatre shows. Now this second sequel brings original director Steven Soderbergh back, and leaps into pure fantasy.

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Women Talking review - abused Mennonite women find their voice

Markie Robson-Scott

Women Talking is very powerful. It was adapted by writer-director Sarah Polley from the novel that Miriam Toews, raised a Mennonite in Canada, based on terrible events that took place in an isolated Mennonite community in Bolivia between 2005 and 2009.

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Town of Strangers review - a whimsical foray into the meaning of home

Sarah Kent

“They say there are only two stories,” explains director Treasa O’Brien. “A person goes on a journey and a stranger comes to town.” O’Brien was born in Dublin to a naval family that had to up sticks and move every two or three years. Her first school was in Malta, where the other kids would neither speak to her nor play with her since she was an outsider.

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Saint Omer review - exile and erasure

Nick Hasted

Saint Omer is a psychological and sociological mystery, unpicking the enigma of Laurence (Guslagie Malanda), a French Senegalese woman who drowned her 15-month-old daughter in the ocean.

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Puss in Boots: The Last Wish review - thrilling adventure with Antonio Banderas

Veronica Lee

The Shrek universe expands a little more with Puss in Boots: The Last Wish, another computer-animated family film from DreamWorks, with Antonio Banderas and Salma Hayek Pinnault reprising their roles as Puss and his frenemy Kitty Softclaws. Directors Joel Crawford and Januel Mercado serve up a treat, one worthy of its Oscar nod for best animated feature.

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The Whale review - Brendan Fraser stars in a fat suit

Markie Robson-Scott

Yes, Brendan Fraser gives a fine, Oscar-nominated performance as a morbidly obese man in director Darren Aronfsky’s mawkish, voyeuristic The Whale. Best known for Gods and Monsters, George of the Jungle and the Mummy trilogy, and more recent TV roles in The Affair and Trust, it’s Fraser’s first lead in a film for 12 years.

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EO review - lyrical tale of a donkey's odyssey

Saskia Baron

It’s been a good year for donkeys at the cinema. Not only did Martin McDonagh make a surprise star out of Jenny the miniature donkey in The Banshees of Inisherin, but she’ll be competing at the Oscars with the title character of EO, Jerzy Skolimowski’s paean to beautiful Sardinian donkeys. The veteran Polish director has crafted a film like no other, weaving together extraordinary images with a devastating score by Pawel Mykietyn.  

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You Resemble Me review - complex portrait of a troubled young woman

Saskia Baron

You Resemble Me is the very definition of a passion project, and all the better for it. First-time director Dina Amer was a journalist working for Vice News. She was sent to Paris to cover the 2015 terrorist attacks that left 130 people dead and hundreds more injured. Amer was on the scene when the police raided a flat where the terrorists were based.

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January review - the end is nigh in vampirised Bulgaria

Graham Fuller

At their best, horror movies reflect destabilisation caused by cracks in the social fabric. The crack indicated in the documentarist Andrey Paounov’s fiction debut January is the widening abyss that, one character fears, will swallow Bulgaria village by village, town by town; the entire world, he says, will eventually succumb to this state of waking death. Maybe it already has?

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The Fabelmans review - Spielberg remembers with wit and wonder

Nick Hasted

Spielberg sometimes directed The Fabelmans through a film of tears, as he recreated his cinema’s origins. Lightly fictionalising his own family history, it turns an autobiographical key to previous films, while being fundamentally different to anything he’s made before.

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All the Beauty and the Bloodshed review - superb documentary about a campaigning artist

Helen Hawkins

A film telling just the story of photographer Nan Goldin’s campaign against Purdue Pharmacy would have been worth the ticket price alone.

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The Last Stage review - a former prisoner returns to the death camp

Saskia Baron

Seventy-eight years ago, on January 27,1945, Auschwitz concentration camp was liberated by the Red Army. The iconic images of the ovens with charred skulls and emaciated survivors peering through barbed wire were filmed by Russian cameramen over the following weeks and not on the day itself. And from the very beginning, there was a degree of staging in what the world was shown.

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DVD: Oscar Peterson - Black + White

Sebastian Scotney

I can’t help enjoying the continuing elevation of the jazz pianist Oscar Peterson (1925-2007) to national monument status in Canada. A park or a square here (Montreal), a boulevard there (Mississauga), a school, a concert hall, a statue, a commemorative one-dollar coin. Now Barry Avrich’s 2021 documentary Oscar Peterson: Black + White, which is being released on DVD.

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