fri 10/10/2025

Helen Hawkins

Articles By Helen Hawkins

Like Water for Chocolate, Royal Ballet review - splendid dancing and sets, but there's too much plot

Read more...

Don't Let's Go to the Dogs Tonight review - vivid adaptation of a memoir about a Rhodesian childhood

Read more...

The Hack, ITV review - plodding anatomy of twin UK scandals

Read more...

The Billionaire Inside Your Head, Hampstead Theatre review - a map of a man with OCD

Read more...

Dracula, Lyric Hammersmith review - hit-and-miss recasting of the familiar story as feminist diatribe

Read more...

The Code, Southwark Playhouse Elephant review - superbly cast, resonant play about the price of fame in Hollywood

Read more...

Downton Abbey: The Grand Finale review - an attemptedly elegiac final chapter haunted by its past

Read more...

I Fought the Law, ITVX review - how an 800-year-old law was challenged and changed

Read more...

The Paper, Sky Max review - a spinoff of the US Office worth waiting 20 years for

Read more...

Interview, Riverside Studios review - old media vs new in sparky scrap between generations

Read more...

Little Trouble Girls review - masterful debut breathes new life into a girl's sexual awakening

Read more...

Materialists review - a misfiring romcom or an undercooked satire?

Read more...

Eight Postcards from Utopia review - ads from the era when 1990s Romania embraced capitalism

Read more...

Every Brilliant Thing, @sohoplace review - return of the comedy about suicide that lifts the spirits

Read more...

Peaky Blinders: The Redemption of Thomas Shelby, Rambert, Sadler's Wells review - exciting dancing, if you can see it

Read more...

Good Night, Oscar, Barbican review - sad story of a Hollywood great's meltdown, with a dazzling turn by Sean Hayes

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Troilus and Cressida, Globe Theatre review - a 'problem...

The Globe’s authenticity is its USP, so don’t expect the air-conditioning, the plush seats and the expectant hush of the National...

London Film Festival 2025 - crime, punishment, pop stars and...

Wake Up Dead Man: A Knives Out Mystery

The third of Rian Johnson’s Knives Out...

I Swear review - taking stock of Tourette's

People sometimes go to the movies for the violence and maybe even for the sex. Until recently they didn’t particularly buy a ticket for...

Clarkston, Trafalgar Theatre review - two lads on a road to...

If you’re a Gen Zer, you’ve probably heard of Heartstopper’s Joe Locke. I’m pretty sure ATG’s Gen Xers in...

Album: Boz Scaggs - Detour

Boz Scaggs rarely does a less than wonderful album. His latest is an exemplary collection of smooth and soulful standard and a few other choice...

Carmen, English National Opera review - not quite dangerous

“Safe” is a word used far too often in ENO’s bizarre new version of a programme, full of uncredited articles, at least two of which look as if...

Ghost Stories, Peacock Theatre review - spirited staging but...

In the framing device, a professor (Jonathan Guy Lewis) stands at a lectern and asks if anyone has had a supernatural experience....

Emily A. Sprague realises a Japanese dream on 'Cloud Ti...

The history of experimental musicians from Europe and North America adopting Japanese aesthetics is … patchy. It got especially dodgy in the 1990s...

R:Evolution, English National Ballet, Sadler's Wells re...

As the new season opens, confidence is high at ENB, just as it...