wed 15/01/2025

Helen Hawkins

Articles By Helen Hawkins

Oliver!, Gielgud Theatre review - Lionel Bart's 1960 masterpiece is Bourne again

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Babygirl review - would-be steamy drama that only flirts with transgression

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The Split: Barcelona, BBC One review - a soapy special with seasonally adjusted sentimentality

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Gavin & Stacey: The Finale, BBC One review - hilarious high five to an indelible cast of characters

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Strike: The Ink Black Heart, BBC One review - protracted, convoluted puzzler lifted by its leads

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Matthew Bourne's Swan Lake, New Adventures, Sadler's Wells review - 30 years on, as bold and brilliant as ever

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The Little Foxes, Young Vic review - timeshifted production blurs the play's focus

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The Producers, Menier Chocolate Factory review - liberating taboo-busting fun for grown-ups

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Ballet Shoes, Olivier Theatre review - reimagined classic with a lively contemporary feel

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Cinderella, Royal Ballet review - inspiring dancing, but not quite casting the desired spell

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Grand Theft Hamlet review - intriguing documentary about Shakespeare as multi-player shooter game

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On Becoming a Guinea Fowl review - mordant seriocomedy about buried abuse

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The Purists, Kiln Theatre review - warm, witty, thoughtful and un-woke

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All We Imagine as Light review - tender portrait of three women struggling to survive in modern Mumbai

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Maddaddam, Royal Ballet review - superb dancing in a confusing frame

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Wolf Hall: The Mirror and the Light, BBC One review - handsome finale for Hilary Mantel adaptation

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Oliver!, Gielgud Theatre review - Lionel Bart's 1960 ma...

Into a world of grooming gangs, human trafficking and senior prelates resigning over child abuse cases comes Oliver!, Lionel...

Album: Ethel Cain - Perverts

Ethel Cain’s Perverts is a dark and experimental follow-up to her debut album, Preacher’s Daughter. It takes listeners on a...

Leif Ove Andsnes, Wigmore Hall review - colour and courage,...

Forthright and upright, powerful and lucid, the frank and bold pianism of Leif Ove Andsnes took his Wigmore Hall audience from Norway to Poland (...

American Primeval, Netflix review - nightmare on the Wild Fr...

It seems The Osmonds may not have been the worst outrage perpetrated on an unsuspecting public by the Mormons. American Primeval is set...

Chamayou, BBC Philharmonic, Wigglesworth, Bridgewater Hall,...

Top Brownie points for the BBC Philharmonic for being one of the first (maybe the first?) to celebrate the birth centenary of Pierre Boulez this...

The Maids, Jermyn Street Theatre review - new broom sweeps c...

There are two main reasons to revive classics. The first is that they are really good; the second is that they have something to...

Gala Preview Show, De Montfort Hall review - Leicester Comed...

Europe's biggest comedy festival, which showcases established stars,...

Album: Moonchild Sanelly - Full Moon

Rooted in South African electronic styles such as...

The Second Act review - absurdist meta comedy about stardom

Can any line from The Second Act be taken at face value? Not really. “I should never have made this film,” confides Florence (the starry...