wed 16/10/2024

Helen Hawkins

Articles By Helen Hawkins

Alvin Ailey American Dance Theatre, Sadler's Wells review - exhilarating display of a full deck of dance styles

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Fremont review - lovely wry portrait of an Afghan refugee looking for love

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Past Lives review - poignant story of a long-maturing love

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The Woman in the Wall, BBC One review - deliciously dark murder mystery with a tragic hinterland

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Next to Normal, Donmar Warehouse review - terrific cast in a punchy musical

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The Odyssey: The Underworld, National Theatre review - community effort with real heart and a great staging

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Fool's Paradise review - unfunny stab at making fun of Hollywood

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L'immensità review - enigmatic portrait of a trans teen in an unhappy family

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Matthew Bourne's Romeo + Juliet, Sadler's Wells review - exhilarating dancing, inventive moves

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Jewels, The Australian Ballet, Royal Opera House review - a sparkling parade of great dancing

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The Beanie Bubble review - an under-stuffed, misshapen product saga

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Carlos at 50, Royal Opera House review - lovingly designed gala from a still impressive star

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Grenfell: In the Words of Survivors, National Theatre review - verbatim theatre delivered to wrenching effect

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Barbie review - uneasy blend of farce and feminism

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A Playlist for the Revolution, Bush Theatre review - idealism meets reality head-on

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Song from Far Away, Hampstead Theatre review - gentle monologue from a man grappling with grief

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A Midsummer Night’s Dream, Opera North review - one of the b...

Martin Duncan’s 2008 production of A Midsummer Night’s Dream remains one of the best and funniest things Opera North has ever done – back...

Rose Matafeo, Arcola Theatre review - Starstruck star muses...

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Kaleidoscope Chamber Collective, Hatfield House review - mus...

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Album: MC5 - Heavy Lifting

MC5 were the original proto-punkers who led the charge against wafty hippy music in the late Sixties and early Seventies. They were touted by...

A Raisin in the Sun, Lyric Hammersmith review - of race and...

Lorraine Hansberry’s A Raisin in the Sun is not only the first play by a black woman to premiere on Broadway, back in 1959, but it’s also...

Salem’s Lot review - listless King remake

A boy’s dead friend scratching at his first-floor window, Nosferatu-like vampire Barlow rearing up with heart attack shock…The Texas Chain Saw...