mon 29/04/2024

Helen Hawkins

Articles By Helen Hawkins

Othello, Lyric Hammersmith review - Frantic Assembly's high-energy take on the Moor

Read more...

All the Beauty and the Bloodshed review - superb documentary about a campaigning artist

Read more...

Charlie & Stan, Wilton’s Music Hall, review - a beguiling fantasy about two silent comedy greats

Read more...

Alex Edelman, Menier Chocolate Factory review - London run for unmissable off-Broadway hit

Read more...

The Art of Illusion, Hampstead Theatre review - a hit from Paris conjures up strange-but-true stories

Read more...

Othello, National Theatre review - ambitious but emotionally underpowered

Read more...

Sarah, Coronet Theatre review - a one-man whirlwind

Read more...

Slow Horses, Series 2, Apple TV+ review - Mick Herron’s spies make a welcome return

Read more...

The Kola Nut Does Not Speak English, Bush Studio review - an engaging debut

Read more...

Arms and the Man, Orange Tree Theatre review - a rollicking take on Shaw's satirical classic

Read more...

Dinner with Groucho, Arcola Theatre review - often opaque

Read more...

Blood, Sex & Royalty, Netflix review - yo, bros, get down with the GOAT, Henry VIII

Read more...

The White Lotus, Season 2, Sky Atlantic review - the sizzling hit drama moves to Italy, but with less fizz

Read more...

Elephant, Bush Studio review - stirring solo show from rising star Anoushka Lucas

Read more...

Blues for an Alabama Sky, National Theatre review - superb cast and production for this period hit

Read more...

The Solid Life of Sugar Water, Orange Tree Theatre review - two-hander gets a punchy refresh

Read more...

Pages

latest in today

Queyras, Philharmonia, Suzuki, RFH review - Romantic journey...

As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...

Two Strangers (Carry A Cake Across New York), Criterion Thea...

Small scale shows, nurtured in offbeat places, are becoming all the rage in the...

Expressionists: Kandinsky, Münter and the Blue Rider, Tate M...

In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...

Orbital, O2 Institute, Birmingham review - the techno titans...

On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in...

Fern Brady, Netflix Special review - sex, relationships and...

An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady...

Album: The Lemon Twigs - A Dream Is All We Know

The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s ...

Götterdämmerung, LPO, Jurowski, RFH review - outside looking...

Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed before the Southbank Br...

Music Reissues Weekly: Warsaw - Middlesbrough 14th September...

Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby,” their debut single,...

theartsdesk Q&A: Marco Bellocchio - the last maestro

The last of the old maestros is standing tall. Marco...

Testmatch, Orange Tree Theatre review - Raj rage, old and ne...

Cricket has always been a lens through which to examine the legacy of the British Empire. In the 1930s, the infamous Bodyline series saw the new...