fri 19/09/2025

Film Reviews

One Fine Morning review - Léa Seydoux stars in Mia Hanson-Løve's poignant love story

Markie Robson-Scott

In the first scene of Mia Hanson-Løve’s wonderful One Fine Morning, Sandra (Léa Seydoux in a minimal, nuanced performance), is trying to visit her father, Georg (Pascal Greggory), in his Paris flat. But, stuck on the other side, he can’t find the door or turn the key to let her in.

Read more...

Loving Highsmith review - documentary focused on the writer's lighter side

Helen Hawkins

Since her death in 1995, Patricia Highsmith has prompted three biographies, screeds of often conflicting psychological analysis and now this documentary from the Swiss-born Eva Vitija. We hear the director say at the outset that by reading her then-unpublished diaries she learned to love, not just the writing, but the writer, which not all commentators have managed to do.

Read more...

In the Court of the Crimson King: King Crimson at 50 review - Robert Fripp's iron claw

Graham Fuller

Whether grinding or eerie, bellicose or plaintive, the exquisite jazz- and classical-infused prog rock dirges disgorged by King Crimson over the last 54 years stand apart from the more accessible sounds made by their illustrious peers, including Pink Floyd, Jethro Tull, Yes, Genesis, Curved Air, and ELP. Given the discomfiting aesthetic of Crimson’s music – a fulminating anti-panacea, relentlessly modernistic – is it any wonder there was much misery in its making?

Read more...

Godland review - a sly saga

Nick Hasted

Iceland’s soul lies in its interior, a forbidding heartland which overwhelms 19th century Danish priest Lucas (Elliott Crosset Hove) on his ill-considered posting to this colonial backwater.

Read more...

Air review - great fun but no slam dunk

Demetrios Matheou

All the best sports movies are about more than just sport: the core might be friendship, romance, the battle against discrimination, the importance of following your dreams, of self-realisation and fulfilment, of fighting the corporate machine, of David v Goliath. Admirable themes, all. 

Read more...

LOLA review - stylish monochrome drama posits an alternative World War Two

Saskia Baron

Sometimes one admires a film without wholly loving it because the high level of craft displayed on screen holds at arms’ length emotional engagement with the story. LOLA is that kind of movie – an ingeniously devised tale of time-travel, set in 1941 and replete with World War Two newsreels that have been altered with all the digital skills its makers could summon.

Read more...

Hamlet, Bristol Old Vic On Screen review - faithful capture of a stage performance

Helen Hawkins

This is a Hamlet for fans of speed-dating. It comes in at just over the two-hour mark, which is standard for a feature film. But considering the uncut text runs to four hours, as it did in the 1996 Kenneth Branagh film (and his earlier stage production), big chunks of text have clearly gone missing.

Read more...

In the Middle review - the true grit of grassroots referees

Graham Fuller

In the Middle profiles 10 football officials who referee and run the line of lower-league games in south-west London and north-east Surrey. Pondering what drives these apparently sane individuals to do such an onerous job, director-producer Greg Cruttwell's documentary is a vibrant study in diversity and concomitant prejudice that benefits from his light touch.

Read more...

Law of Tehran review - visceral Iranian police thriller

Saskia Baron

Here in Europe we mainly see subtle, lyrical Iranian films, targeted at international festivals or art house audiences, so it’s great to get the chance to see Law of Tehran, a gritty and relentless police thriller that was a hit in its home country in 2019.  

Read more...

God's Creatures review - Irish drama with a touch of Greek tragedy

Demetrios Matheou

There’s something about the Irish coastal village that makes filmmakers see it as a perfect locale for tales of human emotion in extremis, from David Lean’s Ryan’s Daughter to Martin McDonagh’s Banshees of Inisherin. Perhaps it’s the tension between political discontent, privation and the gorgeous landscape that unsettles people, makes them behave badly. 

Read more...

Riotsville USA review - a training scheme with a tragic legacy

Helen Hawkins

Sierra Pettengill has made the politest angry film I have seen. It has an incendiary quality that comes precisely from its calm stance towards its material. This is a polemic, but one that burns steadily under the surface and asks the viewer to take a measured approach to its material.

Read more...

Things to Come, LSO, Strobel, Barbican review - blissful visions of the future

Bernard Hughes

Last night at the Barbican was my first experience of a film with live orchestra, which has become a big thing in the last few years. The film in question was Alexander Korda’s extraordinary HG Wells adaptation Things to Come, from 1936, imagining a century of the future.

Read more...

Antidote review - two films in one that lose sight of their message

Sarah Kent

“I believe Ayahuasca is something very deep,” says spiritual leader José López Sánchez in the documentary Antidote. “It’s not like selling palm oil or rubber. How many gringos have been healed with Ayahuasca? How many have discovered things about themselves and made positive changes? We should create an alliance with the Westerners; it would be a new path.”

Read more...

The Cow Who Sang a Song into the Future review - a sensually strange eco-fable

Nick Hasted

Francisca Alegría’s debut is an eco-fable about mourning and enduring love, for a mother and Mother Earth. We start by Chile’s River Cruces, where a mill pumps poison, and the fish hear a death-song in the previously “sweet and clear” water. Magdalena (Mia Maestro), who drowned herself here decades ago, breaks the surface, gasping and suddenly alive, and walks back into the world.

Read more...

John Wick: Chapter 4 review - is this the El Cid of shoot-'em-up movies?

Adam Sweeting

Since the first John Wick film from 2014 became an unexpected hit, the Wick franchise has blossomed into a booming business empire, also including comic books, video games and upcoming TV spin-offs. The title role has transformed Keanu Reeves, who remains guarded about his spiritual leanings, into the Zen master of action heroes.

Read more...

1976 review - dark, chilly Chilean thriller

Demetrios Matheou

It starts innocuously, with paint. A woman is sitting in a hardware store, studying a travel guide for colour ideas, while briefing the chap mixing her order. But then, amid the sound of the mixing machine, we hear a commotion on the street, a woman's voice cries “they are taking me”, doors are slammed. A dash of pink paint lands on the customer’s pristine blue shoe.

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Cho, LSO, Pappano, Barbican review - finely-focused stormy w...

It was a hefty evening, as it needn't necessarily have been throughout, since Shostakovich’s Ninth Symphony can conceal more darkness between the...

Dracula, Lyric Hammersmith review - hit-and-miss recasting o...

If a classic story is going to be told for the umpteenth time, there is a good bet it will come with a novel spin on it. So it proves...

The Code, Southwark Playhouse Elephant review - superbly cas...

Hot on the heels of Goodnight, Oscar comes another fictional meeting of real entertainment giants in Los Angeles, this time...

Can I get a Witness? review - time to die before you get old

Some time in the not too distant future, there are only two films on offer: Duck Soup, and, if you order the DVD in advance, ...

Reunion, Kiln Theatre review - a stormy night in every sense...

If you ever wanted to know what a mash up of Martin McDonagh and Conor McPherson, stirred (and there’s a lot of stirring in this...

The Lady from the Sea, Bridge Theatre review - flashes of br...

Like the lighting that crackles now and again to indicate an abrupt change of scene or mood, Simon Stone's version of The Lady from...

How to be a Dancer in 72,000 Easy Lessons, Teaċ Daṁsa review...

Anyone who has followed the trajectory of choreographer-director Michael Keegan-Dolan and his West Kerry-based company Teaċ Daṁsa (House of...

Happyend review - the kids are never alright

Perhaps only in Japan might it be thought the height of delinquency for a bunch of schoolkids is to spend the night sneaking back to school,...

Romans: A Novel, Almeida Theatre review - a uniquely extraor...

OMG! I mean OMG doubled!! This is amazing! Or is it? Can Alice Birch’s Romans: A Novel at the...