Markie Robson-Scott
Articles By Markie Robson-Scott
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Stiletto, Charing Cross Theatre review - new musical excess
That friend you have who hates musicals – probably male, probably straight, probably not seen one since The Sound of...
Apex Predator, Hampstead Theatre review - poor writing turns...
Motherhood is a high stress job. Ask any woman and they will tell you the same: sleepless nights, feeding problems and worry. Lots of worry. Lots...
Album: Elton John and Brandi Carlile - Who Believes in Angel...
Spring may have sprung, but there’s little in life to truly raise the sprits, so this week’s release of Who Believes in Angels? ...
Balanchine: Three Signature Works, Royal Ballet review - exu...
Is the Royal Ballet a “Balanchine company”? The question was posed at a recent Insight evening to Patricia Neary, the tireless dancer...
theartsdesk Q&A: filmmaker Joshua Oppenheimer on his apo...
Joshua Oppenheimer made his name directing two disturbing documentaries, The Act of Killing (2012) and The Look of Silence (2014...
Howard Amos: Russia Starts Here review - East meets West, vi...
Russia Starts Here: Real Lives in the Ruin of Empire, the journalist Howard Amos’ first book, is a prescient and fascinating examination...
DVD/Blu-ray: The Substance
“I knew I wanted all the effects practical and made for real. The movie is about flesh and bones, about women’s bodies.”
Coralie Fargeat,...
A Working Man - Jason Statham deconstructs villains again
The typical Jason Statham movie character – muscular, resourceful, drily humorous – could probably carve an army into mincemeat using a few odds...
Connolly, BBC Philharmonic, Paterson, Bridgewater Hall, Manc...
The BBC Philharmonic took its Saturday night audience on a journey into French sonic luxuriance – in reverse order of historical formation,...