Markie Robson-Scott

Articles By Markie Robson-Scott

Downhill review - American remake wanders off-piste Saturday, 29 February 2020 Read more...	Midnight Family review - a thrilling documentary set in Mexico City Saturday, 22 February 2020 Read more...
Show Me the Picture: The Story of Jim Marshall review - needles, guns and grass Saturday, 01 February 2020 Read more...	DVD/Blu-ray: Bait Monday, 27 January 2020 Read more...
Waves review - pulsating, rapturous, devastating Friday, 17 January 2020 Read more...	Deadwater Fell, Channel 4 review - dark murder mystery in a Scottish village Saturday, 11 January 2020 Read more...
Rosamund Lupton: Three Hours review - gripping thriller with a Macbeth twist Saturday, 04 January 2020 Read more...	Pink Wall review - scattered scenes from a tortuous relationship Saturday, 14 December 2019 Read more...
Greener Grass review - American suburbia goes haywire in surreal dark comedy Friday, 22 November 2019 Read more...	Vienna Blood, BBC Two review - psychoanalysis and murder in turn-of-the-century Vienna Tuesday, 19 November 2019 Read more...
Guilt, BBC Two review - dark Scottish comedy starring Mark Bonnar and Jamie Sives Wednesday, 30 October 2019 Read more...	Monos review - teenage guerrillas raising havoc Thursday, 24 October 2019 Read more...
Hitsville: the Making of Motown - a thrilling celebration of the record label's heyday Tuesday, 01 October 2019 Read more...	Phoenix review - Norwegian family tragedy with an autobiographical slant Saturday, 14 September 2019 Read more...
Heartbreak Holiday, BBC One review - can it match up to Love Island? Wednesday, 21 August 2019 Read more...	Train Your Baby Like A Dog, Channel 4 review - an animal behaviourist tackles tantrums Tuesday, 20 August 2019 Read more...

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Troilus and Cressida, Globe Theatre review - a 'problem...

The Globe’s authenticity is its USP, so don’t expect the air-conditioning, the plush seats and the expectant hush of the National...

Album: Mobb Deep - Infinite

Eight years after Prodigy’s untimely passing, Mobb Deep are gracing our sound systems once again with unreleased vocals and brand new music. With...

London Film Festival 2025 - crime, punishment, pop stars and...

Wake Up Dead Man: A Knives Out Mystery

The third of Rian Johnson’s Knives Out...

I Swear review - taking stock of Tourette's
People sometimes go to the movies for the violence and maybe even for the sex. Until recently they didn’t particularly buy a ticket for...

Clarkston, Trafalgar Theatre review - two lads on a road to...
If you’re a Gen Zer, you’ve probably heard of Heartstopper’s Joe Locke. I’m pretty sure ATG’s Gen Xers in...

Album: Boz Scaggs - Detour
Boz Scaggs rarely does a less than wonderful album. His latest is an exemplary collection of smooth and soulful standard and a few other choice...

Carmen, English National Opera review - not quite dangerous
“Safe” is a word used far too often in ENO’s bizarre new version of a programme, full of uncredited articles, at least two of which look as if...

Ghost Stories, Peacock Theatre review - spirited staging but...
In the framing device, a professor (Jonathan Guy Lewis) stands at a lectern and asks if anyone has had a supernatural experience....

Emily A. Sprague realises a Japanese dream on 'Cloud Ti...
The history of experimental musicians from Europe and North America adopting Japanese aesthetics is … patchy. It got especially dodgy in the 1990s...