mon 22/07/2024

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Heart of an Oak review - an adventure film starring a tree and its inhabitants

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In the Eye of the Storm: Modernism in Ukraine 1900-1930s, Royal Academy review - famous avant-garde Russian artists who weren't Russian after all

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Francis Alÿs: Ricochets, Barbican review - fun for the kids, yet I was moved to tears

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Gavin Jantjes: To Be Free, Whitechapel Gallery review - a sweet and sour response to horrific circumstances

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Wilding review - a life enhancing experience

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Judy Chicago: Revelations, Serpentine Gallery review - art designed to change the world

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Now You See Us: Women Artists in Britain 1520-1920, Tate Britain review - a triumph

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Expressionists: Kandinsky, Münter and the Blue Rider, Tate Modern review - a missed opportunity

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Stephen review - a breathtakingly good first feature by a multi-media artist

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Fantastic Machine review - photography's story from one camera to 45 billion

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Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight

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The Last Year of Darkness review - a loving portrait of a Chengdu gay bar

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Driving Mum review - a dark comedy that has you laughing out loud

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Sargent and Fashion, Tate Britain review - portraiture as a performance

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Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction

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Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years

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latest in today

Red Speedo, Orange Tree Theatre review - two versions of Ame...

Before Lucas Hnath wrote Red Speedo, he had heard a 2004 speech at a hearing investigating baseball doping that declared the...

Album: Kevin Fowley - À Feu Doux

“Ne pleure pas, Jeannette” is a version of the 15th-century French song "La pernette se lève." It tells the story of Jeannette, whose parents want...

In A Violent Nature review - inverted slasher is fascinating...

A group of young people rent a cabin in the woods. A masked killer lingers nearby. Surely you know how the rest unfolds. The...

Music Reissues Weekly: Barry Ryan - The Albums 1969-1979

In April 1985, The Damned’s Dave Vanian was speaking with Janice Long on her BBC Radio 1 show. He said “Barry Ryan and Paul Ryan have been sadly...

ECHO, LIFT 2024, Royal Court review - enriching journey into...

The Iranian playwright Nassim Soleimanpour is many things, some seemingly contradictory: a) a clever, poetic playwright who uses high-...

Crossing review - a richly human journey of discovery

Crossing is a remarkable step forward for Swedish-Georgian...

First Night of the Proms, BBCSO, Chan review - from the subl...

The first night of the BBC’s 2024 Proms season was illuminated by the blazing brilliance of Isata Kanneh-Mason’s performance of Clara Schumann’s...

The Hot Wing King, National Theatre review - high kitchen-st...

There’s an exuberant comedy from the start in Katori Hall’s The Hot Wing King, which comes to London after an initial...

Janet Planet review - teasing dissection of a mother-daughte...

Fans of American playwright Annie Baker’s work know what they are likely to get in her film debut as a writer-director: slow-paced...