sat 24/05/2025

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

The Last Musician of Auschwitz review - a haunting testament

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Do Ho Suh: Walk the House, Tate Modern review - memories are made of this

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Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängers

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Hylozoic/Desires: Salt Cosmologies, Somerset House and The Hedge of Halomancy, Tate Britain review - the power of white powder

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Mickalene Thomas, All About Love, Hayward Gallery review - all that glitters

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Donald Rodney: Visceral Canker, Whitechapel Gallery review - absence made powerfully present

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Noah Davis, Barbican review - the ordinary made strangely compelling

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Best of 2024: Visual Arts

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Nocturnes review - the sounds of the rainforest transport you a remote region of the Himalayas

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Electric Dreams: Art and Technology Before the Internet, Tate Modern review - an exhaustive and exhausting show

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Snow Leopard review - clunky visual effects mar a director's swansong

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ARK: United States V by Laurie Anderson, Aviva Studios, Manchester review - a vessel for the thoughts and imaginings of a lifetime

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Vanessa Bell, MK Gallery review - diving into and out of abstraction

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The Last of the Sea Women review - a moving tale of feisty traditional divers

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Lygia Clark: The I and the You, Sonia Boyce: An Awkward Relation, Whitechapel Gallery review - breaking boundaries

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Mike Kelley: Ghost and Spirit, Tate Modern review - adolescent angst indefinitely extended

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Mrs. Warren's Profession, Garrck Theatre review - mothe...

How do you make Bernard Shaw sear the stage anew? You can trim the text, as the director Dominic Cooke has, bringing this prolix writer's 1893...

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Morcheeba reach their 30th anniversary this year. The 1990s...

The Phoenician Scheme review - further adventures in the idi...

It’s not what he says, it’s the way he says it. Few filmmakers have bent the term “auteur” to their own ends more boldly than...

Album: Ammar 808 - Club Tounsi

Ammar 808 is the high octane vehicle for the Tunisian-born producer Sofyann Ben Youssef, now based in Denmark. His first album Maghreb United...

Mission: Impossible - The Final Reckoning review - can this...

Whether it is or isn’t the final Mission: Impossible film, there’s a distinct fin-de-siècle feel about this eighth instalment, and not...

Code of Silence, ITVX review - inventively presented reality...

In the guided tour of Britain’s cathedral cities that is the primetime TV...

The Crucible, Shakespeare's Globe review - stirring acc...

A society ruled by hysteria. Lurid lies that carry more currency than reality. There’s no shortage of reasons that...

Pixies, O2 Academy, Birmingham review - indie veterans pack...

Pixies might just be the ultimate Radio 6 Dad band. They’ve been around (on-and-off) for around 40 years; they’ve got a fine back catalogue of...

Album: Sports Team - Boys These Days

How do you solve a problem like Sports Team? Taking them at face value, they’re a living metaphor for the slow music biz relegation of the working...