wed 24/04/2024

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Stephen review - a breathtakingly good first feature by a multi-media artist

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Fantastic Machine review - photography's story from one camera to 45 billion

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Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight

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The Last Year of Darkness review - a loving portrait of a Chengdu gay bar

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Driving Mum review - a dark comedy that has you laughing out loud

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Sargent and Fashion, Tate Britain review - portraiture as a performance

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Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction

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Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years

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When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun

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The Settlers review - a western populated only by anti-heroes

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Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past

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Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations

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The Disappearance of Shere Hite review - the rise and fall of a woman who dared to explore female sexuality

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Queendom review - an LGBTQ+ performance artist takes to the streets of Moscow in protest

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Women in Revolt!, Tate Britain review - a super important if overwhelming show

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A World in Common: Contemporary African Photography, Tate Modern review - pulling out the stops to address issues around cultural identity

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latest in today

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Album: Mdou Moctar - Funeral for Justice

Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of...

Blue Lights Series 2, BBC One review - still our best cop sh...

The first season of Blue Nights was so close to ...

Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - ench...

Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital...

Jonn Elledge: A History of the World in 47 Borders review -...

In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world –...

DVD/Blu-Ray: Priscilla

There’s a scene in Priscilla where Elvis stands above his wife, who is scrambling to put her clothes in a suitcase. Priscilla has just...

Špaček, BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manch...

Billed as a “Viennese Whirl”, this programme showed that there are different kinds of music that may be known to the orchestral canon as coming...

Banging Denmark, Finborough Theatre review - lively but conf...

What would happen if a notorious misogynist actually fell in love? With a glacial Danish librarian? And decided his best means of...

Album: Fred Hersch - Silent, Listening

The previous solo piano solo album from Fred Hersch, one of the world’s great...

Music Reissues Weekly: Linda Smith - I So Liked Spring, Noth...

Three years ago, the release of Till Another Time 1988-1996 generated a thumbs up. A compilation of recordings by the Baltimore and/or...