mon 27/06/2022

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Vivian Maier: Anthology, MK Gallery review - what an amazing eye!

Read more...

Whitstable Biennale review - a breath of fresh air

Read more...

The Camera Is Ours - Britain's Women Documentary Makers review - four decades of directors rediscovered

Read more...

Cornelia Parker, Tate Britain review – divine intelligence

Read more...

Walter Sickert, Tate Britain review - all the world's a stage

Read more...

Ali Cherri: If you prick us, do we not bleed?, National Gallery review - cabinets of curiosity

Read more...

River review – gorgeous visuals and a timely message: so what’s not to like?

Read more...

The Metamorphosis of Birds review - picture perfect

Read more...

Surrealism Beyond Borders, Tate Modern review - a disappointing mish mash

Read more...

Postwar Modern: New Art in Britain 1945-65, Barbican review - revelations galore

Read more...

A Century of the Artist's Studio, Whitechapel Gallery review - a voyeur's delight

Read more...

Louise Bourgeois: The Woven Child, Hayward Gallery review - the wife, the mistress, the daughter and the art that came out of it

Read more...

America in Crisis, Saatchi Gallery review - a country in jeopardy

Read more...

Francis Bacon: Man and Beast, Royal Academy review – a life lived in extremis

Read more...

Kehinde Wiley, National Gallery review - more than meets the eye

Read more...

Lubaina Himid, Tate Modern review – more explication please

Read more...

Pages

latest in today

The Rolling Stones, BST Hyde Park review - let it rock!

A few spots of rain greeted the arrival of the...

Mad House, Ambassadors Theatre review - David Harbour is mag...

For sheer extremes of family dysfunction Theresa Rebeck’s Mad House must be aiming to set new records in American drama. The latest in a...

Eric Ravilious: Drawn to War review - a lovingly crafted doc...

There’s a sharp observation, delivered in Alan Bennet’s soft tones, that sums up the reputation of the painter Eric Ravilious: “Because his...

Music Reissues Weekly: Whatever You Want - Bob Crewe's...

In 1965, Bob Crewe was living alongside Central Park in...

George Fu, St Martin-in-the-Fields review - high intellect a...

Semi-standing ovation at a lunchtime concert in a London church? Predictable, perhaps, from the first recital I heard George Xiaoyuan Fu give at...

Mieko Kawakami: All the Lovers in the Night review - the raw...

Mieko Kawakami is the champion of the loner. Since achieving immense success in the UK with her translated works, she has become an indie fiction...

Album: James Vincent McMorrow - The Less I Knew

An artist with a myriad of strings to his bow – gifted wordsmith, multi-instrumentalist, captivating...

Elvis review - Austin Butler shines in patchy biopic

Strictly Ballroom aside, I’ve never been entirely persuaded by...