mon 26/02/2024

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Sargent and Fashion, Tate Britain review - portraiture as a performance

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Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction

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Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years

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When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun

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The Settlers review - a western populated only by anti-heroes

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Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past

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Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations

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The Disappearance of Shere Hite review - the rise and fall of a woman who dared to explore female sexuality

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Queendom review - an LGBTQ+ performance artist takes to the streets of Moscow in protest

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Women in Revolt!, Tate Britain review - a super important if overwhelming show

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A World in Common: Contemporary African Photography, Tate Modern review - pulling out the stops to address issues around cultural identity

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Beyond Utopia review - harrowing escape stories vividly captured with live footage

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El Anatsui: Behind the Red Moon, Tate Modern review - glorious creations

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RE/SISTERS: A Lens on Gender and Ecology, Barbican review - women fighting to protect the environment

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Hiroshi Sugimoto: Time Machine, Hayward Gallery review - a Japanese photographer uses droll humour to ask big questions

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Turner Prize 2023, Towner Eastbourne review - four contestants strike a sombre mood

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latest in today

Album: The Bevis Frond - Focus on Nature

Musically, the assured Focus on Nature knows exactly what it is. Fuzzy,...

Manon Lescaut, English Touring Opera review - a nightmare in...

Opera in Britain is currently cursed by funders, politicians and ideologues – of right and left – who heartily detest the form. Alas, some...

First Person: Ten Years On - Flamenco guitarist Paco Peña pa...

There are moments that forever remain imprinted in our consciousness, engraved on the general map of our lives. I cannot forget the excitement of...

Music Reissues Weekly: Blank Generation, Just Want To Be Mys...

“I hate it, so I guess Eater have succeeded.” NME’s March 1977 appraisal of the debut single by UK punk's teen sensations was direct...

Wicked Little Letters review - sweary, starry film is mostly...

A splendid cast struggle to make something coherent out of Wicked Little Letters, the latest film from Thea Sharrock who not that long...

Sánchez, National Symphony Orchestra, Martín, National Conce...

Ravel’s Boléro, however well you think you know it, usually wows in concert with its disconcerting mix of sensuality, fun and violence....

Sargent and Fashion, Tate Britain review - portraiture as a...

At the turn of the 20th century, London’s smart set queued up to get their...

Uproar, Rafferty, Royal Welsh College, Cardiff review - a ra...

It’s not often one comes out of a concert of mainly new works with a spring in one’s step. A sigh of relief is rather more usual. But this concert...

The Big Life, Stratford East review - big-hearted musical br...

Is there a healthier sound than that of laughter ringing round a theatre? 

There are plenty of opportunities to...