thu 09/02/2023

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Theaster Gates - A Clay Sermon, Whitechapel Gallery review - mud, mud, glorious mud

Read more...

Isamu Noguchi, Barbican review – the most elegant exhibition in town

Read more...

Gerhard Richter: Drawings, Hayward Gallery review - exquisite ruminations

Read more...

Mixing it Up, Hayward Gallery review - a glorious celebration of diversity

Read more...

The Story of Looking review – bedside musings on how and what we see

Read more...

The Lost Leonardo review - an incredible tale as gripping as any thriller

Read more...

Sophie Taeuber-Arp, Tate Modern review - a creative talent that knew no bounds

Read more...

El Father Plays Himself review – a roller coaster ride of mixed emotions

Read more...

The Most Beautiful Boy in the World review - a harrowing tale vividly told

Read more...

Afterness, Orford Ness review - a breath of fresh air, literally

Read more...

Bank Job review - an inspirational look at finance

Read more...

Matthew Barney: Redoubt, Hayward Gallery review - the wild west revisited

Read more...

David Hockney / Michael Armitage, Royal Academy review - painting with an iPad vs brushes and paint

Read more...

Eileen Agar, Whitechapel Gallery review - a free spirit to the end

Read more...

The Human Voice review - an intense half-hour that pulls no punches

Read more...

Stray review - a delightful portrait of a dog named Zeytin

Read more...

Pages

latest in today

Catherine Cohen, Brighton Komedia review - songs and New Yor...

Catherine Cohen made quite an impact at the 2019 Edinburgh Fringe, where she won best newcomer in the Edinburgh Comedy Awards for The Twist?...

Les Rencontres de Bamoko, Mali review - imagining another fu...

During morning and evening rush hour, Bamako seizes up under the pressure of all the cars, motorbikes, trucks and buses, bringing the three...

Album: You Me At Six - Truth Decay

It would seem that we’ve been overdue a dose of that awkward teens years nostalgia as all three of Fall Out Boy, Paramore, and their UK Emo/Pop-...

Dmitri Alexeev, Leighton House review - shadows and light fr...

You can brush aside any problems septuagenarian pianists may have in the toughest repertoire, especially if they give you more than glimpses of...

Linck & Mülhahn, Hampstead Theatre review - problems as...

With the total loss of its Arts Council funding,...

Town of Strangers review - a whimsical foray into the meanin...

“They say there are only two stories,” explains ...

Album: Amber Arcades - Barefoot On Diamond Road

In this context, what’s named “diamond road” is a metaphor for staying on course rather than, as the lyrics of the song “Diamond Road” put it,...

Eliza Carthy and The Restitution, Barbican review - folk at...

Eliza Carthy has been busy, as she always has. Recording various albums with various artists during the pandemic, her show with her band, The...

Fabienne Verdier, The Song of the Stars (Le chant des étoile...

I have wanted to visit the Musée Unterlinden in Colmar for many years: the home of Matthias Grünewald’s masterpiece, the Isenheim Altarpiece (1512...

DVD: Babylon Berlin, Season Four

It’s coming up for two years since some of us watched the first three seasons of what’s increasingly coming to seem like television’s greatest...