Sarah Kent

Bio

Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Heart of an Oak review - an adventure film starring a tree and its inhabitants Friday, 05 July 2024 Read more...	In the Eye of the Storm: Modernism in Ukraine 1900-1930s, Royal Academy review - famous avant-garde Russian artists who weren't Russian after all Wednesday, 03 July 2024 Read more...
Francis Alÿs: Ricochets, Barbican review - fun for the kids, yet I was moved to tears Friday, 28 June 2024 Read more...	Gavin Jantjes: To Be Free, Whitechapel Gallery review - a sweet and sour response to horrific circumstances Wednesday, 19 June 2024 Read more...
Wilding review - a life enhancing experience Thursday, 13 June 2024 Read more...	Judy Chicago: Revelations, Serpentine Gallery review - art designed to change the world Friday, 31 May 2024 Read more...
Now You See Us: Women Artists in Britain 1520-1920, Tate Britain review - a triumph Tuesday, 28 May 2024 Read more...	Expressionists: Kandinsky, Münter and the Blue Rider, Tate Modern review - a missed opportunity Tuesday, 30 April 2024 Read more...
Stephen review - a breathtakingly good first feature by a multi-media artist Wednesday, 24 April 2024 Read more...	Fantastic Machine review - photography's story from one camera to 45 billion Saturday, 20 April 2024 Read more...
Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight Wednesday, 17 April 2024 Read more...	The Last Year of Darkness review - a loving portrait of a Chengdu gay bar Tuesday, 12 March 2024 Read more...
Driving Mum review - a dark comedy that has you laughing out loud Tuesday, 27 February 2024 Read more...	Sargent and Fashion, Tate Britain review - portraiture as a performance Saturday, 24 February 2024 Read more...
Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction Wednesday, 21 February 2024 Read more...	Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years Friday, 16 February 2024 Read more...

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Concerts need to have themes, it seems, today, and the BBC Philharmonic’s publicity suggested two contrasting ideas for the opening of its 2025-26...

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The tour by the 81-year-old Mulatu Astatke which is currently under way and this album seem to be giving off different...

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Sarah Kent

Articles By Sarah Kent

Heart of an Oak review - an adventure film starring a tree and its inhabitants

In the Eye of the Storm: Modernism in Ukraine 1900-1930s, Royal Academy review - famous avant-garde Russian artists who weren't Russian after all

Francis Alÿs: Ricochets, Barbican review - fun for the kids, yet I was moved to tears

Gavin Jantjes: To Be Free, Whitechapel Gallery review - a sweet and sour response to horrific circumstances

Wilding review - a life enhancing experience

Judy Chicago: Revelations, Serpentine Gallery review - art designed to change the world

Now You See Us: Women Artists in Britain 1520-1920, Tate Britain review - a triumph

Expressionists: Kandinsky, Münter and the Blue Rider, Tate Modern review - a missed opportunity

Stephen review - a breathtakingly good first feature by a multi-media artist

Fantastic Machine review - photography's story from one camera to 45 billion

Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight

The Last Year of Darkness review - a loving portrait of a Chengdu gay bar

Driving Mum review - a dark comedy that has you laughing out loud

Sargent and Fashion, Tate Britain review - portraiture as a performance

Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction

Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years

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