fri 08/08/2025

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Ai Weiwei: Making Sense, Design Museum review - a deep sense of loss permeates this show

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Berthe Morisot: Shaping Impressionism, Dulwich Picture Gallery review - lightning speed brushwork by an Impressionist maestro

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Antidote review - two films in one that lose sight of their message

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After Impressionism: Inventing Modern Art, National Gallery review - an impressive tour de force

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The Ugly Duchess: Beauty and Satire in the Renaissance, National Gallery review - put in context, a much-loved picture reveals its complexity

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Mike Nelson: Extinction Beckons, Hayward Gallery review - spooky installations by a master of detail

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Peter Doig, Courtauld Gallery review - the good, the bad and the unfinished

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Action Gesture Paint, Whitechapel Gallery review - a revelation and an inspiration

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Town of Strangers review - a whimsical foray into the meaning of home

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Best of 2022: Visual Arts

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Magdalena Abakanowicz, Tate Modern review - a forest of huge and imposing presences

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Making Modernism, Royal Academy review - a welcome if confusing intro to seven lesser known artists

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William Kentridge, Royal Academy review - from art to theatre, and back again

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Lucian Freud: New Perspectives, National Gallery review - a powerful punch in the gut

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Remote review - an irredeemably silly first feature

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Hallyu! The Korean Wave, V&A review - frenetic but fun

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Peaky Blinders: The Redemption of Thomas Shelby, Rambert, Sa...

If you have never watched a single episode of the BBC period gangster drama Peaky Blinders, I am not sure what you would make...

Weapons review - suffer the children

Weapons’ enigmatic title, as with Zach...

Good Night, Oscar, Barbican review - sad story of a Hollywoo...

Back in the day, when America’s late-night chat show hosts and their guests sat happily smoking as they shot the breeze for a growing...

Kolesnikov, Tsoy / Liu, NCPA Orchestra, Chung, Edinburgh Int...

Say what you like about this year’s slimmer-than-usual ...

Edinburgh Fringe 2025 reviews - Jacob Nussey / Phil Green

Jacob Nussey, Pleasance Courtyard ...

Album: The Black Keys - No Rain, No Flowers

For a band who started by entirely self-producing their own records and performing in basements...

Edinburgh Fringe 2025 reviews - Rob Auton / Saaniya Abbas

Rob Auton, Assembly Roxy ★...

BBC Proms: Láng, Cser, Budapest Festival Orchestra, Ivan Fis...

“Some are born to sweet delight, some are born to endless night,” quoth Blake. Beethoven and Bartók knew both...

Wilderness Festival 2025 review - seriously delirious escapi...

Wilderness is the kind of festival where you can overhear a conversation about the philosophical implications of rewilding whilst queuing...