sun 07/09/2025
Home > users

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Léon Spilliaert, Royal Academy review - a maudlin exploration of solitude

Tuesday, 10 March 2020 Read more...

Among the Trees, Hayward Gallery review - a mixture of euphoria and dismay

Saturday, 07 March 2020 Read more...

Nicolaes Maes: Dutch Master of the Golden Age, National Gallery review – beautifully observed vignettes

Thursday, 05 March 2020 Read more...

Push review – lifting the lid on the housing crisis

Wednesday, 26 February 2020 Read more...

Masculinities: Liberation through Photography, Barbican review – a must-see exhibition

Monday, 24 February 2020 Read more...

Steve McQueen, Tate Modern review – films that stick in the mind

Friday, 14 February 2020 Read more...

Radical Figures: Painting in the New Millennium, Whitechapel review - ten distinctive voices

Tuesday, 11 February 2020 Read more...

Darren Waterston: Filthy Lucre, V&A review - a timely look at the value of art

Saturday, 08 February 2020 Read more...

Imran Perretta, Chisenhale Gallery review - a deeply affecting film

Tuesday, 04 February 2020 Read more...

Eco-Visionaries, Royal Academy review - wakey, wakey!

Saturday, 23 November 2019 Read more...

Lucian Freud: The Self-Portraits, Royal Academy review - mesmerising intensity

Sunday, 27 October 2019 Read more...

Pre-Raphaelite Sisters, National Portrait Gallery review – a fascinating glimpse behind the scenes

Monday, 21 October 2019 Read more...

Great Women Artists review - the book we have been waiting for

Sunday, 13 October 2019 Read more...

Anna Maria Maiolino: Making Love Revolutionary, Whitechapel Gallery review – a gentle rebellion

Thursday, 10 October 2019 Read more...

Into the Night: Cabarets and Clubs in Modern Art, Barbican review - great theme, disappointing show

Tuesday, 08 October 2019 Read more...

Kara Walker: Fons Americanus, Tate Modern review – a darkly humorous gift

Thursday, 03 October 2019 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Ganavya, Barbican review - low-key spirituality intimacy

At the start or her show, the white-robed singer Ganavya does something unusual: while other performers usually warm their audience up before...

Music Reissues Weekly: Chiswick Records 1975-1982 - Seven Ye...

Chiswick Records 1975-1982 - Seven Years at 45 RPM is a triple album marking the 50th anniversary of the first release...

I Fought the Law, ITVX review - how an 800-year-old law was...

ITV continues its passion for docudramas about injustice, which you can’t...

theartsdesk at the Lahti Sibelius Festival - early epics by...

It’s weird, if wonderful, that vibrant young composers at the end of the 19th century should have featured death so prominently in their hero-...

Deaf Republic, Royal Court review - beautiful images, shame...

The Ukraine war is not the only place of horror in the world, but it does present a challenge to theatre makers who want to respond to events that...

Classical CDs: Sleigh rides, pancakes and cigars

 

...

Album: Josh Ritter - I Believe in You, My Honeydew

Americana rocker Josh Ritter can write a beautiful song....

Laura Benanti: Nobody Cares, Underbelly Boulevard Soho revie...

Laura Benanti has been enchanting Broadway audiences for several decades now, and London has this week been let in on the secret that recently...

Waley-Cohen, Manchester Camerata, Pether, Whitworth Art Gall...

Manchester Camerata is enhancing its reputation for pioneering with three performances featuring Nick Martin’s new Violin Concerto, which it has...