Sarah Kent
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.
Articles By Sarah Kent
latest in today
Brancusi Pompidou Centre, Paris review - founding father of...
120 sculptures, and so much more: the current Brancusi blockbuster at the Centre Pompidou, the first large Paris show of the Romanian-born...
CVC, Concorde 2, Brighton review - they have the songs and t...
The joy of CVC, when they catch fire, is the zing of gatecrashing a gang of cheeky, very individual personalities having their own private party....
Hallé, Wong, Bridgewater Hall, Manchester review - meeting a...
Kahchun Wong, the Hallé’s principal conductor from the coming autumn season, presided in the Bridgewater Hall for the first time yesterday since...
Extract: Pariah Genius by Iain Sinclair
Iain Sinclair is a writer, film-maker, and psychogeographer extraordinaire. He began his career in the poetic avant-garde of the Sixties and...
Nezouh review - seeking magic in a war
The 21st century learnt afresh about the reality of carpet-bombed cities thanks to the Syrian civil war, which began in 2011. And the...
Album: Dua Lipa - Radical Optimism
This album has a lot to live up to. Its predecessor Future Nostalgia came along just as the Covid crisis was properly kicking...
Laughing Boy, Jermyn Street Theatre review - impassioned agi...
On the morning of the press show of Laughing Boy, the BBC news website’s top story was about the abuse of children with learning...
Guildhall School Gold Medal 2024, Barbican review - quirky-w...
While the Royal College of Music Symphony Orchestra were performing Messiaen’s Turangalîla-Symphonie – weirdly, despite its size...
Album: Sia - Reasonable Woman
Sia has well and truly stepped into her power. Gone are the days of releasing songs that were pitched to megastars but turned down (“This Is...
Minority Report, Lyric Hammersmith Theatre review - ill-judg...
Towards the end of David Haig’s new adaptation of Philip...