tue 03/12/2024

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Kiss My Genders, Hayward Gallery review – a shambles

Read more...

Eating Animals review - a compelling tale of imminent disaster

Read more...

Natalia Goncharova, Tate Modern review - a prodigious talent

Read more...

Lee Krasner: Living Colour, Barbican review - jaw-droppingly good

Read more...

Mike Nelson, The Asset Strippers, Tate Britain review – exhilarating reminder of industrial might

Read more...

The Thread, Russell Maliphant & Vangelis, Sadler’s Wells review – an inspiring marriage of old and new

Read more...

Dorothea Tanning, Tate Modern review – an absolute revelation

Read more...

Ray & Liz review - beautifully shot portrait of poverty

Read more...

Franz West, Tate Modern review - absurdly exhilarating

Read more...

Bon Voyage, Bob, Tanztheater Wuppertal Pina Bausch, Sadler's Wells review - interminable ennui

Read more...

Phyllida Barlow: Cul-de-sac, Royal Academy review - unadulterated delight

Read more...

Don McCullin, Tate Britain review - beastliness made beautiful

Read more...

América review - a joyous portrait of young men caring for their aged grandmother

Read more...

Bill Viola/Michelangelo: Life Death Rebirth, Royal Academy review - empty rhetoric versus focused intensity

Read more...

Edwin Landseer / Rachel Maclean, National Gallery review - a juxtaposition of opposites

Read more...

Lost Treasures of Strawberry Hill review - a brave attempt to recreate an important collection

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Currie, Hallé, Wong, Bridgewater Hall, Manchester review - s...

Kahchun Wong’s final concert of 2024 in the Hallé Manchester season was something of a surprise. At first sight, the sparkle in the programme...

Blu-ray: Juggernaut

That Juggernaut is as good as it is seems in hindsight to have been a happy accident. Inspired by a bomb hoax on the QE2 in 1972, the...

Rigoletto, Irish National Opera / Murrihy, Collins, NCH Dubl...

How many Rigolettos have regular operagoers among you sat through where there wasn’t some major defect, in either the production or the...

Electric Dreams: Art and Technology Before the Internet, Ta...

Last month a portrait of Alan Turing by AI robot AI-Da sold at Sotheby’s for $1.08 million – proof that, in some people’s eyes, artificial...

Album: Panelia - Nothing and All At Once

Nothing and All at Once is the debut album from New Delhi...

Music Reissues Weekly: John Cale - The Academy in Peril, Par...

The return to shops of a consecutive sequence of five of John Cale's Seventies albums through different labels is undoubtedly coincidental. All...

Blu-ray: Black Tuesday

The universal fear of dying is the theme of Black Tuesday, a terse, bleak 1954 thriller that is belatedly being recognized as a major...

The Importance of Being Earnest, National Theatre review - n...

If Harold Pinter’s work represents, as he slyly joked, the weasel under the cocktail cabinet, then...

Conclave review - secrets and lies in the Vatican's inn...

“You either got faith or you got unbelief, and there ain’t no neutral ground,” as Bob Dylan sang, but Cardinal Lawrence (Ralph Fiennes) isn’t...