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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Bill Viola/Michelangelo: Life Death Rebirth, Royal Academy review - empty rhetoric versus focused intensity

Friday, 25 January 2019 Read more...

Edwin Landseer / Rachel Maclean, National Gallery review - a juxtaposition of opposites

Tuesday, 04 December 2018 Read more...

Lost Treasures of Strawberry Hill review - a brave attempt to recreate an important collection

Saturday, 27 October 2018 Read more...

Modern Couples, Barbican review - an absurdly ambitious survey of artist lovers

Saturday, 13 October 2018 Read more...

Elmgreen & Dragset, Whitechapel Gallery review – when is a door not a door ?

Saturday, 06 October 2018 Read more...

Kusama - Infinity review - amazing tale of survival against the odds

Thursday, 04 October 2018 Read more...

The Everyday and the Extraordinary, Towner Art Gallery, Eastbourne review - the ordinary made strange

Thursday, 04 October 2018 Read more...

Space Shifters, Hayward Gallery review - seeing is not always believing

Friday, 28 September 2018 Read more...

Turner Prize 2018, Tate Britain review - a shortlist dominated by political issues

Tuesday, 25 September 2018 Read more...

Renzo Piano, Royal Academy review - worth the effort

Friday, 14 September 2018 Read more...

Under the Wire review - risking everything to tell the world the truth

Wednesday, 05 September 2018 Read more...

The New Royal Academy and Tacita Dean, Landscape review - a brave beginning to a new era

Friday, 18 May 2018 Read more...

Formosa, Cloud Gate Dance Theatre of Taiwan, Sadler’s Wells review - perfect in every detail

Friday, 11 May 2018 Read more...

Shape of Light, Tate Modern review - a wasted opportunity

Thursday, 03 May 2018 Read more...

Leaving Home, Coming Home: A Portrait of Robert Frank review - the artist puts himself in the frame

Monday, 30 April 2018 Read more...

Taryn Simon: An Occupation of Loss, Islington Green review - divine lamentation

Tuesday, 24 April 2018 Read more...

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