sat 27/07/2024

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Trajal Harrell: Hoochie Koochie, Barbican review - flamboyant and mesmerising

Read more...

Rose Finn-Kelcey: Life, Belief and Beyond, Modern Art Oxford review - revelation and delight

Read more...

Portraying a Nation, Tate Liverpool review – an inspired juxtaposition

Read more...

The Seasons in Quincy: Four Portraits of John Berger review - voyages round a giant

Read more...

Fahrelnissa Zeid, Tate Modern review - rediscovering a forgotten genius

Read more...

A Handful of Dust, Whitechapel Gallery review - grime does pay

Read more...

Grayson Perry: The Most Popular Art Exhibition Ever! Serpentine Gallery

Read more...

Geta Bratescu, Camden Arts Centre

Read more...

Mary Magdalene: Art's Scarlet Woman, review - 'lugubrious'

Read more...

How To Be a Surrealist with Philippa Perry, review - 'exhilarating'

Read more...

DVD: Revolution - New Art for a New World

Read more...

Paula Rego: Secrets and Stories review - 'in pictures you can let all your rage out'

Read more...

Gillian Wearing and Claude Cahun, National Portrait Gallery

Read more...

Revolution: Russian Art 1917-1932, Royal Academy

Read more...

Lubaina Himid, Modern Art Oxford and Spike Island, Bristol

Read more...

Terrains of the Body, Whitechapel Gallery

Read more...

Pages

latest in today

Album: Meshell Ndegeocello - No More Water: The Gospel of Ja...

Meshell Ndegeocello's groundbreaking new album No More Water: The Gospel of James Baldwin takes you on a musical journey which defies...

Lady in the Lake, Apple TV+ review - a multi-layered Baltimo...

Laura Lippman’s source novel for Apple’s new drama became a New York Times bestseller when it was published in 2019, and director Alma Har’el’s...

Twisters review - satisfyingly cataclysmic storm-chaser saga

“Blow, winds, and crack your cheeks!” urged King Lear, accompanied by the Fool, on the blasted heath. But that’s not quite snappy enough for the...

The Echo review - a beautiful but confusing look at life in...

El Eco (The Echo) is a small village in Mexico’s central...

Album: Isabell Gustafsson-Ny - Rosenhagtorn

In a discussion recently a friend compared generative...

About Dry Grasses review - warts and all portrait of an unha...

Nuri Bilge Ceylan’s latest is a test of stamina: a 3hr 15min study of a man paralysed...

Album: 137 - Strangeness Oscillations

Something of a jazz supergroup this one: with drum virtuoso, the...

Prom 6, Verdi's Requiem, BBCNOW, Bancroft review - runn...

Returning after ten months to the unique vasts of Albert’s colosseum, especially for a Verdi Requiem as powerful as this and a packed hall, felt...

10 Questions for DJ-producer Dave Clarke

Dave Clarke (b. 1968) is, arguably, Britain’s greatest techno...

The Butterfly House, Clonter Opera review - Puccini in biogr...

For 50 years Clonter Opera, the song-on-the-farm project in rural Cheshire, has been encouraging would-be...