sat 27/07/2024

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Taryn Simon: An Occupation of Loss, Islington Green review - divine lamentation

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Sutra, Sadler’s Wells review – a masterpiece 10 years on

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Joan Jonas, Tate Modern review - work as elusive as it is beautiful

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Tacita Dean: Portrait, National Portrait Gallery / Still Life, National Gallery review - film as a fine art

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Another Kind of Life, Barbican review - intense encounters with marginal lives

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Mark Dion: Theatre of the Natural World, Whitechapel Gallery review - handsome installations

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Come to Dust: Glenn Brown, Gagosian Gallery review - seductive and disturbing

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Human Flow review - two hours of human misery

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Imagine... Rachel Whiteread: Ghosts in the Room, BBC Two review - making memories solid

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Rose Wylie: Quack Quack, Serpentine Gallery - anarchy at 83

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The Machines of Steven Pippin, The Edge, University of Bath review - technology as poetry

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Red Star Over Russia, Tate Modern review – fascinating history in a nutshell

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Ilya and Emilia Kabakov, Tate Modern review – funny, moving and revelatory

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Basquiat: Boom for Real, Barbican review - the myth explored

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Rachel Whiteread, Tate Britain review – exceptional beauty

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Final Portrait review - utterly convincing portrayal of an artist at work

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Lady in the Lake, Apple TV+ review - a multi-layered Baltimo...

Laura Lippman’s source novel for Apple’s new drama became a New York Times bestseller when it was published in 2019, and director Alma Har’el’s...

Twisters review - satisfyingly cataclysmic storm-chaser saga

“Blow, winds, and crack your cheeks!” urged King Lear, accompanied by the Fool, on the blasted heath. But that’s not quite snappy enough for the...

The Echo review - a beautiful but confusing look at life in...

El Eco (The Echo) is a small village in Mexico’s central...

Album: Isabell Gustafsson-Ny - Rosenhagtorn

In a discussion recently a friend compared generative...

About Dry Grasses review - warts and all portrait of an unha...

Nuri Bilge Ceylan’s latest is a test of stamina: a 3hr 15min study of a man paralysed...

Album: 137 - Strangeness Oscillations

Something of a jazz supergroup this one: with drum virtuoso, the...

Prom 6, Verdi's Requiem, BBCNOW, Bancroft review - runn...

Returning after ten months to the unique vasts of Albert’s colosseum, especially for a Verdi Requiem as powerful as this and a packed hall, felt...

10 Questions for DJ-producer Dave Clarke

Dave Clarke (b. 1968) is, arguably, Britain’s greatest techno...

The Butterfly House, Clonter Opera review - Puccini in biogr...

For 50 years Clonter Opera, the song-on-the-farm project in rural Cheshire, has been encouraging would-be...

Album: The Very Things GXL - Mr Arc-Eye (Under a Cellophane...

Back in the mid-80s, a group of lads from Worcestershire, who’d previously been known as the Cravats, were putting an exceedingly strange spin on...