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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Anna Maria Maiolino: Making Love Revolutionary, Whitechapel Gallery review – a gentle rebellion

Thursday, 10 October 2019 Read more...

Into the Night: Cabarets and Clubs in Modern Art, Barbican review - great theme, disappointing show

Tuesday, 08 October 2019 Read more...

Kara Walker: Fons Americanus, Tate Modern review – a darkly humorous gift

Thursday, 03 October 2019 Read more...

Beuys' Acorns, Bloomberg Arcade London review – not much to look at, but important all the same

Friday, 19 July 2019 Read more...

Olafur Eliasson: In Real Life, Tate Modern review – beautiful ideas badly installed

Saturday, 13 July 2019 Read more...

Félix Vallotton: Painter of Disquiet, Royal Academy review – strange and intriguing

Saturday, 29 June 2019 Read more...

Kiss My Genders, Hayward Gallery review – a shambles

Thursday, 13 June 2019 Read more...

Eating Animals review - a compelling tale of imminent disaster

Saturday, 08 June 2019 Read more...

Natalia Goncharova, Tate Modern review - a prodigious talent

Wednesday, 05 June 2019 Read more...

Lee Krasner: Living Colour, Barbican review - jaw-droppingly good

Monday, 03 June 2019 Read more...

Mike Nelson, The Asset Strippers, Tate Britain review – exhilarating reminder of industrial might

Thursday, 21 March 2019 Read more...

The Thread, Russell Maliphant & Vangelis, Sadler’s Wells review – an inspiring marriage of old and new

Monday, 18 March 2019 Read more...

Dorothea Tanning, Tate Modern review – an absolute revelation

Saturday, 09 March 2019 Read more...

Ray & Liz review - beautifully shot portrait of poverty

Wednesday, 06 March 2019 Read more...

Franz West, Tate Modern review - absurdly exhilarating

Thursday, 28 February 2019 Read more...

Bon Voyage, Bob, Tanztheater Wuppertal Pina Bausch, Sadler's Wells review - interminable ennui

Tuesday, 26 February 2019 Read more...

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This five-parter by Rebecca Miller is essential viewing for any...

Madama Butterfly, Irish National Opera review - visual and v...

Emotional truth backed up by musical sophistication is what saves Puccini’s drama about a geisha deserted by an American officer from mawkishness...

Hallé John Adams festival, Bridgewater Hall / RNCM, Manchest...

Am I dreaming? Did I really see a living composer of...

'Vicious Delicious' is a tasty, burlesque-rockin...

Three of last year’s finest singles were by Luvcat, a classy-but-naughty Eartha Kitt-style bad girl steeped in burlesque-rock’n’roll spirit. In...

theartsdesk at Wexford Festival Opera 2025 - two strong prod...

A drawback of choosing relatively or very obscure operas, as they've been mostly doing in Wexford Festival since 1951, is that the audiences...

Bach's B minor Mass, Irish Baroque Orchestra, Whelan, C...

The greatest procession of mass movements ever composed merits the best line-up of soloists, both vocal and instrumental, as well as the perfect...

Kaploukhii, Greenwich Chamber Orchestra, Cutts, St James...

To St James’s Piccadilly to hear the young pianist Misha Kaploukhii give an impressive performance of Beethoven’s Fourth Piano Concerto,...

Music Reissues Weekly: Hawkwind - Hall of the Mountain Grill

Issued in September 1974, Hall of the Mountain Grill was Hawkwind’s fifth LP. The follow-up to 1973’s live double album...

The Line of Beauty, Almeida Theatre review - the 80s revisit...

Alan Hollinghurst's 2004 novel The Line of Beauty finds a distinct beauty all its own in this long-awaited Almeida Theatre premiere...