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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Beuys' Acorns, Bloomberg Arcade London review – not much to look at, but important all the same

Friday, 19 July 2019 Read more...

Olafur Eliasson: In Real Life, Tate Modern review – beautiful ideas badly installed

Saturday, 13 July 2019 Read more...

Félix Vallotton: Painter of Disquiet, Royal Academy review – strange and intriguing

Saturday, 29 June 2019 Read more...

Kiss My Genders, Hayward Gallery review – a shambles

Thursday, 13 June 2019 Read more...

Eating Animals review - a compelling tale of imminent disaster

Saturday, 08 June 2019 Read more...

Natalia Goncharova, Tate Modern review - a prodigious talent

Wednesday, 05 June 2019 Read more...

Lee Krasner: Living Colour, Barbican review - jaw-droppingly good

Monday, 03 June 2019 Read more...

Mike Nelson, The Asset Strippers, Tate Britain review – exhilarating reminder of industrial might

Thursday, 21 March 2019 Read more...

The Thread, Russell Maliphant & Vangelis, Sadler’s Wells review – an inspiring marriage of old and new

Monday, 18 March 2019 Read more...

Dorothea Tanning, Tate Modern review – an absolute revelation

Saturday, 09 March 2019 Read more...

Ray & Liz review - beautifully shot portrait of poverty

Wednesday, 06 March 2019 Read more...

Franz West, Tate Modern review - absurdly exhilarating

Thursday, 28 February 2019 Read more...

Bon Voyage, Bob, Tanztheater Wuppertal Pina Bausch, Sadler's Wells review - interminable ennui

Tuesday, 26 February 2019 Read more...

Phyllida Barlow: Cul-de-sac, Royal Academy review - unadulterated delight

Saturday, 23 February 2019 Read more...

Don McCullin, Tate Britain review - beastliness made beautiful

Monday, 11 February 2019 Read more...

América review - a joyous portrait of young men caring for their aged grandmother

Friday, 08 February 2019 Read more...

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'We are bowled over!' Thank you for your messages... ...
The Pitchfork Disney, King's Head Theatre review - blaz...

Ever wondered if there was one moment when in-yer-face theatre started? Well, yes there was; there was one play that kicked off that whole 1990s...

Supersonic Festival 2025, Birmingham review - a deep dive in...

The annual Supersonic Festival is a major jewel in ...

Album: Faithless - Champion Sound

Although they haven’t had a hit single in almost 20 years, Faithless remain a potent commercial force, continuing to rack up festival headline...

The Guest, BBC One review - be careful what you wish for

Why isn’t Eve Myles a superstar? Though well known for her appearances in the likes of Torchwood, Broadchurch and the brilliant...

Born with Teeth, Wyndham's Theatre review - electric sp...

The title refers to a line in Henry VI, Part III: the future Richard III boasts that midwives cried, "Oh Jesus bless us, he is born with...

Album: Saint Etienne - International

International is Saint Etienne’s 13th album. It is their last. According to the promotional material, it was written while recording...

BBC Proms: Barruk, Norwegian Chamber Orchestra, Kuusisto rev...

Every year, the Royal Albert Hall proves complicit in the magic of the quietest utterances if, as Barenboim put it, you let the audience come to...

Blu-ray: The Graduate

Can a film’s classic status expire, or be rescinded? If it can, I’d say The Graduate is a potential candidate.

...

BBC Proms: Alexander’s Feast, Irish Baroque Orchestra, Whela...

Many Londoners would already have experienced the musicality incarnate of Peter Whelan and his Irish Baroque Orchestra. A smaller ensemble rocked...